Skip to main content

Language poetry

 Subject
Subject Source: Sackner Database

Found in 263 Collections and/or Records:

Both Both 2nd edition / Andrews, Bruce ; Cobbing, Bob., 1991

 Item
Identifier: CC-26004-26466
Dates: 1991
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Bouma Shapes: Shorter Poems 1974-2002, 2002

 Item
Identifier: CC-42223-44228
Dates: 2002
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Brambu Drezi: Book Two / Berry, Jake ; Arguelles I ; Leftwich J., 1998

 Item
Identifier: CC-30970-32428
Scope and Contents Ivan Arguelles provided an introductory essay and Jim Leftwich an interview of Jake Berry dealing with the interpretation of this second in a series of epic poems. Both the manuscript of this poem and its first part are held by the Sackner Archive.Jack Foley on Alsop Review web site provided the following review: From virtually all perspective, early Greek philosopher to twentieth-century specialist, there is agreement that artistic creativity and inspiration involve, indeed require, a dipping into rational or irrational sources while maintaining ongoing contact with reality and "life at the surface." The degree to which individuals can, or desire to, "summon up the depths" is among the more fascinating individual differences. Many highly creative and accomplished writers, composers, and artists function essentially within the rational world, without losing access to their psychic "underground." Others, the subject of this book, are likewise privy to their unconscious streams of...
Dates: 1998
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Brambu Drezi: Book Two; Manuscript Addendum / Berry, Jake., 1996

 Item
Identifier: CC-31068-32533
Scope and Contents

These loose sheets and pages consist of sketches and revisions of the 1st draft. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

Brambu Drezi: Book Two; Manuscript / Berry, Jake., 1996

 Item
Identifier: CC-31067-32531
Scope and Contents

Berry notes on the last page of the book that this first draft was completed 11.25.96 3:29 AM. The manuscript has at least 60 abstract, ink line drawings. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

Bull, 2006

 Item — Box 336: [Barcode: 31858072491115]
Identifier: CC-46135-48847
Dates: 2006
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / BOOKS

burnhole / DiMichele, Bill., 1996

 Item
Identifier: CC-42106-44107
Dates: 1996
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Cafe Unreal / Ganick, Peter., 1994

 Item
Identifier: CC-10549-10754
Dates: 1994
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Carnival: The Second Panel 1970-1975 / McCaffery, Steve., 2009

 Item
Identifier: CC-50444-71512
Scope and Contents

Paul Collins and Simon Moor were responsible for the design of this poster, -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2009
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

Carnival: The Second Panel 1970-1975 / McCaffery, Steve ; Pound E., 1975

 Item
Identifier: CC-38155-40049
Scope and Contents In the introduction to this book, McCaffery comments as follows. "Panel Two is largely an expression of language emerging into conflict and internecine statement conveyed in the variety of mechanical means of expression that's employed. It was predicated on a felt implication in Saussure's assertion that language is differential and oppositive at its base. Having discovered, explored and tested the parameters of the typewriter in Panel One, Panel Two places the typed mode in agonistic relation with other forms of scription: xerography, xerography within xerography (i.e. metaxerography and disintegrative seriality), electrostasis, rubber-stamp, tissue texts, hand-lettering and stencil. The compositional problem was in finding a form large enough to accommodate these conflicts and what arose as a solution was the interlocking single page to form a sixteen unit panel with the offset book format (to be abandoned in the process of assembling the panel) constituting the final stage in...
Dates: 1975
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Carnival: The Third Panel 2010 / McCaffery, Steve., 2010

 Item
Identifier: CC-53705-642796
Scope and Contents

This print was made by overprinting Panels I & II of the original Carnival texts. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2010
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

Carnivorous Equations 2 / Helsem, Michael., 1982

 Item
Identifier: CC-49925-70983
Dates: 1982
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Chamber Music / Cobbing, Bob., 1966

 Item
Identifier: CC-17589-17955
Scope and Contents

Although Cobbing is not generally thought of as producing language poetry, the clusters of seemingly meaningless words and unrelated phrases could place this book into such a category. It is of interest that Cobbing had later collaborations with Bruce Andrews, a recognized language poet. The work might also have originated from the cut-up technique but handwritten notes (Notes for (from) Chamber Music), held by the Sackner Archive suggest the former expalanation. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1966
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Chamber Music / Cobbing, Bob., 1966

 Item
Identifier: CC-17590-17956
Scope and Contents

Although Cobbing is not generally thought of as composing language poetry, the clusters of seemingly meaningless words and unrelated phrases could place this book into such a category. It is of interest that Cobbing had later collaborations with Bruce Andrews, a recognized language poet. The work might also have originated from the cut-up technique but handwritten notes (Notes for (from) Chamber Music), held by the Sackner Archive suggest the former explanation. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1966
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Chamber Music: Working Copy / Cobbing, Bob., 1966

 Item
Identifier: CC-17458-17824
Scope and Contents

Cobbing provides handwritten instructions for reading and ordering the sequence of each part of the poem, e.g. slow to lively, slow solemn, quick lively etc. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1966
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Cloud: Trickle Break Meatball. No.5/Jan / Chris Winkler., 1988

 Item
Identifier: CC-45818-48028
Scope and Contents

Edited by Greg Evason. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1988
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals(unprocessed)

Clown Door, 1997

 Item — Box 337: [Barcode: 31858072491198]
Identifier: CC-38460-40366
Dates: 1997
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / BOOKS

Collected Pems / Forrest-Thomson, Veronica., 2008

 Item
Identifier: CC-59726-10002783
Scope and Contents

Edited with notes and variants by Anthony Barnett this book is publsihed in association with Allardyce, Barnett Publishers. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2008
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Continuum / Lopes, Damian., 1998

 Item
Identifier: CC-35529-37269
Dates: 1998
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Booklets (unprocessed)

Corona, 1973

 Item — Box 317: [Barcode: 31858072490844]
Identifier: CC-30676-32118
Scope and Contents

This is the poet's first or second book. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1973
Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / BOOKS

Staff Interface | Visit ArchivesSpace.org | v3.5.1 | Send Feedback or Report a Problem