This exhibition of ancient books that had been altered by their readers, insects, weather, etc. was curated by Leonard Hansen and Richard Minsky. The exhibition was partially funded by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This reproduction of an ancient image was printed in Monks Pond. -- Source of annotation: Marvin or Ruth Sackner.

This is the most experimental issue of the EX series. -- Source of annotation: Marvin or Ruth Sackner.

Reproduction of an Etruscian bronze depicting the liver and gall bladder found in 1877 in Piacenza. -- Source of annotation: Marvin or Ruth Sackner.

Reproduction of an Etruscian bronze depicting the liver and gall bladder found in 1877 in Piacenza. -- Source of annotation: Marvin or Ruth Sackner.

Auction catalogue. -- Source of annotation: Marvin or Ruth Sackner.

Includes a critical analysis of the labyrinth poems by the Portuguese writer, Manual de Faria e Sousa (1590-1649). -- Source of annotation: Marvin or Ruth Sackner.

This catalogue highlights works from the collection of the Museum of Biblical Art. -- Source of annotation: Marvin or Ruth Sackner.

The cover depicts a varied-colored alphabet in letter over letter presentation. The poster consists of a table that traces the development of the alphabet through its Egyptian, Phoenician, Greek, Etrusian, Roman, and Minuscules origins. -- Source of annotation: Marvin or Ruth Sackner.

In her essay "Cosmographicae Meditationes" Stetser considers maps as revealing the culture, politics, and values of those who make and use them." The visual renditions of various maps are tied in with the language and symbols of the text on each sheet, recognizing that "language holds a nation together but it also enables us to learn about other people and countries." -- Source of annotation: Marvin or Ruth Sackner.

Each page contains two texts: the 1985 edition of "Glenshaw" by John Gardner and John Maier and the author's personal, contemporary story. The Gilgamesh text is printed in dark red type on the surface of the translucent page and the author's story is printed in typewriter fonts on the inside of the sleeve page. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition consisted of books, manuscripts and works on paper from the collection of Grolier Club members. "The Heart of A Humument" from the Sackner Archive was exhibited and illustrated in the catalogue. George Koppelman exhibited Charles Bukowski's "The Genius of the Crowd," Cleveland:7 Flowers Press, 1966 (hand printed and illustrated by da levy). He purchased it for less than $1.00 from Jim Lowell, Asphodel Book Shop at the time of publication. The colophon called for 103 copies but about 40 copies survived since the rest were destroyed by the Cleveland police. Current price (2007) on the internet from Virtuous Books is $14,500. -- Source of annotation: Marvin or Ruth Sackner.

After a work done in the 17th Century. -- Source of annotation: Marvin or Ruth Sackner.

After a work done in the 17th Century. -- Source of annotation: Marvin or Ruth Sackner.

Exhibition consisted of original manuscripts by 100 masters from John Donne to T.S. Eliot. -- Source of annotation: Marvin or Ruth Sackner.

This was the second half of an exhibition curated by Rodney Phillips which included original manuscripts of 100 poets in chronological order from e.e. cummings to Julia Alvarez. -- Source of annotation: Marvin or Ruth Sackner.

This calendar was published, designed and printed by HBP, a printing, graphics & information services company. A different book illustrates each month. -- Source of annotation: Marvin or Ruth Sackner.

In his screen "Cogito Ergo Sum," commissioned by the Sackners, John Furnival used illustrations from the occult works of Robert Fludd, the last of the true Renaisssance men. These include The Solar Logos, The Division of the Waters, The Pythagorean Tetrad, The Diapason Closing Full in Man, The Descent and Re-ascent of the Soul, The Qualities of the Winds, and Chiromancy. -- Source of annotation: Marvin or Ruth Sackner.

This contemporary Ukranian translation of an early 18th century manual of poetics used at the Kiev Mohylo Academy contains examples of rudimentary concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.