Depicts three scythes with same handle but different blades, viz., a lightening bolt that evolves to a sickle from left to right. -- Source of annotation: Marvin or Ruth Sackner.

Published on Christmas day 1994. -- Source of annotation: Marvin or Ruth Sackner.

The image depicts the Arrosoir (Watering-can) among flowers, the name of the day in the Republican calendar that the Robespierrists were gullotined during the French revolution. -- Source of annotation: Marvin or Ruth Sackner.

The illustration by Hincks depicts a reaper blade that evolves to a thunderbolt over three images. It has a related caption regarding the French revolution. -- Source of annotation: Marvin or Ruth Sackner.

This print depicts a confident Apollo,a metaphor for the French revolutionary leaders, and a frightened Daphne, a symbol of the beginning Republic as indicated by her wrappings of the French Tricolor flag. -- Source of annotation: Marvin or Ruth Sackner.

Depicts a landscape image from a Greek classic but the caption deals with an allied air raid in progress. John Flaxman (1755-1826) was a British-born Swedenborgian sculptor, painter, designer and illustrator. -- Source of annotation: Marvin or Ruth Sackner.

These three prints depict the individual figures in the print Apollo and Daphne: Design for a Wall, 1992. Apollo is depicted in a red symbolizing strength whereas Daphne is printed in camouflaged green indicating uncertainty of pastoral serenity. Laurus depicts a silhouette of a green tree. -- Source of annotation: Marvin or Ruth Sackner.

In this version of the print the figures of Apollo in red and Daphne in green are combined into a green tree. -- Source of annotation: Marvin or Ruth Sackner.

In this version of the print the figures of Apollo and Daphne are outlined in black and are combined into an outlined tree all against the image of a drawn black brick wall. -- Source of annotation: Marvin or Ruth Sackner.

Arrosoir means watering-can, a still-life depicted on this card. The caption under this image states, "The Robespierrists were guillotined on Arrosoir, Watering-can, in Thermidor, Month of Heat (Republican Calendar, 1792-1806). Baveuf described Robespierre as 'the genius in whom resided truly regenerative ideas...' The loose sheet enclosed with this card rales against the Strathclyde tax collectors for seizure of Finlay's property from the Temple. -- Source of annotation: Marvin or Ruth Sackner.

Arrosoir means watering-can, a still-life depicted on this card. The caption under this image states, "The Robespierrists were guillotined on Arrosoir, Watering-can, in Thermidor, Month of Heat (Republican Calendar, 1792-1806). Baveuf described Robespierre as 'the genius in whom resided truly regenerative ideas...' The image of the watering can is depicted with a black ribbon. -- Source of annotation: Marvin or Ruth Sackner.

The print depicts a combination of red and black typewriter ribbons unspooled from two spools. -- Source of annotation: Marvin or Ruth Sackner.

This depicts an armored tank among Silver Birch trees. It contrasts with the first version in that the first had tree leaves immeshed in the netting over the tank. -- Source of annotation: Marvin or Ruth Sackner.

Betula Pendula refers to Silver Birch. The image of this drawing is the outline of an armored tank camouflaged by netting covered with tree leaves. -- Source of annotation: Marvin or Ruth Sackner.

Betula Pendula refers to Silver Birch. The image on this card is an armored tank camouflaged by netting covered with tree leaves. A sketch of this image is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The poem on the French tricolor flag reads, "Liberty for Some; Equality for Some; Fraternity for Some" rather than "for All." -- Source of annotation: Marvin or Ruth Sackner.

Image depicts the French Tricolored Flag with inscription, Liberty for some, Equality for some, and Fraternity with some. This epithat refers to the rejection of Finlay's commission by the city of Paris. -- Source of annotation: Marvin or Ruth Sackner.

Image depicts a whellbarrow with heads in an abstract presentation presumably an imagined scene from the French revolution. -- Source of annotation: Marvin or Ruth Sackner.