Experimental fiction
Found in 565 Collections and/or Records:
Saturday / Depew, Wally., 2003
Schastrommel, Die: Biometrische Texte. No.12/Aug / Dominik Steiger., 1974
This periodical was edited by Gunter Brus. The presentation of the calligraphic, silkscreen drawings in black ink that appear on 70 pages are reminiscent of Albrecht Genin's drawings -- Source of annotation: Marvin or Ruth Sackner.
Schatzsuch und Reiseberucht; Band 1 zeit sein und frei haben / Hainke, Wolfgang ; Dittmar R ; Williams E., 1990
This is a reworked children's book in which the pages have been folded to contain loose sheets and cards. -- Source of annotation: Marvin or Ruth Sackner.
Schrift nach Europa / Kutter, Marcus ; Gerstner K., 1957
This novel was written from 1954 - 1956 by Kutter. The book design and illustrations were done by Karl Gerstner. The frontpiece of the book depicts its title as fragmented text with a concrete poetic appearance like Mon's concrete poems in the sixties. -- Source of annotation: Marvin or Ruth Sackner.
Schritte: der traum meiner verkommenheit. No.4 / Christa Reinig., 1961
Schritte: Durch die Runse auf den Redder. No.10 / Kriwet, Ferdinand., 1965
Schwarmgesang - Szenen fur die poetische Buhne, 1978
Schwarmgesang - Szenen fur die poetische Buhne / Mayrocker, Friederike., 1978
Score: Erotilogic: TWA Digs Under Paris. No.2 / Miekal And ; Elizabeth Was., 1984
This issue was edited by Crag Hll and Bill DiMichele. And & Was provide a story that consists of a commentary on sexual relations which is accompanied by photocopied photographs and calligraphic drawings. -- Source of annotation: Marvin or Ruth Sackner.
Seasons: a Homer-erotic Thriller, 2001
This is the prototype novel of psychosexual intrigue and sexual abuse. The letter from Jan McLaughlin to the Sackners thanks them for hiring and firing her from work as assistant to the curator of the Archive so that she could produce something of substance in her life as writer, poet and performer in New York. -- Source of annotation: Marvin or Ruth Sackner.
See the Old Lady Decently, 1975
This is semi-biographical novel of Johnson's mother. It was last novel written by Johnson who committed suicide shortly after its release. Michael Bakewell wrote an introductory essay that provides an explanation of the story. The shaped, concrete poems portray a breast as a metaphor for the cause of Johnson's mother's death from breast cancer. -- Source of annotation: Marvin or Ruth Sackner.
Selected Poems: 1963-1973 / Antin, David., 1991
Serious Dissertations on Something or Other / Cobbing, Bob., 1989
This is the second edition of the book first published earlier in the year. It consists of interviews devised with the cut-up technique. -- Source of annotation: Marvin or Ruth Sackner.
Sidetripping, 1975
Sleepers Awake, 1946
This is the first trade edition in a gray cloth cover. -- Source of annotation: Marvin or Ruth Sackner.
Smiles on Washington Square, 1985
Includes a clipping of a review that appeared in the Sunday New York Times Book Review. -- Source of annotation: Marvin or Ruth Sackner.
So, 1988
Some of It / Mairowitz, David, editor ; Lebel JJ ; Mitchell A ; Burroughs WS ; Miles ; Weissner C ; Gysin B ; Ginsberg A ; Nuttall J ; McClure M ; Kupferberg T., 1969
Silver mylar foil dust jacket. Themes deal with revolution, homosexuality, and underground press. -- Source of annotation: Marvin or Ruth Sackner.
Space Stations / The Funeral Journal / Friedman, Ed., 2001
This is the author's reminiscence of his father's life and funeral interspaced with actual conversations of an astronaut with a ground station controller. -- Source of annotation: Marvin or Ruth Sackner.
Species of Abandoned Light / Berry, Jake ; Foley J., 1995
Foley contributes an Afterword in which he points out that Berry phrases juxtaposed to other phrases may have nothing to do with each other. Foley indicates that readers identify the value of a text with its unity but Berry's text is deliberately & fundamentally incoherent - though it is not insane. Berry is not under the delusion that his text makes sense whereas in fact it does not. It is a glimpse of chaos that allows us to hold our minds, without danger, in constant perception of a powerful force, -- Source of annotation: Marvin or Ruth Sackner.