Held provides a biography of Corbett that deals with his transition from a classically trained studio artist to a network artist making original rubberstamps. He notes that his rubber stamps reflect an intimate knowledge of Dada, Surrealism, Futurism, Constructivism, New Realusm, Gutai, and Fluxus. -- Source of annotation: Marvin or Ruth Sackner.

This is a collection of objects that bears resemblance to Flux Kits. The shredded paper packing material in the box is part of the collection and is entitled, "Excelsior;" it consists of shredded dictionary pages. The rubberstamped citations on the objects are minimalist phrases, e.g., the keychain is titled, "burglar's apprentice" and the tongue depressor, "corrective diction device." Although the title page indicated that this box is signed and numbered in an edition of 100 copies, this identification could not be found. -- Source of annotation: Marvin or Ruth Sackner.

This is a collection of objects that bears resemblance to Flux Kits. The shredded paper packing material in the box is part of the collection and is entitled, "Excelsior;" it consists of shredded dictionary pages. The rubberstamped citations on the objects are minimalist phrases, e.g., the keychain is titled, "burglar's apprentice" and the tongue depressor, "corrective diction device." Although the title page indicated that this box is signed and numbered in an edition of 100 copies, this identification could not be found. -- Source of annotation: Marvin or Ruth Sackner.

The drawing depicts cartoon characters along with text. -- Source of annotation: Marvin or Ruth Sackner.

The drawing depicts cartoon characters along with text. -- Source of annotation: Marvin or Ruth Sackner.

Cover Stories was an exhibition of altered covers, primarily through collage, of popular novels. It was created for Geelong Arts Alliance's exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Exhibited in Visualog 2. For the names of various beef cuts of the cow, Cavellini has substituted names of artists. -- Source of annotation: Marvin or Ruth Sackner.

The catalogue has several introductory essays including one contributed by Marvin Sackner. Other sections include a) Books, b) Unique Manuscripts & Books, and c) Drawings, Prints, Posters & Miscellaneous. Fifty catalogues had an accompanying print. The print is a red and blue colored concrete poetic landscape image formed by rubberstamping words in French and English. The unbound pages provide translations for the critical essays written in French. The print is stored separately in a de Charmoy box. -- Source of annotation: Marvin or Ruth Sackner.

The badge is attributed to Candyass College at the Robert J. Schiffler Foundation. -- Source of annotation: Marvin or Ruth Sackner.

The badge is attributed to Candyass College at the Robert J. Schiffler Foundation. -- Source of annotation: Marvin or Ruth Sackner.

This is Bradley's "editorial take" after reading UU's book written in 1989. The cover image was done by Gregg Simpson. The original book is held by the Sackner Archive and was published by Weed/Flower Press in 1971. -- Source of annotation: Marvin or Ruth Sackner.

This is Bradley's "editorial take" after reading UU's book written in 1989. The cover image was done by Gregg Simpson. The original book is held by the Sackner Archive and was published by Weed/Flower Press in 1971. -- Source of annotation: Marvin or Ruth Sackner.

Also designated one cent #194. -- Source of annotation: Marvin or Ruth Sackner.

Also designated pomez a penny #13 and th wrecking ballzark #6. -- Source of annotation: Marvin or Ruth Sackner.