Graphic design
Found in 476 Collections and/or Records:
Porte - Voix, 1979
An unusal typeface ws used in this poster. -- Source of annotation: Marvin or Ruth Sackner.
Portfolio / Stout, D.J.., 2004
To welcome D.J. Stout as a partner in the Austin office of Pentagram, The partners published this portfolio of his work. It consists mainly of covers for Texas magazines. -- Source of annotation: Marvin or Ruth Sackner.
Posters Made Possible by a Grant from Mobil / Lichtenstein R ; Rauschenberg R ; Ruscha E., 1988
Posters / Pentagram ; Scher P., 1997
This book also includes examples of industrial design by the firm. -- Source of annotation: Marvin or Ruth Sackner.
Power of Typography / Maggie Cuesta, curator ; Rosario Martinez-Canas, curator ; Annette M Pisket, curator ; Loise Romeo, curator ; Beltran F ; Iliazd ; Joshi R ; Kerg T ; Minola G ; Reiner I ; VanDoesburg T ; Schwitters K ; Steinitz K ; Bentivoglio M ; Hoch H ; Indiana R ; Lissitzky E ; Massin R ; Marinetti FT ; Tschichold J ; Zapf H ; Ernst M ; Mon F ; Sandberg W ; Shahn B ; Werkman HN ; Dohl R ; Kassak L ; Kolar J ; Steinberg S ; Apollinaire G ; Burkhardt K ; Basu H ; Koch R ; Reichert J ; Joshi R ; Tavares S ; Baba K ; Barin E ; Bayrle T ; Beier H ; Buchwald HU ; Bunz W ; Chorbachi W ; Heyboer A ; Hidai T ; Hlasva O ; Hoch HP ; Horlbeck-Kappler I ; Jacki G ; Kapr A ; Marcks G ; Meschendorfer H ; Narendra S ; Neddermann W ; Neugebauer F ; Reiner I ; Schechter R ; Schneidler FHE ; Svolinsky K ; Teich L ; Seltzer A., 2004
The 74 typographic prints by international designers are from the collection of Felix Beltran who also contributed a work. The prints were originally exhibited in Europe in the 1970's and were shown for the first time in North America at the New World School of the Arts in Miami, Florida. -- Source of annotation: Marvin or Ruth Sackner.
Print: 50 Years of Graphic Design. No.6/Nov-Dec / Meggs P., 1989
Print: 1988 Regional Design Annual. No.4 / Heller S., 1988
Print: Computer Art & Design Annual 3. No.2/Mar-Apr / Crandall D ; Kent C., 1995
Diane Crandall's book "Violent Crime," held by the Sackner Archive, is illustrated as a design award winner. Includes an essay by Juanita Dugdale on contemporary graphic design in religious art that utilized concrete and visual poetic themes. The computer generated brochures and books in this issue bear a close resemblence to artist books. -- Source of annotation: Marvin or Ruth Sackner.
Print: Design Culture Type. No.4/Aug / Cerha S ; King E ; Bell R ; Shaarani ME ; Lamarche G ; Neelon G., 2008
Emily King contributes an essay on avant garde typography entitled m"Different Strokes." Roanne Bell writes about Arabic word/images created by Mouneer El Shaarani. Caleb Neelon describes the letter collages and visual poems of Greg Lamarche. -- Source of annotation: Marvin or Ruth Sackner.
Print: Design for Good / Good for Design. No.4 / Poynor R ; Fox M ; Steinberg S., 2005
Rick Poynor contributes an essay "Right Stuff" about ethical design. Martin Fox describes Print's environmental outlook in two early issues. A book review by Sumner Stone traces the publication U&lc edited by John D. Berry, Dan Nadel reviews "Steinberg at The New Yorker." -- Source of annotation: Marvin or Ruth Sackner.
Print: Design Under Pressure. No.1/Feb / Heller S ; Poynor R., 2007
Steven Heller contributes an essay "Szyk Transit: The greatest work of a once-famous anti-fascist illustrator has been beautifully restored, but not without some conflict along the way," the work of the Polish artist Arthur Szyk. Rick Poynor questions how graphic designers will shape the discourse about climate change in his essay "Warm Regards." Jennifer Ehrenberg describes contemporary artists' books made in Cuba in her essay "Cuba Libros!" -- Source of annotation: Marvin or Ruth Sackner.
Print: Digital Art & Design Annual 5. No.4/Jul-Aug / Heller S., 1997
Print: Euaropean Design Annual 2005. No.3 / Tschichold J ; VanderLans R ; Poynor R ; Heller S ; Lustig A ; Sandberg W ; Mevis A ; vanDeursen L., 2005
Richard Doubleday contributes an essay "Bird in Hand" about the designer Jan Tschichold. Rick Pynor writes on globalization of graphic design. Rudy VandeLans, cofounder of Emigre who is interviewed by Steven Heller indicates that he plans to cease publication of Emigre. Peter Bilak reviews "Willem Sandberg, Designer and Director of the Stedelijk." -- Source of annotation: Marvin or Ruth Sackner.
Print: European Regional Design Annual 1997. No.2/Mar-Apr / Brockmann G., 1997
On page 111, a map of the world is depicted solely with the names of countries placed horizontally or vertically with varies sized fonts. It was designed by George Brockmann for an annual report of a business. -- Source of annotation: Marvin or Ruth Sackner.
Print: Hoping for the Millennium: A Print Parody Issue. No.6/Nov-Dec / Meggs P., 1994
The entire issue is skillfully devoted to a parody of itself, photographers (Duane Michaels, Helmut Newton), graphic designers (Paul Rand), and graphic design companies (Emigre). -- Source of annotation: Marvin or Ruth Sackner.
Print: Including Digital Design & Illustration Annual 7. No.4/Jul-Aug / Newell P ; Heller S ; Spiegelman A ; Lissitzky E ; Finlay IH ; Kindersley R ; Stirling A ; Harvey M ; Sloan N., 1999
Ellen Shapiro contirbuted an essay, "Posterity's Yiddishkeit," dealing with the Yiddish Book Center. In it, she mentions and reproduces the cover of a facsimile edition of El Lissitzky's "Yingle Tsingl Khvat." The Sackner Archive holds the second edition of this book published in Warsaw. It is a children's story in verse about a boy named Tsingl Dhvat who brought winter to his village. Juanita Dugdale writes about the English craft of lettercutting in stone and mentions the work of Ian Hamilton Finlay. This issue features a large section that reproduces computer screens on the Internet. -- Source of annotation: Marvin or Ruth Sackner.
Print: Interaction 2004. No.5 / Heller S ; Poynor R ; Mau B., 2004
This issue includes an illustrated essay by S.J. Ackerman on 19th century election ballots that featured calligraphic text with features of concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.
Print: New Visual Artists. No.2 / Heller S ; Lupton E ; Scher P., 2006
Steven Heller contributes an interview with Paul Budnitz, the founder of Kidrobot. Ellen Lupton writes bout Living Ornamenti" in the graphic design MFA program at the Maryland Insosttute College of Art. Julia Hoffamnn, a young colleague of Paula Scher, is reviewd as one of the new visual artists of 2006. -- Source of annotation: Marvin or Ruth Sackner.