El Lissitzky's "Beat the Whites with the Red Wedge" is described and documented. The dimensions of this poster which are smaller than the one in the Lenin Library more closely fit with the example held by the Sackner Archive. It probably should be considered a second state of the original lithograph. The annotation notes ... "several identical examples which have recently come to light." The offered example was owned by Solomon Telingater. -- Source of annotation: Marvin or Ruth Sackner.

This is the catalogue for the inaugural exhibition of the museum. -- Source of annotation: Marvin or Ruth Sackner.

This is a reprint of the book first published in 1923. Luciano Caruso provides a critical essay. -- Source of annotation: Marvin or Ruth Sackner.

Gigli and Jamar 14 the same poet. The single page fold-out in this book is a contemporaneous Futurist poem, printed in red, and a homage to Giuliano Della Casa. -- Source of annotation: Marvin or Ruth Sackner.

Gigli and Jamar 14 the same poet. The single page fold-out in this book is a contemporaneous Futurist poem, printed in red, and a homage to Giuliano Della Casa. -- Source of annotation: Marvin or Ruth Sackner.

Gigli and Jamar 14 the same poet. The single page fold-out in this book is a contemporaneous Futurist poem, printed in red, and a homage to Giuliano Della Casa. This copy is unnumbered. -- Source of annotation: Marvin or Ruth Sackner.

Gigli and Jamar 14 are the same poet. The single page fold-out in this book is a contemporaneous Futurist poem, printed in red, and a homage to Giuliano Della Casa. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue depicts the following works that are also held by the Sackner Archive:e "Zang Tumb Tumb" by Marinetti, "Caffe Concerto" by Cangiullo, "Numero Unico Futurista Campari" and by Depero and G. Gerbino. -- Source of annotation: Marvin or Ruth Sackner.

These books feature a compendium of one of the largest number of reproduced pages of Parole In Liberta. It includes several pages reproduced from books that are also held by the Sackner Archive including Zang Tumb Tuum, Lacerba, Les Mots en Liberte F Buzzi; Caffe Concerto by Cangiullo; Depero Futurista and Numero Unico Futurista Campari by Depero; Bif/ZF+18 by Soffici; Baionette by D'Alba; Zang Tumb Tuum and L'Anguria Lirica by d'Albisola among others. -- Source of annotation: Marvin or Ruth Sackner.

The drawing is a Parole in Liberta visual poem of a mountain by Cangiullo. -- Source of annotation: Marvin or Ruth Sackner.

The purpose of this book is to explore Futurism outside the major centers, viz., Milan, Florence and Rome. Bohn provides the original text in Italian along with his English translation of several Parole in Liberta. -- Source of annotation: Marvin or Ruth Sackner.

The purpose of this book is to explore Futurism outside the major centers, viz., Milan, Florence and Rome. Bohn provides the original text in Italian along with his English translation of several Parole in Liberta. -- Source of annotation: Marvin or Ruth Sackner.

Checklist for the exhibition of magazines from the European avant garde. Several of these periodicals are held by the Sackner Archive including Lacerba, Blast, Sic, Anthologie Dada, and Der Dada. -- Source of annotation: Marvin or Ruth Sackner.

Checklist for the exhibition of works from international experimental artists and writers curated by Barbara Moore and Jon Hendricks. -- Source of annotation: Marvin or Ruth Sackner.

This book is a study of Polish avant garde poetry between the two world wars. It includes several poems in Polish and their English translations along with a critical analysis. -- Source of annotation: Marvin or Ruth Sackner.

This book presents shaped texts dating from ancient to contemporary times. Ancient poems are reproduced from Aramaic, Chinese, Japanese, Malayan, Burmese, Tibetan, Urdu, Indian, Sanskrit, Ethipian, Moroccan, Persian, Arabic, Turkish, Armenian, Hebrew, Greek, Latin, German, English, and Hungarian cultures. Bowler's introduction examines the dominant themes of the material. -- Source of annotation: Marvin or Ruth Sackner.

Also designated No.2 in Poesia e Prosa Rara o Inedita. Cover was designed by Pavanello. Presents poems of Pietro Silvio Rivetti also known as Toddi, a futurist poet who worked in the twenties. A caricature of Toddi in 1929 by Onorato is reproduced in a photocopied colored print. Belloli provides a critical introduction to Toddi's works. -- Source of annotation: Marvin or Ruth Sackner.