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Optical image

 Subject
Subject Source: Sackner Database

Found in 346 Collections and/or Records:

oa + / Mairey, Francoise., 2002

 Item
Identifier: CC-59583-10002660
Scope and Contents

Card No.16 was scanned into record. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2002

one cent: Hologram 4. No.134/Nov / bp Nichol., 1983

 Item
Identifier: CC-40591-42564
Scope and Contents

The poem is difficult to read because it is written in three dimensions but appears to state "flat feet." It is also listed as th wrecking ballzark No.60 and Curvd H&Z No.257. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1983

[oooooo] (030367) [1] / Houedard, Dom Sylvester., 1967

 Item
Identifier: CC-56180-59695
Scope and Contents

This typing consists of eighteen lines of typed purple o's on a background of red slash lines. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1967

[Op-Art] / Vasarely, Victor., 1966

 Item
Identifier: CC-53421-63452
Scope and Contents

Op-Art print consisting of two parts: a paper image with an intricate geometric pattern printed in black on white, and another sheet of clear vinyl with the same image printed in white so that moving the vinyl over the paper creates endless variations as well as a Moire effect. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1966

[optical m's deconstructed square (1)] / Cameron, Charles., 2013

 Item
Identifier: CC-58056-10001302
Scope and Contents

Composed on an IBM Selectric typewriter. In a personal communication to Marvin Sackner, Cameron stated that this work was signed "upside down", is an experiment in which parts of the pattern have been dropped out and other parts (specifically the "single lines" which gave the original pattern much of its sense of curvature) remain. Different eyes will likely see different degrees of "wholeness" to the overall pattern in this variant. Original 2013. As far as the "upside down" business is concerned, I'd imagine you will be publishing the piece, if at all, right side up, and don't need to include the signature & date in any published versions -- they're there for you, purely for reasons of provenance. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2013

[optical m's deconstructed square (2)] / Cameron, Charles., 2013

 Item
Identifier: CC-58057-10001303
Scope and Contents

Composed on an IBM Selectric typewriter. In a personal communication to Marvin Sackner, Cameron stated that this work was signed "upside down", is an experiment in which parts of the pattern have been dropped out and other parts (specifically the "single lines" which gave the original pattern much of its sense of curvature) remain. Different eyes will likely see different degrees of "wholeness" to the overall pattern in this variant. Original 2013. As far as the "upside down" business is concerned, I'd imagine you will be publishing the piece, if at all, right side up, and don't need to include the signature & date in any published versions -- they're there for you, purely for reasons of provenance. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2013

[optical m's deconstructed square (3)] / Cameron, Charles., 2013

 Item
Identifier: CC-58061-10001307
Scope and Contents

Composed on an IBM Selectric typewriter. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2013

[optical m's square 45 degrees tilt] / Cameron, Charles., 2013

 Item
Identifier: CC-58055-10001301
Scope and Contents

Composed on an IBM Selectric typewriter that was originally typed c.1964 and now retyped 2013. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2013

[optical m's square] / Cameron, Charles., 2013

 Item
Identifier: CC-58054-10001300
Scope and Contents

Composed on an IBM Selectric typewriter that was originally typed c.1964 and now retyped 2013. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2013

[optical m's triple panel squares] / Cameron, Charles., 2013

 Item
Identifier: CC-58064-10001310
Scope and Contents

Composed on an IBM Selectric typewriter that was originally typed c.1964 and now retyped 2013. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2013

Outrider for the Lady / Foster, Charles; Kempton K., 1974

 Item
Identifier: CC-11443-11659
Scope and Contents

The typewriter art on both covers was done by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1974

p f '67[CR]fragment of a book that does not exist / Valoch, Jiri., 1967

 Item
Identifier: CC-57294-10000614
Scope and Contents

The image consists of typed 1's in an over-laid rectangular grid. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1967

p f '67[CR]fragment of a book that does not exist / Valoch, Jiri., 1967

 Item
Identifier: CC-57295-10000616
Scope and Contents

The image consists of typed 1's in an over-laid rectangular grid. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1967

p f '67[CR]fragment of a book that does not exist / Valoch, Jiri., 1967

 Item
Identifier: CC-57298-10000615
Scope and Contents

The image consists of typed 1's in an over-laid rectangular grid. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1967