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Letter picture

 Subject
Subject Source: Sackner Database

Found in 1184 Collections and/or Records:

qbdp: the letter A. No.20/Aug / Geof Huth., 2004

 Item
Identifier: CC-43010-45055
Scope and Contents

The letter deals with Huth's obsession making the qbdp series and his futile attempts to contact Bob Grumman after Hurricane Charley. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2004

qbdp: VJSTT. No.24/Aug / Geof Huth., 2004

 Item
Identifier: CC-43726-45816
Scope and Contents

The recto of the card is a commercial postcard depicting churches and captioned in old style German script that reads "Hello from Munich." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2004

Quabel: 3 feln / Jozsef Biro., 1978

 Item
Identifier: CC-42879-44921
Scope and Contents

This work was part of a portfolio entitled, "Quabel." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1978

Quabel: 3 feln / Jozsef Biro., 1978

 Item
Identifier: CC-42879-44921
Scope and Contents

This work was part of a portfolio entitled, "Quabel." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1978

Quabel: Cupp / Biro, Jozsef., 1990

 Item
Identifier: CC-42888-44930
Scope and Contents

This work was part of a portfolio entitled, "Quabel." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990

Quabel: Informacio / Biro, Jozsef., 1990

 Item
Identifier: CC-42889-44931
Scope and Contents

This work was part of a portfolio entitled, "Quabel." The image of the horse's head in the photograph may represent information (the title of this piece) as "coming from the horse's mouth/" -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990

Quabel: Rendhagyo Anziksz egy performer / Biro, Jozsef., 1990

 Item
Identifier: CC-42890-44932
Scope and Contents

This work was part of a portfolio entitled, "Quabel." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990

Quotes On Cage / Visser, Carel., 1968

 Item
Identifier: CC-60003-63631
Scope and Contents Internet: Kees Visser (b. 1948) has gradually created his own self-taught path over the last forty years. Parting from his native Holland, where in the mid-1970s he had worked in a vein oscillating between abstraction and Fluxus, Kees Visser left to settle in Iceland, where he lived for nearly twenty years. In Iceland, he was not only in contact with a nature that profoundly marks his work, but also an incredibly cosmopolitan art scene where artists such as Dieter Roth, Donald Judd, Richard Serra, Roni Horn, Hrein Fridffinson, Adrian Schiess, Gunther Umberg, Richard Long, etc. often crossed paths. Co-founder with a group of Icelandic artists of the Living Art Museum in Reykjavik in 1978, Kees Visser became a prominent figure in the Icelandic art world, present in most of the public and private collections in the country. Invited for a residency in Paris in the mid-1990s, it was then in France that Kees Visser developed his work on series, shape and color, creating the monochrome...
Dates: 1968

Rebellious, 1980

 Item — Box 334: [Barcode: 31858072491032]
Identifier: CC-21333-21744
Scope and Contents

The first of C. Bellaert's "n-books" all of which are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1980

Red and Black o's: Olympia splenid 66 portative sur arjos ari prioux / Mairey, Francoise., 1974

 Item
Identifier: CC-59140-10002261
Scope and Contents

This typing is created totally with lower case o's in red and black. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1974

Red Road, 1954

 Item
Identifier: CC-16099-16442
Scope and Contents

This collage from the early period of Denny's work relates to graphic design and with his interest in letter pictures. After the mid-sixties, the employment of text in images disappeared and his works became constructivistic. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1954

Reproduction / Mairey, Francoise., 1977

 Item
Identifier: CC-59354-10002442
Scope and Contents

These four pages of typing of fgh are reproduced four times with the same explanation page for each group. The four pages of fgh are each increasingly darker in tone. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1977

Revolte, 1988

 Item — Box 298: [Barcode: 31858072460870]
Identifier: CC-15974-16309
Scope and Contents

Each letter of the word REVOLTE, separately framed, is made of chewing gum by the artist who describes in each accompanying diary text what, when, and duration of the type of gum he chewed. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1988