Skip to main content

Letter picture

 Subject
Subject Source: Sackner Database

Found in 5 Collections and/or Records:

Agentzia Blatt: Untitled. No.1, 1970

 Item — Folder 10: [Barcode: 31858069877912]
Identifier: CC-28138-29301
Scope and Contents

Letters, numbers and punctuation marks of varied font sizes appear to be falling, in a random arrangement, from the upper right hand corner of the print until reaching a circle filled with the photograph of a large group of people. The circle appears to represent a magnifying glass. The interpretation of this image is unclear. The duplicate copy is folded. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970

Agentzia: In Concreto, No. 2, 1968

 Item — Folder 2: [Barcode: 31858072459401]
Identifier: CC-26045-26507
Scope and Contents

Includes folded posters, Jochen Gerz, Blatt-Nr.1: Untitled and Julien Blaine, Blatt-Nr.4. The poster by Gerz is included in Agentzia 2 but is catalogued separately. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1968

Memory Piece / Gerz, Jochen., 1970

 Item
Identifier: CC-27450-28498
Scope and Contents

This work is reproduced in Annoncenteil Arbeiten auf/mit Papier, Luchterhand, 1971. Perhaps this is the E and M remembered from the word 'MEMORY.' -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970

O Arianna 1 / Gerz, Jochen., 1967

 Item
Identifier: CC-27445-28493
Scope and Contents

A large black letter paper 'O' is placed on the center of three columns of typed rows of text, each reading "AriannaArianna." It is depicted as No.467 in his Catalogue Raisonnne Volume III and mistakingly described as letraset rather than a collaged paper addition. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1967

Oui X / Gerz, Jochen., 1967

 Item
Identifier: CC-27441-28489
Scope and Contents

The image consists of two rows of capital X's interrupted by the word OUI. This is among the earliest drawings in concrete poetry made by Gerz. It is depicted as No.466 in his Catalogue Raisonnne Volume III. It should be noted that Gerz designated this work as an example of visual rather than concrete poetry despite the absence of an image. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1967