The theme of this poem deals with Brazil's rain forest. -- Source of annotation: Marvin or Ruth Sackner.

This work is a collection of Silves' publications. It comprises the following: 1) introductory card, 2) Mail- Art Copy-Book Two 1990, 3) Testos Visualis exhibition announcement pamphlet, 4) folded broadside not dated, 5) performance announcement card "A Violencia Nossa de Cada Dia" 1999, 6) 50 Anos - portfolio of photocopied prints 1993, 7) newspaper article on Silves (2003); 8) a newspaper supplement pamphlet about Silves (2000), 9) 16 photocopied prints not dated, 12) 3 page photocopied critical text on poema processo 1967 - 2002, and 13) photocopied page of exhibition review of Silves works dated 2002INternet: Falves Silva (1943-) is one of the artists featured in OEI #66 Process/poem. -- Source of annotation: Marvin or Ruth Sackner.

This print differs from the one exhibited in Visualog 2, San Luis Obispu, California in that it does not have a collaged addition. -- Source of annotation: Marvin or Ruth Sackner.

Exhibited in Visualog 2, San Luis Obispu, California, an exhibition was curated by Karl Kempton. In contast to the other copy of this print, the eyes of the child depicted in this print are covered with a miniature band-aid. -- Source of annotation: Marvin or Ruth Sackner.

Exhibited in Visualog 2, San Luis Obispu, California, an exhibition curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.

This book contains the work of De Araujo from 1979 to 1989, including experimental and autobiographical pieces among others. -- Source of annotation: Marvin or Ruth Sackner.

This print depicts a column of printer's visual ornaments with skulls in the center row. -- Source of annotation: Marvin or Ruth Sackner.