Mathematical poetry

This card was an invitaion for an exhibition of Villegle's work in the gallery. The paper envelope that it was mailed in is stored in drawer cards/ -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1999

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

My days as pebbles in a stream are many-coloured: what is the last one: [1114444], 1998

Item — Box 320: [Barcode: 31858072490851]

Identifier: CC-31278-32749

Scope and Contents

The center section of the drawing is stamped with repetitive numbers 1, 2, 3, and 4. The sides have column-like ink drawings and the corners list the letters W E I N. An abstract, design and dripped paint are positioned over the right side of the numbers. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / PAINTINGS, PRINTS AND BROADSIDES

[my dear peter (schmidt)] (051168) / Houedard, Dom Sylvester; Schmidt P., 1968

Item

Identifier: CC-08625-8797

Scope and Contents On the first page Houedard wrote, "thank you for the invitation to your show - wish i cld have manged it all best sounds good" At the bottom of page three Houedard wrote, "typed in haste - unchecked - i fear with a slip or two - sent the with unslipt luvs" -s. Pages 2 & 3 of this letter are based upon an onomastikon that is a book, list, or vocabulary of names, especially of people. Wikipedia: Peter Schmidt (17 May 1931 "“ 22 January 1980) was a Berlin-born British artist, painter, theoretician of color and composition, pioneering multimedia exhibitor and an influential teacher at Watford College of Art. He was part of a generation of art school teachers in the 1960s and 1970s that had great impact on some students who later went on to work in art and music. He worked with Hansjörg Mayer, Brian Eno, Mark Boyle, Dieter Roth and had associations with Russell Mills, David Toop and Tom Phillips. the Sackner Archive holds one work by Schmidt, The Thoughts Behind the Thoughts", an...

Dates: 1968

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

New Math / Damrauer, Craig., 2009

Item

Identifier: CC-52852-73990

Scope and Contents

This work was edited by Ed Ruscha. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2009

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Nice / Sloy; Nic., 2011

Item

Identifier: CC-52427-73552

Dates: 2011

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Nietzsche's Brolly Broadsheet: Mathemaku for Ezra Nr.2. No.87/Oct / Bob Grumman., 2009

Item

Identifier: CC-49392-70437

Dates: 2009

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Nietzsche's Brolly Broadsheet: Mathemaku in Praise of Persephone. No.90/Oct / Bob Grumman., 2009

Item

Identifier: CC-49391-70436

Dates: 2009

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Periodicals

Non Additive Postulations & Other Poems / Helmes, Scott., 2000

Item

Identifier: CC-39414-41366

Scope and Contents

The poems in this book are presented as mathematical equations. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2000

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Number Poems / Mills, Neil., 1970

Item

Identifier: CC-38216-40112

Scope and Contents

This is an unsigned copy; the first 25 copies were signed and numbered. Mills states that these poems are meant to be read aloud. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books

Number Poems / Weiss, Irving., 1997

Item

Identifier: CC-30761-32207

Scope and Contents

According to Weiss' introduction, these poems consist of a "sequence of visual poems and word-only poems based on our familiar numbering system." Weiss constructs the poems as imaginative forms or as abstract ideas; they attempt to establish close connections between numeration and imagination. The Sackner Archive also holds the book based upon this manuscript. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats

Number Poems / Weiss, Irving., 1997

Item

Identifier: CC-56593-9999998

Scope and Contents

According to Weiss' introduction, these poems consist of a "sequence of visual poems and word-only poems based on our familiar numbering system." Weiss constructs the poems as imaginative forms or as abstract ideas; they attempt to establish close connections between numeration and imagination. The Sackner Archive also holds the manuscript for this book. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books