Political text
Found in 247 Collections and/or Records:
Visual and Aural Mythologies / Allen, Tracy., 1985
Visual Poetry Poster Series: The Last Bullet. No.12 / Edward Kulemin., 2009
War (Words At Roar): Volume One: s/word/s / Riddell, John., 1981
This is part one of a trilogy in regards to thhe way language is used as an atempt to resolve conflicts.he work is a mechanically reproduced collage of texts relating to war and peace. Laid in are a folded one-page statement about the piece and a folded sheet, printed on both sides, titled "A History of the Arms Race;" this is present in one copy but not in the other copy. Riddell writes in his statement: 'The literary format offered is unusual, in that it employs a strategy which shifts the responsibility for production- communication from the traditional power-locus of an exclusive Authority towards the 'reader-participant/s'." -- Source of annotation: Marvin or Ruth Sackner.
Warning Warning / Depew, Wally., 1985
Waters of the Nations: Messages from the World, 1982
Who's Afraid of Hamilton Finlay? by Mark S. Ross and Neil J. Makintosh / Finlay, Ian Hamilton., 1989
Why I Got Busted & Other Nonsense, Part 1 / levy, d.a.., 1967
This is a polemic against the Cleveland establishment. In this piece, levy mentions that he decided to commit suicide at age 17 years but changed his mind at the last minute and began reading everything and writing poems. -- Source of annotation: Marvin or Ruth Sackner.
World Peace & Nuclear Disarmament / Banana, Anna; Hofstadter D., 1984
Yawn. No.1/Sep / Lloyd Dunn, editor., 1990
The content of this issue deals with the Art Strike (1990-1993) and a manifesto. -- Source of annotation: Marvin or Ruth Sackner.
Yawn. No.2/Sep / Lloyd Dunn, editor., 1990
The content of this issue deals with the Art Strike (1990-1993) and a manifesto. -- Source of annotation: Marvin or Ruth Sackner.
Yawn. No.3/Sep / Lloyd Dunn, editor., 1990
The content of this issue deals with the Art Strike (1990-1993) and a manifesto. It also provides a section of 20 frequently asked questions about the Art Strike. -- Source of annotation: Marvin or Ruth Sackner.
Yawn. No.8/Jan / Lloyd Dunn, editor., 1990
The content of this issue deals with the Art Strike (1990-1993) and letters to the editor with comments. -- Source of annotation: Marvin or Ruth Sackner.
Yawn. No.15/Jun / Lloyd Dunn., 1990
The content of this issue deals with the Art Strike (1990-1993) and an art horiscope. -- Source of annotation: Marvin or Ruth Sackner.
Yawn. No.17/Jul / Lloyd Dunn, editor ; Massa J., 1990
The content of this issue deals mainly with the Art Strike (1990-1993). -- Source of annotation: Marvin or Ruth Sackner.
Yawn. No.21A/Oct / Lloyd Dunn, editor., 1990
This issue is a pseudo-biography of Lloyd Dunn as written on a questionnaire. -- Source of annotation: Marvin or Ruth Sackner.
Yawn. No.23/Nov / Lloyd Dunn, editor., 1990
The content of this issue deals with the Art Strike (1990-1993). -- Source of annotation: Marvin or Ruth Sackner.
Yawn. No.24/Dec / Lloyd Dunn, editor., 1990
The content of this issue deals with the Art Strike (1990-1993) and letters to the editor with comments. The page is torn at the top center. -- Source of annotation: Marvin or Ruth Sackner.
Yawn. No.25/Jan / Lloyd Dunn, editor., 1991
The content of this issue deals with the Art Strike (1990-1993). The page is torn at the top center. -- Source of annotation: Marvin or Ruth Sackner.
Yawn. No.26/Jan / Lloyd Dunn, editor ; Beckett S., 1991
The content of this issue deals with the Art Strike (1990-1993). The page is torn at the top center. -- Source of annotation: Marvin or Ruth Sackner.
Yawn. No.27/May / Lloyd Dunn, editor., 1991
The content of this issue deals with the Art Strike (1990-1993). The page is torn at the top center. -- Source of annotation: Marvin or Ruth Sackner.