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Graphic design

 Subject
Subject Source: Sackner Database

Found in 476 Collections and/or Records:

The Typography of Elliott Peter Earls at the Apollo Program / Emigre., 1998

 Item
Identifier: CC-31314-32788
Scope and Contents

This is an advertisement for a new typeface design by Earls. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998

[thinkm] / Tracy Kendall., 2010

 Item
Identifier: CC-51703-72803
Scope and Contents

This section is a wallpaper sample. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2010

[thinkm] / Tracy Kendall., 2010

 Item
Identifier: CC-51703-72803
Scope and Contents

This section is a wallpaper sample. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2010

Thoughts on Democracy / Mill G ; Kidd C ; Chwast S ; Fella E ; Kuitca G ; Scher P ; Brody N ; Lupton E ; Heller S ; Lamonaca M., 2008

 Item
Identifier: CC-48325-69350
Scope and Contents

Sixty graphic designers contributed works reinterpreting Norman Rockwell's "Four Freedoms" posters based on freedom of speech, freedom of worship, freedom from want and freedom from fear. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2008

Trouble in "Flatland," or, the Was Against Confusion / Bruckner, D.J.R.; Tufte E., 1990

 Item
Identifier: CC-22647-23078
Scope and Contents

Edward R. Tufte's book "Envisioning Information," the subject of the review, is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990

[Tune in] / Sych, Paul., 1996

 Item
Identifier: CC-27611-28688
Scope and Contents

The poster depicts a radio, a woman's face, and a stylized eye pupil with a cartoon bubble reading, "tune in." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996

Turning Words into Works of Art / Swarden, Carlotta Gulvas; Levi F., 1989

 Item
Identifier: CC-02012-2049
Scope and Contents

This article describes the "wordgraphics" of Frank Levi. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1989

TwentyFive Posters for Naples / Anonymous, editor; Fletcher A; Vignelli M; Glaser M; Folon; Chermayeff I; Bass S., 1986

 Item
Identifier: CC-43270-45329
Scope and Contents

The cards are reproductions of posters advertising Naples, Italy -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1986

Typografische Monatsblatter. No.12/Dec / Lissitzky E., 1970

 Item
Identifier: CC-01133-1163
Scope and Contents

Jan Tschichold has written a section of the journal devoted to the work of El Lissitzky. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970

Typographic Communications Today / Gottschall, Edward M. ; Apollinaire G ; Arp H ; Ball H ; Balla G ; Bayer H ; Chwast S ; Depero F ; Duchamp M ; Grosz G ; Heartfeld J ; Hoyem A ; Itten J ; Kepes G ; Leger F ; Lissitzky E ; Lubalin H ; Mallarme S ; Marinetti FT ; Mayakovsky V ; Morris W ; Munari B ; Malevich K ; Rand P ; Ray M ; Rodchenko A ; Schwitters K ; Severini G ; Shahn B ; Spencer H ; Steinberg S ; Stepanova V ; Stieglitz A ; Telingater S ; VanDoesburg T ; Werkman HN ; Zdanevich I ; Zwart P ; Tschichold J ; Teige K ; Moholy-Nagy L ; Berlewi H ; Blumenthal J ; Chermayeff I ; Dwiggens W ; Fletcher A ; Glaser M ; Gerstner K ; Greiman A ; Klucis G ; McLean R ; Reiner I ; Ruder E ; Sutnar L ; Tzara T ; Vignelli M ; Zapf H ; Cassandre AM ; Thompson B., 1991

 Item
Identifier: CC-27551-28620
Scope and Contents This outstanding book traces the history of typographic design through major art movements to a description of new technologies for print design using computers. The chapters include: The Many Faces of Typographic Design; Order out of Chaos-the Russian Avant Garde; The New Typography Crosses the Ocean; The Influence of the Private Presses; Typefaces; Bits, Bytes and Typographic Design. Typefaces are alphabetically listed and their features described as an excellent reference source.This copy is the first edition whereas the duplicate is a first edition, second printing in 1991.Editorial review: Suddenly, the universe of people making typographical decisions has expanded. Effective visual communication through the informed manipulation of the size and style of type, its placement on a two dimensional surface, its integration with graphic material, and the quality of its reproduction is within reach of anyone who has a computer. Typographic Communications Todayplaces this phenomenon...
Dates: 1991

TypoGraphic. No.50., 1997

 Item
Identifier: CC-30600-32038
Scope and Contents

This issue of Typographic takes the work of type-designers and explores the differing reasons and purposes for their use of the computer as an appropriate tool. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997

TypoGraphic: Other Values - Plus Ca. No.52., 1997

 Item
Identifier: CC-37938-39818
Scope and Contents

This issue is concerned with the problems faced by the teachers of typography in higher education dealing with governments that have imposed mass accessibiity upon a system whose internal values remain elitist. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997

TypoGraphic: The real world. No.55., 1999

 Item
Identifier: CC-34427-36124
Scope and Contents

This issue is concerned with the real world of graphic design and the education of design students who will "shape the real world into a place more to their liking." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1999

Typographics. No.1 / Mahoney R ; Hyde K ; Warwicker J ; Holden J ; Bassett R ; Shanks R ; Crisp DG ; Sloy ; Brody N ; Banham S ; Queneau R., 1995

 Item
Identifier: CC-01695-1731
Scope and Contents

Designed by Karen Wilks and edited by Lucy Rix, this book surveys work from the 90s. It is divided into four sections, viz., Type as Composition: designing with words; Type Plus: the alliance of type and imagery; Type as Text: typography as a medium for the reader and writer; Type Itself: recent font designs. A poster by Edward Fella is reproduced in opposition to Neville Brody's typographic magazine, "Fuse." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995