Steven Heller contributed an essay, "Seeing Is Believing: the Art of David Suter." -- Source of annotation: Marvin or Ruth Sackner.

Contains an essay "Blissymbols for the Handicapped: A Manner of Speaking" that describes a way for verbally handicapped individuals to communicate through a non-verbal language based on early Chinese picto-ideographs. -- Source of annotation: Marvin or Ruth Sackner.

This issue includes an illustrated article on the genesis of the letter 'H.' Steven Heller writes about Dutch Poster designs. Marion Muller contributes an illustrated essay on the work of Eduard Prussen of Cologne. His linocuts are integrated with letters. The work of Willem Sandberg is described in an essay by Marion Muller based on a retrospective exhibition at the Center for Book Arts, New York. -- Source of annotation: Marvin or Ruth Sackner.

Alan Haley contributed an essay about punctuation including mention of Lord Timothy Dexter who wrote a book without punctuation in 1838 entitled, "A Pickle for the Knowing Ones." This issue contains an article about different typefaces for the Cyrillic alphabet. -- Source of annotation: Marvin or Ruth Sackner.

Steven Heller contributed an essay on "Das Plakat," German poster design. -- Source of annotation: Marvin or Ruth Sackner.

The evolution of the letter Q is described. -- Source of annotation: Marvin or Ruth Sackner.

This issue includes an illustrated essay on the evolution of the letter "S." Steven Heller contributed an essay "Censorship Unbound." -- Source of annotation: Marvin or Ruth Sackner.

Steven Heller contributes an essay interview titled "Art Chantry: Ascent into Unslick," that describes the unorthodox work of Chantry. Margaret Richardson writes on "Orange Juice," a design firm in South Africa that published a design periodical. This publication is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Provides description of prior Emigre magazines. -- Source of annotation: Marvin or Ruth Sackner.

Provides description of prior Emigre issues, books on design and Emigre fonts. -- Source of annotation: Marvin or Ruth Sackner.

Provides description of prior Emigre issues, Emigre Music, books on design and Emigre fonts. -- Source of annotation: Marvin or Ruth Sackner.

This is a profusely illustrated, well documented catalogue of Lissitzky's life and works. The works depicted in this catalogue, which are held by the Sackner Archive, include "Pressa Cologne, Six Tales with Easy Endings, For the Voice, Beat the Whites with the Red Wedge, and All Union Printing Trade Exhibition." Works formerly held by the Sackner Archive include "Of Two Squares, Had Gadya 1923, Proun 2C, Yingl Tsingl Khvat, and Wendingen." -- Source of annotation: Marvin or Ruth Sackner.

This exhibition presents books and posters designed by Monguzzi. -- Source of annotation: Marvin or Ruth Sackner.

Review of the complete run of the periodical Octovo; this run is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This card depicts discernable letterforms, 'E, P and F' that resemble multicolored neon lights. The letters overlay a background of collaged-like forms. -- Source of annotation: Marvin or Ruth Sackner.

This innovative text and image book is based on "'Flatland" by Edwin Abbott. "Utilizing a wide and historical sweep of represenations of the body, from pedigree charts to genetic sequences, this hybrid imagetext novel recounts how differing ways of imagining the body generate differing stories of knowledge, power, history, gender, politics, art, and of course, the literature of who we are." Marjorie Perloff describes this extraordinary book as a "novel - or is it a film script? collage art work? philosopical meditation?...Tomasula's dissection of post-biological life is about the new interaction of bodies and DNA possibilities." -- Source of annotation: Marvin or Ruth Sackner.