The poems in this book all show a hand with a slip of paper with a concrete poetic image between the thumb index finger, possibly a take on Wallace Berman's Verifax collages. On the back cover, it is stated that Billy Mavreas is a Canadian cartoonist and artist living in Montreal, Quebec, whose mostly silent or wordless comics revolve around the themes of language, sexuality and spirituality. He is the co-founder of Expozine, one of Canada's largest and most well respected small press fairs, as well as the curator and resident-at-large of Monastiraki, a shop and gallery of wonders in Mile End. Mavreas has also been active in the international mail-art network contributing visual poetry and graphics to many projects under the name EHEL. He continues to explore many creative outlets including vocal experimentation, installation and lately has been leading creative roundtable workshops for kids and adults. -- Source of annotation: Marvin or Ruth Sackner.

On the back cover and internet, it is stated that Anatol Knotek (www.anatol.cc) is an austrian artist and visual poet. He was born in Vienna, Austria where he still lives and works. Anatol's work has been exhibited internationally and his concrete and visual poems have been published in journals, chapbooks, schoolbooks and anthologies. Anatol says: "In this book I like to show the beauty of single characters in a different way, by creating rotated "character-spaces'." -- Source of annotation: Marvin or Ruth Sackner.

On the back cover, it is stated that karl kempton's visual poems have been nationally and internationally published and exhibited since 1974. his work has evolved from typewriter to computer b&w to color and now mixed media with use of a slr digital camera. RUNE series began november 1974. edited and published KALDRON between 1976-1990. coeditor of kaldron, volume two, on-line anthology edition published by karl young http://www.thing.net/~grist/l&d/kaldron.htm. 12 from RUNE Series and 5 PHOTONS. acknowledgments: books "” RUNE, A SURVEY and 3 CUBED; mag "” ECHO; anthologies "” WRITING TO BE SEEN and THE LAST VISUAL POETRY ANTHOLOGY. web "” logolalia, fundacaove locipedica, skylab, mathematical poetry. -- Source of annotation: Marvin or Ruth Sackner.

The original work was a 40" x 40" x 40" construction of glass and paint. Each one of the three photographs depicts a different view. -- Source of annotation: Marvin or Ruth Sackner.

The original work was a 40" x 40" x 40" construction of glass and paint. Each one of the three photographs depicts a different view. -- Source of annotation: Marvin or Ruth Sackner.

The original work was a 40" x 40" x 40" construction of glass and paint. Each one of the three photographs depicts a different view. This photograph shows the work inprogress. -- Source of annotation: Marvin or Ruth Sackner.

The three letters in this book with varied type fonts and placement on the pages are J,K, and X. The last three printed pages depict a cryptic message, e.g., 'K X J,' 'and,' '1 Sign.' -- Source of annotation: Marvin or Ruth Sackner.

This pamphlet was included in Agentzia 2 but is stored in the "Tonto or" portfolio box. -- Source of annotation: Marvin or Ruth Sackner.

The sculpture that was assembled from different dimensional, wooden typeface forms is stylistically typical of works done by Gette in this period. -- Source of annotation: Marvin or Ruth Sackner.

This panel depicts a component of Furnival's tower works. -- Source of annotation: Marvin or Ruth Sackner.

The outline of the upper letraset image is drawn in pencil as an abstraction in the lower image. -- Source of annotation: Marvin or Ruth Sackner.

The outline of the upper letraset image is drawn in pencil as an abstraction in the lower image. -- Source of annotation: Marvin or Ruth Sackner.

The outline of the upper letraset image is drawn in pencil as an abstraction in the lower image. -- Source of annotation: Marvin or Ruth Sackner.