These documents include an essay by Thomas A. Clark on Finlay's controversial sculpture, OSSO at ARC in 1987 that included the logo of the Waffen SS. This work was considered by Art Press, a Parisian based journal as being pro-Nazi whereas Clark argues that it is anti-Nazi. They includes a copy of a protest letter on Finlay's behalf by Sol Lewitt to Jack Lang, the French cultural minister. Stephen Bann contributes a critical essay on Finlay's proposal for a revolutionary garden in Vers -- Source of annotation: Marvin or Ruth Sackner.

The image on the back cover was drawn by Joel Hubaut - the Sackners were given the drawing by Hubaut during his stay in Miami for the exhibition, "Tour de France/Florida. -- Source of annotation: Marvin or Ruth Sackner.

Deals with aspects of the Holocaust in France. -- Source of annotation: Marvin or Ruth Sackner.

First published in French in 1970 by Editions Gallimard, "this novel of atrocity and extreme obscenity is set in the dirt of a majestically tainted zone of the Algerian desert in a time of civil warfare.. and brings scenes of brutal violence into intimate collision with relentless acts of prostitutional sex and degradation." Guyotat writes in a style of stream of consciousness without structured sentences in obscene, harsh, descriptive language. There are no periods ending sentences; only semi-colons, commas and dashes are employed as punctuation marks. The book was banned in France for eleven years. The novel is a collection of phrases. -- Source of annotation: Marvin or Ruth Sackner.

This collaboration was part of Book Works: A Women's Perspective. -- Source of annotation: Marvin or Ruth Sackner.

levy writes an angry, depressed letter about his relation to the state of politics, police and the court system in Cleveland. He indicates that he has turned to drugs because of his problems in the city. Inman writes back that levy's letter is self-pitying and admonishes him about using drugs because "if we use kicks and drugs as an excuse, then already we enter the most negative aspects of the system we claim we're against...it is the most sinister kind of cop-out." -- Source of annotation: Marvin or Ruth Sackner.

The content of the fiction in this book is deemed experimental by the editor. In general, it does not fall under the classifications of postmodernist fiction as we know it today (2003). -- Source of annotation: Marvin or Ruth Sackner.

Rodney Grey, the husband of Cozette de Charmoy describes his relationship with Alexandre Kojeve in negotiating international trade agreements in the 1960's. Stored in Cozette de Charmoy box. -- Source of annotation: Marvin or Ruth Sackner.

This is an attack on The National Trust book, "Follies" which was adversely critical of Finlay's Garden Temple by painting a picture of the Trust with quotes lifted from the book. -- Source of annotation: Marvin or Ruth Sackner.

The cover was designed by Tom Kyyss. r.j.s. stands for Robert J. Sigmond, a poet who at age 19 years was incarcerated by the Cleveland authorities for six months because of using marijuana. d.a.levy's poem in this book, "Indictment of the City of Cleveland for Contributing to the Delinquency of Minors" describes that episode. -- Source of annotation: Marvin or Ruth Sackner.

The texts reproduce statements by the French revolutionary, Louis-Antoine Saint-Just 1767-1794 and refer to Finlay's contemporaneous disagreement with his local tax collectors. Finlay's book on prints 1963-1997 depicts the prints in black on a grey background. The prints here are printed in red and black. -- Source of annotation: Marvin or Ruth Sackner.

The seven cards are identical papercard covers for issues No.5 & 6. -- Source of annotation: Marvin or Ruth Sackner.