Language art
Found in 249 Collections and/or Records:
3L3 [2] / Depew, Wally., 1984
Three booklets have the same title but different imagery. -- Source of annotation: Marvin or Ruth Sackner.
3L3 [3] / Depew, Wally., 1984
Three booklets have the same title but different imagery. -- Source of annotation: Marvin or Ruth Sackner.
A AT ATE RATE CRATE CREATE / Depew, Wally., 1984
A One-Word Poem for the Ladies of Art Press / Finlay, Ian Hamilton., 1987
The one word is "knitters!" and is a slur at Finlay's critics in Paris who were disturbed by his proposed commission for the city of Paris that compared Nazism to the French revolution. -- Source of annotation: Marvin or Ruth Sackner.
Abomination (Abominacja) / Dluzniewski, Andrzej., 1982
This is the English translation of the drawing of the same title that is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Abomination (Abominacja) / Dluzniewski, Andrzej., 1982
Ths Sackner Archive also holds and English translation of the Polish words. -- Source of annotation: Marvin or Ruth Sackner.
Absolute Possesive Pronouns / Tot, Endre., 1972
A single pronoun is printed on each card, e,g., mine, his, hers, etc. -- Source of annotation: Marvin or Ruth Sackner.
All Art Has Been Contemporary: 24 Hours of Celebration / Nannucci, Massimo; Marclay, Christian., 2011
The cards were an invitation to the opening of the Linde Family Wing for Contemporary Art. Nannucci's card listed the 24 hour museum schedule that included Christian Marclay's video "The Clock" to be shown for 24 hours "starring watches, clock towers, sundials and countdowns - that sequences a century of past cinematic highlights to mark the passage of present time, minute by minute, in sync with the local time zone. The Sackners were invited to the opening by Daphne Farago, some of whose gifts of ceramics, jewelry and fabrics will be on exhibition. These cards are stored in the Nannucci box. -- Source of annotation: Marvin or Ruth Sackner.
All My Rubber Stamps (all together now) / Baroni, Vittore ; Gaglione B., 2010
Almanach Chernovic (Rough Copy). No.21 / Alex Ocheretyansky, editor ; Lurie B ; Segay S ; Baroni V ; Kulemin E ; Borodin M ; Bogatyrev M., 2006
This issue is replete with color images of concrete and visual poetry. -- Source of annotation: Marvin or Ruth Sackner.
Amazing / Bochner, Mel., 2012
This ia a reduced in size reproduction of a 2011 painting displayed at Mel Bochner's exhibition at the Whitechapel Art Gallery in London that the Sackners attended. -- Source of annotation: Marvin or Ruth Sackner.
America / Ligon, Glenn ; Basquiat JM ; Barthes R ; Bochner M ; Golden T ; Kruger B ; Kosuth J ; Ruscha E ; Johns J ; Prince R., 2011
The Sackners attended Ligon's exhibition at the Whitney museum. -- Source of annotation: Marvin or Ruth Sackner.
[Animal Poems: Owls Lizard, etc.] / Depew, Wally., 1984
Any Surplus Is Immoral, 1991
Each rubberstamp has one aphorism, e.g., "Words Tend To Be Inadequate." Stephen Bury in "Artist's Multiples," list the title as "Untitled," 1991. -- Source of annotation: Marvin or Ruth Sackner.
Apoetiques 1967-1998 / Vernat, Bernar., 1999
Arche-Noah-Syndrom / Jurgen O. Olbrich; Michael Heckert., 1989
[Art - 2SS) / Rehfeldt, Robert., 1983
ART AGE / Hornor, Dave., 2007
Art Line Do Not Cross / Ricciardi, Angelo ; Gordon C ; Kahn R ; Fierens L ; Morgan R ; Hamilton R ; Ball H ; Mondrian P ; Duchamp M., 2004
Ricciardi appropriated images by earlier artists and received images from contemporary artists that he affixed the label, "Art Line Do Not Cross." -- Source of annotation: Marvin or Ruth Sackner.