Graphic design
Found in 486 Collections and/or Records:
TwentyFive Posters for Naples / Anonymous, editor; Fletcher A; Vignelli M; Glaser M; Folon; Chermayeff I; Bass S., 1986
The cards are reproductions of posters advertising Naples, Italy -- Source of annotation: Marvin or Ruth Sackner.
Typografische Monatsblatter. No.12/Dec / Lissitzky E., 1970
Jan Tschichold has written a section of the journal devoted to the work of El Lissitzky. -- Source of annotation: Marvin or Ruth Sackner.
Typographic Communications Today / Gottschall, Edward M. ; Apollinaire G ; Arp H ; Ball H ; Balla G ; Bayer H ; Chwast S ; Depero F ; Duchamp M ; Grosz G ; Heartfeld J ; Hoyem A ; Itten J ; Kepes G ; Leger F ; Lissitzky E ; Lubalin H ; Mallarme S ; Marinetti FT ; Mayakovsky V ; Morris W ; Munari B ; Malevich K ; Rand P ; Ray M ; Rodchenko A ; Schwitters K ; Severini G ; Shahn B ; Spencer H ; Steinberg S ; Stepanova V ; Stieglitz A ; Telingater S ; VanDoesburg T ; Werkman HN ; Zdanevich I ; Zwart P ; Tschichold J ; Teige K ; Moholy-Nagy L ; Berlewi H ; Blumenthal J ; Chermayeff I ; Dwiggens W ; Fletcher A ; Glaser M ; Gerstner K ; Greiman A ; Klucis G ; McLean R ; Reiner I ; Ruder E ; Sutnar L ; Tzara T ; Vignelli M ; Zapf H ; Cassandre AM ; Thompson B., 1991
TypoGraphic. No.50., 1997
This issue of Typographic takes the work of type-designers and explores the differing reasons and purposes for their use of the computer as an appropriate tool. -- Source of annotation: Marvin or Ruth Sackner.
TypoGraphic. No.51., 1996
TypoGraphic: Other Values - Plus Ca. No.52., 1997
This issue is concerned with the problems faced by the teachers of typography in higher education dealing with governments that have imposed mass accessibiity upon a system whose internal values remain elitist. -- Source of annotation: Marvin or Ruth Sackner.
TypoGraphic: STD International Typographic Awards. No.53., 1998
TypoGraphic: The real world. No.55., 1999
This issue is concerned with the real world of graphic design and the education of design students who will "shape the real world into a place more to their liking." -- Source of annotation: Marvin or Ruth Sackner.
Typographics. No.1 / Mahoney R ; Hyde K ; Warwicker J ; Holden J ; Bassett R ; Shanks R ; Crisp DG ; Sloy ; Brody N ; Banham S ; Queneau R., 1995
Designed by Karen Wilks and edited by Lucy Rix, this book surveys work from the 90s. It is divided into four sections, viz., Type as Composition: designing with words; Type Plus: the alliance of type and imagery; Type as Text: typography as a medium for the reader and writer; Type Itself: recent font designs. A poster by Edward Fella is reproduced in opposition to Neville Brody's typographic magazine, "Fuse." -- Source of annotation: Marvin or Ruth Sackner.
Typography Now Two / Poynor, Rick, editor ; Fella E ; VanderLans R ; Greiman A ; Carson D ; Libeskind D ; Baines P ; Brody N ; Schorn B ; Crisp DG., 1996
Profusely illustrated book that reproduces experimental typographic spreads from magazines, exhibition catalogues, posters, and ads. It also has a section on student work. Magazines represented among others include Ray Gun, Emigre, Bulldozer, Form + Zweck, The Downlow, Zed, Coil, Bikini, Wired, and Now Time. -- Source of annotation: Marvin or Ruth Sackner.
U&lc: Cinema Graphics. No.3/Win / Heller S., 1995
U&lc. No.1/Feb., 1988
This issue includes an illustrated article on the genesis of the letter 'A.' -- Source of annotation: Marvin or Ruth Sackner.
U&lc. No.1/Mar / Burgert HJ ; Muller Ma ; Myers L ; Dante ; Grundy P., 1980
Marion Muller contributes an extensively illustrated essay on the calligraphic and graphic design works by Hans-Joachim Burgert. Marion Muller writes about "A Dictionary" by Peter Grundy. In it, Grundy provides concrete poems utilizing compositions with the letter(s) 'x' that describe a word beginning with 'ex.' For example, xaggerate, xtract, xact, xcrete, etc. -- Source of annotation: Marvin or Ruth Sackner.
U&lc. No.1/May / Healey A ; Heller S ; Dwiggens WA., 1983
Steven Heller contributed an essay on the cartoon pieces by Robert Grossman. Alan Haley submitted an essay on the typographer William Addison Dwiggins. Marion Muller wrote about "Fingernail Embossing." -- Source of annotation: Marvin or Ruth Sackner.
U&lc. No.1/May / Heller S., 1985
U&lc. No.1/Spr / Banks C., 1991
This issue contains an illustrated article on the genesis of the letter 'N.' -- Source of annotation: Marvin or Ruth Sackner.
U&lc. No.1/Sum / Clifford G., 1994
This issue includes an article about Graham Clifford depicted his "dirty type" for use in an advertisement dealing with pain, sweat, dirt, and blisters. -- Source of annotation: Marvin or Ruth Sackner.
U&lc. No.1/Sum / Heller S., 1999
Steven Heller contributed an essay titled "Advertising Arts: America Becomes Modern(istic)." He traces the history of the advertising magazine first published in 1930. -- Source of annotation: Marvin or Ruth Sackner.
U&lc. No.1/Win / Haley A ; Baker J ; Muller Ma., 1990
This issue includes an illustrated article on the genesis of the letter 'I' by Allan Haley. Marion Muller describes the work of Jan Baker in a illustrated essay "A Woman of Letters." The Sackner Archive has extensive holdings of this artist. -- Source of annotation: Marvin or Ruth Sackner.