Graphic design
Found in 476 Collections and/or Records:
[Untitled] / Emigre., 1996
Provides description of prior Emigre issues, Emigre Music, books on design and Emigre fonts. -- Source of annotation: Marvin or Ruth Sackner.
[Untitled] / Emigre., 2001
Provides description of prior Emigre issues, books on design and Emigre fonts. -- Source of annotation: Marvin or Ruth Sackner.
[Untitled] / Emigre., 1992
[Untitled] / Emigre., 1994
Provides description of prior Emigre magazines. -- Source of annotation: Marvin or Ruth Sackner.
[Untitled] / Lissitzky, El., 1987
This is a profusely illustrated, well documented catalogue of Lissitzky's life and works. The works depicted in this catalogue, which are held by the Sackner Archive, include "Pressa Cologne, Six Tales with Easy Endings, For the Voice, Beat the Whites with the Red Wedge, and All Union Printing Trade Exhibition." Works formerly held by the Sackner Archive include "Of Two Squares, Had Gadya 1923, Proun 2C, Yingl Tsingl Khvat, and Wendingen." -- Source of annotation: Marvin or Ruth Sackner.
[Untitled] / Monguzzi, Bruno, editor ; Schlemmer O ; Mayakovsky V ; Feininger L., 1992
This exhibition presents books and posters designed by Monguzzi. -- Source of annotation: Marvin or Ruth Sackner.
[Untitled] / Nuts Society T-Shirt Center., 2002
[Untitled] / Octovo Journal., 1994
Review of the complete run of the periodical Octovo; this run is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
[Untitled] / Sych, Paul., 1996
This card depicts discernable letterforms, 'E, P and F' that resemble multicolored neon lights. The letters overlay a background of collaged-like forms. -- Source of annotation: Marvin or Ruth Sackner.
Vas: An Opera in Flatland / Tomasula, Steve ; Farrell, Stephen., 2002
This innovative text and image book is based on "'Flatland" by Edwin Abbott. "Utilizing a wide and historical sweep of represenations of the body, from pedigree charts to genetic sequences, this hybrid imagetext novel recounts how differing ways of imagining the body generate differing stories of knowledge, power, history, gender, politics, art, and of course, the literature of who we are." Marjorie Perloff describes this extraordinary book as a "novel - or is it a film script? collage art work? philosopical meditation?...Tomasula's dissection of post-biological life is about the new interaction of bodies and DNA possibilities." -- Source of annotation: Marvin or Ruth Sackner.
Visible Language: A Special Issue; An Annotated Design Research Bibliography: by and for the design community. No.2 / Sharon Helmer Poggenpohl, editor., 2002
Visible Language: Collaboration; User Studies; Design Methods; Design Research. No.2., 2004
This issue summarizes a meeting of an international group of designers who met in May 2003 at the Illinois Institute of Technology to discuss the four themes of the conference. The information is of a highly philosophical nature. -- Source of annotation: Marvin or Ruth Sackner.
Visible Language: Collaboration; User Studies; Design Methods; Design Research. No.3., 2004
This issue summarizes a meeting of an international group of designers who met in May 2003 at the Illinois Institute of Technology to discuss the four themes of the conference. The information is of a highly philosophical nature. -- Source of annotation: Marvin or Ruth Sackner.
Visible Language: Global interaction in design. No.2 / Audrey Grace Bennett, editor., 2010
Visible Language: New Perspectives: Critical Histories of Graphic Design: Part 1: Critiques. No.3/Jul / Andrew Blauvelt, editor ; Marinetti FT., 1994
Visible Language: New Perspectives: Critical Histories of Graphic Design: Part 2: Practices. No.4/Fall / Andrew Blauvelt, editor., 1994
The duplicate copy has printing errors. -- Source of annotation: Marvin or Ruth Sackner.
Visible Language: New Perspectives: Critical Histories of Graphic Design: Part 3: Interpretations. No.1/Jul / Andrew Blauvelt, editor ; Lissitzky E ; Butler F., 1994
Teal Triggs contributes an essay on British small magazines (fanzines). She states that the term fanzine was first coined by Russ Chauvenet in the United States in 1941 to describe mimeographed publications devoted primarily to science fiction and super hero comic enthusiasts. Today, it has come to mean a periodical that embraces any subject faithful to the specific interests of the "fans." Frances Butler contributes an essay, "New Demotic Typography: The Search for New Indices." -- Source of annotation: Marvin or Ruth Sackner.
Visible Language. No.1., 2002
Visible Language. No.3., 2006
This issue includes articles on children's school books, Arabic typography, and Mayan hieroglyphics, -- Source of annotation: Marvin or Ruth Sackner.