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Neo-Dada

 Subject
Subject Source: Sackner Database

Found in 777 Collections and/or Records:

FLUXbox / Bill Gaglione, aka Picasso Gaglione., 2011

 Item
Identifier: CC-53207-74359
Scope and Contents

The four wooden letters consist of F L U X. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2011

FLUXbox / Bill Gaglione, aka Picasso Gaglione., 2011

 Item
Identifier: CC-53207-74359
Scope and Contents

The four wooden letters consist of F L U X. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2011

For Ruth S., 2015

 Item — Box 271: [Barcode: 31858073143376]
Identifier: CC-61606-10004066
Scope and Contents

"RUTHOPIA" is stenciled behind the glasses, seen through the lens.

Dates: 2015

for your Mental Heat, Try Ozona Snuff / Michel Meyer., 1984

 Item
Identifier: CC-55697-54829
Scope and Contents

Internet: For Michel Meyer, everything started in the mid 1980s when he founded the multimedia group Wonder Products with fellow artists from the Beaux Arts School of Paris. The group produced avant-garde video art and staged art performances with multi screen displays that were shown in numerous international festivals. Its most famous events were an exhibition art the modern Art Museum of Paris and a series of performances at the Theatre de la Bastille. Naturally, Michel got interested in CGA graphics from the start and was one of the first French directors to work with digital 3D and 2D techniques with companies like Ex Machina, Sogitec or Mc Guff. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984

for your Mental Heat, Try Ozona Snuff / Michel Meyer., 1984

 Item
Identifier: CC-55697-54829
Scope and Contents

Internet: For Michel Meyer, everything started in the mid 1980s when he founded the multimedia group Wonder Products with fellow artists from the Beaux Arts School of Paris. The group produced avant-garde video art and staged art performances with multi screen displays that were shown in numerous international festivals. Its most famous events were an exhibition art the modern Art Museum of Paris and a series of performances at the Theatre de la Bastille. Naturally, Michel got interested in CGA graphics from the start and was one of the first French directors to work with digital 3D and 2D techniques with companies like Ex Machina, Sogitec or Mc Guff. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984

Framing the Narrative / Beaulieu, Derek., 2000

 Item
Identifier: CC-36500-38298
Scope and Contents

The image depicts a man hanging a framed picture of an English and made-up (or a dialect) text from a book. This work is also designated Content Vol.1 No.1. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2000

[Frowning Mona Lisa] / Cejar; Eggemann; Jurgen O. Olbrich., 1988

 Item
Identifier: CC-19304-19687
Scope and Contents

The print is a photocopy of an altered, frowning Mona Lisa by Cejar, the drawing consists of abstract crayon markings by Olbrich and the wooden matches are tied into two bunches with wire by Eggemann. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1988

[Frowning Mona Lisa] / Cejar; Eggemann; Jurgen O. Olbrich., 1988

 Item
Identifier: CC-19304-19687
Scope and Contents

The print is a photocopy of an altered, frowning Mona Lisa by Cejar, the drawing consists of abstract crayon markings by Olbrich and the wooden matches are tied into two bunches with wire by Eggemann. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1988

Ganglia 5 Cent Mimeo Series: A Condensed History of Nothing. No.39 / bp Nichol., 1970

 Item
Identifier: CC-36923-38756
Scope and Contents

The pages in this booklet are blank. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970