Performance poetry
Found in 887 Collections and/or Records:
West End / Kern, Bliem ; Johnson, Joe., 1976
These poems were part of a poetry concert at the West End Cafe, 113thStreet and Broadway, NYC on April 4, 1976. Most of joe johnson's poems have graphic additions and breaks marked for reading . Possibly, this was joe johnson's copy.One page has an ink stain. -- Source of annotation: Marvin or Ruth Sackner.
[What Is Body Music?] / Curtay, Jean-Paul., 1981
This is one of Curtay's sketch books. It includes drawings and scores for his body poems. -- Source of annotation: Marvin or Ruth Sackner.
What Is Life/ And When It Ceases / Lurie, Toby., 1978
Lurie states that this body of work is designated serial poems - a series of words, fragments,or sentences is (are) established, and repeats itself in this order until the poem is finished. -- Source of annotation: Marvin or Ruth Sackner.
[White Self-portrait] / Hubaut, Joel., 1996
This piece is an example of Hubaut's body of work pertaining to monochromatic themes in which he himself becomes part of the art work. Hubaut is dressed in a outlandish white hat with a white female nude sculpture on it. His face, neck and legs are painted with white dots, and he is wearing a white chef's coat, no pants, white boots, and is standing in front of an opened white refrigerator filled with white food products, holding a woman's white purse. -- Source of annotation: Marvin or Ruth Sackner.
White Wall (site in sight) / Sutherland, W. Mark., 1994
WhiteWalls: Culture, Identity, & Colonialism. No.31 / Tisdale D., 1992
Includes as advertisement on page 4 for the Second Annual Washington Book Fair indicating that Dr. Marvin and Ruth Sackner are to receive Pyramid Atlantic's Award of Distinction. -- Source of annotation: Marvin or Ruth Sackner.
WhiteWalls: Petty Crimes for the Common Good. No.26/Fall., 1990
Edited by Susan Snodgrass. -- Source of annotation: Marvin or Ruth Sackner.
WhiteWalls: Rants and Raves. No.27/Win., 1991
Edited by Susan Snodgrass. This issue solely documents performance pieces. -- Source of annotation: Marvin or Ruth Sackner.
WhiteWalls: When Words Collide. No.30/Fall / Rosen K., 1992
Edited by Susan Snodgrass. -- Source of annotation: Marvin or Ruth Sackner.
Why Do I Hear...But Not Undertand, 2014
This piece was performed by Michael Basinski at the Perez Art Museum Miami on March 22, 2014 in conjunction with the exhibition "A Human Document: Selections from The Sackner Archive of Concrete and Visual Poetry." -- Source of annotation: Marvin or Ruth Sackner.
Will Read Their Work , 1979
Wingtrace/The Sign of Its Track / Cutler-Shaw, Joyce., 1985
Wingtrace/The Sign of Its Track / Cutler-Shaw, Joyce., 1986
Wingtrace/The Sign Of Its Track / Cutler-Shaw, Joyce., 1984
Winter Souvenir / Nomads, The ; Arts A ; Monro N ; Olbrich JO ; Schnyder A ; Stake C., 1988
womb word (051165) / Houedard, Dom Sylvester., 1965
The poem was may have been printed much later than its creation. The Sackner Archive holds the original of this poem. -- Source of annotation: Marvin or Ruth Sackner.
Word Play / Lurie, Toby., 1980
Word Works 2, 1980
'X' Marks His (Disputed) Spot in Canada's Art Scene / Krauss, Clifford; Kantor I., 2004
The article reports that Istvan Kantor (aka Monty Cantsin) received the Governor General's Award in visual and media arts, one of the highest artistic awards in Canada. -- Source of annotation: Marvin or Ruth Sackner.