Scope and Contents

Gigli and Jamar 14 the same poet. The single page fold-out in this book is a contemporaneous Futurist poem, printed in red, and a homage to Giuliano Della Casa. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Gigli and Jamar 14 the same poet. The single page fold-out in this book is a contemporaneous Futurist poem, printed in red, and a homage to Giuliano Della Casa. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Gigli and Jamar 14 the same poet. The single page fold-out in this book is a contemporaneous Futurist poem, printed in red, and a homage to Giuliano Della Casa. This copy is unnumbered. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Gigli and Jamar 14 are the same poet. The single page fold-out in this book is a contemporaneous Futurist poem, printed in red, and a homage to Giuliano Della Casa. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This catalogue depicts the following works that are also held by the Sackner Archive:e "Zang Tumb Tumb" by Marinetti, "Caffe Concerto" by Cangiullo, "Numero Unico Futurista Campari" and by Depero and G. Gerbino. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

These books feature a compendium of one of the largest number of reproduced pages of Parole In Liberta. It includes several pages reproduced from books that are also held by the Sackner Archive including Zang Tumb Tuum, Lacerba, Les Mots en Liberte F Buzzi; Caffe Concerto by Cangiullo; Depero Futurista and Numero Unico Futurista Campari by Depero; Bif/ZF+18 by Soffici; Baionette by D'Alba; Zang Tumb Tuum and L'Anguria Lirica by d'Albisola among others. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The drawing is a Parole in Liberta visual poem of a mountain by Cangiullo. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The purpose of this book is to explore Futurism outside the major centers, viz., Milan, Florence and Rome. Bohn provides the original text in Italian along with his English translation of several Parole in Liberta. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The purpose of this book is to explore Futurism outside the major centers, viz., Milan, Florence and Rome. Bohn provides the original text in Italian along with his English translation of several Parole in Liberta. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Checklist for the exhibition of magazines from the European avant garde. Several of these periodicals are held by the Sackner Archive including Lacerba, Blast, Sic, Anthologie Dada, and Der Dada. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Checklist for the exhibition of works from international experimental artists and writers curated by Barbara Moore and Jon Hendricks. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book is a study of Polish avant garde poetry between the two world wars. It includes several poems in Polish and their English translations along with a critical analysis. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book presents shaped texts dating from ancient to contemporary times. Ancient poems are reproduced from Aramaic, Chinese, Japanese, Malayan, Burmese, Tibetan, Urdu, Indian, Sanskrit, Ethipian, Moroccan, Persian, Arabic, Turkish, Armenian, Hebrew, Greek, Latin, German, English, and Hungarian cultures. Bowler's introduction examines the dominant themes of the material. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Also designated No.2 in Poesia e Prosa Rara o Inedita. Cover was designed by Pavanello. Presents poems of Pietro Silvio Rivetti also known as Toddi, a futurist poet who worked in the twenties. A caricature of Toddi in 1929 by Onorato is reproduced in a photocopied colored print. Belloli provides a critical introduction to Toddi's works. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

A note on post-it from Marilyn Schmidt accompanied this copy. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Edited by Massimo Carra. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This is a reprint of a sound poem first published in 1922. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This book deals with the history of sound and sound installations by artists across modern and contemporary art movements. It is noteworthy that Charles Cros, whose works were translated by Laura Aga-Rossi (held by the Sackner Archive), is mentioned with Edison as the co-inventor of the phonograph. Both this instrument and the radio are featured topics in this book. Includes discussion of artistic languages such as zaum and glossolalia (used by Artaud), precursors to sound poetry.Between the Covers Review: Wireless Imagination directly addresses what is perhaps the most conspicuous silence in contemporary theory and art criticism, the silence that surrounds the polyphonous histories of audio and radio art. By gathering both original essays and several newly translated documents into a single volume, editors Douglas Kahn and Gregory Whitehead provide a close audition to some of the most telling and soundful moments in the "deaf century", including the fantastic acoustic scenarios...