Higgins died in Quebec at a sound poetry colloquium one day after performing a piece that involved screaming as loudly as possible for as long as possible. -- Source of annotation: Marvin or Ruth Sackner.

Theme of exhibition was mainly Fluxus music. -- Source of annotation: Marvin or Ruth Sackner.

The page by Ann Noel resembles the "I" painting held by the Sackner Archive. No two I's are typographically repeated in this work. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue was first conceived on the occasion of the exhibition "Geoffrey Hendricks, For Brian Buczak, in Memoriam" in Dorf Tyrol, Merano, Italy in 1997. It was re-published in 2003 in conjunction with the exhibition "Geoffrey Hendricks, Accidental Significance: Collaboration with Brian Buczak" at the Emily Harvey Gallery, New York. -- Source of annotation: Marvin or Ruth Sackner.

Higgins related at a symposium on Portuguese concrete and visual poetry at Yale University, New Haven, CT, that the name "Great Bear" originated from the name of a water cooler at Something Else Press - wanted pamphlets to refreshing just like the water from the Great Bear water cooler. -- Source of annotation: Marvin or Ruth Sackner.

Lists multiples, publications, prints, catalogues and ephemera of Fluxus. -- Source of annotation: Marvin or Ruth Sackner.

The keys presumably unlock the door of the museum. The colophon reads, ...is a box of mauricio nannuccci (1971) published by adlers editions in 30 copies signed and numbered in malmo sweden autumn 1983 -- Source of annotation: Marvin or Ruth Sackner.