Fragmented text
Found in 1083 Collections and/or Records:
Homage to Reznikoff 1894 - 1976 / Finlay, Ian Hamilton., 1997
This dedication to the poet, Charles Reznikoff, reads on one page, "uneven water woven," and the other has a cloth embroidered label, "woven" sewn on the page. -- Source of annotation: Marvin or Ruth Sackner.
Homage to Sound Poetry, 1980
Hong Kong Tales, 1996
Wolf writes that "the Asian appearance of the text is created by overprinting a German text, inspired by stories told by the artist's German speaking son, who lives as a journalist in Hong Kong." Five distinct, folded booklets are fastened to the front (black) and back (red) covers; there is no spine. The book is wrapped with 2 colored paper tapes which are held by the long wooden stick. -- Source of annotation: Marvin or Ruth Sackner.
Horizont, 1978
The poem is slanted downward to the right and translates as "My Horizon." Designated as blatt 55.78. -- Source of annotation: Marvin or Ruth Sackner.
Hot Taters and Razzmatazz / Radin, Betty., 1997
In this book, Radin manipulated the pages of an English book, "London Cries," on a photocopying machine. -- Source of annotation: Marvin or Ruth Sackner.
Hourglass: The Rhythm of Traces, 1998
The poet describes his work as visual/musical rhythms. The left pages are mostly composed of punctuation marks of varied type dimensions and the right pages are mostly poems with arrangements of words in clusters. Also designated Seeing Eye ooks Series II, Book 2. Some of the images in this book are also printed Sandri's "Capitolo Zero." a book also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
household word arranger, 1999
Household Word Arranger, 1999
Housepress Card: fEEl. No.11 / Derek Beaulieu., 1999
Hulk, 1985
Human Right$ / Knotek, Anatol., 2014
Hungry Zipper: at the dance. No.7/Jan / Joe Blades., 1991
One copy is only a broadside, the other copy has a title page and image and is bound in an acetate folder. -- Source of annotation: Marvin or Ruth Sackner.
Hungry Zipper: at the dance. No.7/Jan / Joe Blades., 1991
This copy has a dedication page [for Sha(u)nt Basmajian] and image and is bound in an acetate folder. -- Source of annotation: Marvin or Ruth Sackner.
Hybrid Laughter / spence, pete ; Jandl E., 2002
In one poem in this pamphlet, spence does "A Humument" treatment of a text for a homage to the artist, Helen Frankenthaler. -- Source of annotation: Marvin or Ruth Sackner.
Hybrid Laughter / spence, pete ; Jandl E., 2002
In one poem in this pamphlet, spence does "A Humument" treatment of a text for a homage to the artist, Helen Frankenthaler. -- Source of annotation: Marvin or Ruth Sackner.
I Forgot My Flesh over the Slicer Machine, 1984
[i] / spence, pete., 2002
[I was a trophy wife], 1992
The piece has writing on it in two places, reading, "I was a trophy wife" and "After us the savage god."
ICA Bulletin. No.138-139/Aug- / Butler B ; Miro J ; Eluard P ; Tilson Jo ; Reinhardt A., 1964
Ad Reinhardt contributed a manifesto entitled, "Who is Responsible for Ugliness?" -- Source of annotation: Marvin or Ruth Sackner.
Iconogramma [1] / Ferro, Luigi., 1967
The word VIVA has been printed, overprinted, and fragmented. -- Source of annotation: Marvin or Ruth Sackner.