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Also designated Toybox #2. -- Source of annotation: Marvin or Ruth Sackner.

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This is a book in the Chapbook series of the press. -- Source of annotation: Marvin or Ruth Sackner.

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The school notebook format for this book was designed by Eleanor Antin. This is the first edition of the author's first book. -- Source of annotation: Marvin or Ruth Sackner.

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This book appears to be an autobiographical-based experimental novel with a large cast of characters. The protagonist, Jim Arch, appears to be based upon jas h. duke and Ann who is Anna Blume. The Sackner Archive holds two artist books done by her. The end of their romance on the final page parodies the Molly Bloom's speech at the end of James Joyce's Ulysses: Is it all over now? said Ann. Yes said Jim.Yes I think so. Yes I'm certain. Yes.The time period of this novel vacillates between the time that the novel was written to a much earlier time such as the 17th century. The well known characters include Janis Joplin, Spiderman, Daniel Webster, Ben Franklin, Jonathan Swift, Oblomov, and Lord Byron among others. This book is printed in a many divergents layouts. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book appears to be an autobiographical-based experimental novel with a large cast of characters. The protagonist, Jim Arch, appears to be based upon jas h. duke and Ann who is Anna Blume. The Sackner Archive holds two artist books done by her. The end of their romance on the final page parodies the Molly Bloom's speech at the end of James Joyce's Ulysses: Is it all over now? said Ann. Yes said Jim.Yes I think so. Yes I'm certain. Yes.The time period of this novel vacillates between the time that the novel was written to a much earlier time such as the 17th century. The well known characters include Janis Joplin, Spiderman, Daniel Webster, Ben Franklin, Jonathan Swift, Oblomov, and Lord Byron among others. This book is printed in a many divergents layouts. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Publishers Weekly: "Nobelist Coetzee's 19th book features a stand-in for himself: Senor C, a white 72-year-old South African writer living in Australia who has written Waiting for the Barbarians. C falls into a metaphysical passion for his sexy 29-year-old Filipina neighbor, Anya, and quickly plots to spend more time with her by offering her a job as his typist. C's latest project is a series of political and philosophical essays, and Coetzee divides each page of the present novel in three: any given page features a bit of an essay (often its title and opening paragraph) at the top; C's POV in the middle; and Anya's voice at the bottom. C's opinions in the essays are mostly on the left (he despises Bush, Blair & Co., and is opposed to the Iraq War) and they bore Anya, who wants something less lofty. Meanwhile, Anya's lover, Alan"”a smart, conservative 42-year-old investment consultant who's good in the sack, and who stands for everything C despises"”becomes increasingly...

Scope and Contents This is the first edition of the book. Lost Books synopsis: Who invented the miniskirt? What avant-garde artist made a film of 200 human behinds? Why is a themepark a work of art? Who turned a urinal upside down, mounted it to a board, and submitted it to an art exhibit, signed "R. Mutt"?Our era is one of nearly constant innovation and change. The new is constantly pushing aside the old; and the once unimaginable-even the once ridiculed-is now commonplace. A Dictionary of the Avant-Gardes recognizes that change is a driving force in all the arts. It covers major trends in music, dance, theater, film, visual art, sculpture, and performance art--as well as architecture, science, and culture. Entries are divided between important individuals and trends and movements. Each entry includes a complete bibliography, discography, and videography; works list; and appropriate web links. The book is richly illustrated with original art works and an 8-page color insert. For anyone with an...

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The Sackner Archive is cited as a reference in the bibliography of concrete poetry on page 132 and visual poetry on page 648. -- Source of annotation: Marvin or Ruth Sackner.

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Arno Schmidt, considered by many to be the "German James Joyce," was born in 1914 and died in 1979. This book is printed in the form of the writer's corrected typewritten manuscript. This is one of Schmidt's "superbooks," a large format novel with unusual page layouts, illustrations, and puns a'plenty. Nowhere near as difficult as Zettel's Traum or Evening Edged in Gold, it's a rollicking tale of culture-clash set in the near future (with an extended flashback to 1969), and features a typical Schmidt protagonist (a walking encyclopedia of an old codger), two delightful 17-year-old girls, a visiting American Secretary of State nicknamed Isis, and many more. -- Source of annotation: Marvin or Ruth Sackner.

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This book has several pages with text composed of punctuation marks and mathematical symbols. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This novel is printed as a facsimile of the typewritten manuscript with its experimental layouts. From the Publisher: "Double or Nothing" is a concrete novel in which the words become physical materials on the page. Federman gives each of these pages a shape or structure, most often a diagram or picture. The words move, cluster, jostle, and collide in a tour de force full of puns, parodies, and imitations. Within these startling and playful structures Federman develops two characters and two narratives. These stories are simultaneous and not chronological. The first deals with the narrator and his effort to make the book itself; the second, the story the narrator intends to tell, presents a young man's arrival in America. The narrator obsesses over making his narrative to the point of not making it. All of his choices for the story are made and remade. He tallies his accounts and checks his provisions. His questioning and indecision force the reader into another radical sense of...

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The first printing of this 3rd edition took place in 1992; this is the second printing. The first (Swallow Press) and second O(Greno Verlag) editions are also held by gthe Sacknsr Archive. This third typeset edition edion does not well reflect the typewritten form of the first edition. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This novel is printed as a facsimile of the typewritten manuscript with its experimental layouts. From the Publisher: "Double or Nothing" is a concrete novel in which the words become physical materials on the page. Federman gives each of these pages a shape or structure, most often a diagram or picture. The words move, cluster, jostle, and collide in a tour de force full of puns, parodies, and imitations. Within these startling and playful structures Federman develops two characters and two narratives. These stories are simultaneous and not chronological. The first deals with the narrator and his effort to make the book itself; the second, the story the narrator intends to tell, presents a young man's arrival in America. The narrator obsesses over making his narrative to the point of not making it. All of his choices for the story are made and remade. He tallies his accounts and checks his provisions. His questioning and indecision force the reader into another radical sense of...

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This book describes the world travel of an African-American that is written by an African-American author. It has a chapter and two small sections of experimental fiction in terms of a African-American language dialect and page layout, respectively. -- Source of annotation: Marvin or Ruth Sackner.

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First published in French in 1970 by Editions Gallimard, "this novel of atrocity and extreme obscenity is set in the dirt of a majestically tainted zone of the Algerian desert in a time of civil warfare.. and brings scenes of brutal violence into intimate collision with relentless acts of prostitutional sex and degradation." Guyotat writes in a style of stream of consciousness without structured sentences in obscene, harsh, descriptive language. There are no periods ending sentences; only semi-colons, commas and dashes are employed as punctuation marks. The book was banned in France for eleven years. The novel is a collection of phrases. -- Source of annotation: Marvin or Ruth Sackner.