This print has the same letter forms as do the other three prints in the series but is printed with a blue color in top 25% that blends to a yellow color in middle 50% that blends to a red color in lower 25%. -- Source of annotation: Marvin or Ruth Sackner.

This print is housed in a brown paper portfolio with "House Press" and its logo silkscreened onto it along four other prints. -- Source of annotation: Marvin or Ruth Sackner.

The collage consists of seven pieces of text cut in triangular shapes stapled together at the bottom. -- Source of annotation: Marvin or Ruth Sackner.

Depicts a roughly cut, black, large letter "A" on a background letter "A" cut from German printed text. -- Source of annotation: Marvin or Ruth Sackner.

Produced to coincide with the 3rd annual WHIPlash poetry festival in Ottawa. -- Source of annotation: Marvin or Ruth Sackner.

This book consist of the capital letters A and B separated by a vertical line being rotated frame by frame, one frame to a page, in a circular motion. -- Source of annotation: Marvin or Ruth Sackner.

The suite of 28 prints/drawings are stored in one single folder. -- Source of annotation: Marvin or Ruth Sackner.

Also designated Byron Press Pamphlet Series No.5. -- Source of annotation: Marvin or Ruth Sackner.

This print is housed in a brown paper portfolio with "House Press" and its logo silkscreened onto it along four other prints. -- Source of annotation: Marvin or Ruth Sackner.

This page consist sof a frame of collaged, engraved abstracted men's heads surrounding a center section of 50 pale blue painted tile-like blocks as if the figures are seated around a table.The poem reads, "the table, - everybody correct, - accurate persons put together - correct conversation ; Grenville soon relieved of his awful partner - Lady Ashford deliver me from you to-night" -- Source of annotation: Marvin or Ruth Sackner.

On the right side of the collage, a running abstracted figure made from old papers with black and white engravingsis depicted. The same figure made from fragmented text appears on the left side of the collage. The poem reads: "At last a letter, - and a prospect; - a prospect of pleasure - to merge with pleasure after pleasure - night acceptance. Night saw her hasten towards a man---a corpulent man," This poem probably signifies Phillips meeting his wife Fiona in the night after work at their house in Oxford. -- Source of annotation: Marvin or Ruth Sackner.

The drawing depicts a quilt made from calling cards of prostitutes who leave their cards in telephone booths of the Soho section of London. Phillips made several large collages using this material at the time the drawing was made. The poem reads "in Styria hard and dirty - the Princess under three legs - came and came - come Princess - come to our room to be beaten again - she came - long and wild - and came hard." -- Source of annotation: Marvin or Ruth Sackner.

This is the first globe made by Phillips. It contains poetic fragments of "A Humument" texts that create imaginative continents, oceans and star maps. -- Source of annotation: Marvin or Ruth Sackner.

On this page, Phillips has collaged vertical strips of text from the same second page from A Human Document. The texts are pasted over a large painted X. The newly formed text create a fragmented language. -- Source of annotation: Marvin or Ruth Sackner.

Described as a profoundly wounded book, Spector has torn the edge of each page with his characteristic technique of "leaving a shredded field of typographic characters" which can read as the pages are turned but not when visualized on opening its cover. This is not a found book, but a page of text written by Spector printed initially by Phillip Gallo, then reprinted on 181 pages by Brad Freeman, torn by Spector, and finally bound by Jill Levine. -- Source of annotation: Marvin or Ruth Sackner.

This work depicts six poems arranged in a grid. It relates to a sculptural work also held by the Sackner Archive that was exhibited in the Apollinaire ICA exhibition in London 1968. -- Source of annotation: Marvin or Ruth Sackner.