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 Subject
Subject Source: Sackner Database

Found in 411 Collections and/or Records:

Word into Art: Artists of the Modern Middle East / Vanetia Porter, curator ; ElHanani J ; Koraichi R ; Massoudy H ; Moustafa A ; Neshat S ; Zenderoudi H ; Qotbi M ; Houshiary S ; Mahdaoui N ; Arabshahi M ; Amer G., 2006

 Item
Identifier: CC-47007-49745
Scope and Contents

Venetia Porter curated the exhibition and edited this book. The Sackner Archive holds works by all the artist/poets cited as other contributors with the exception of Chada Amer. The brief biographies in the final section is accompanied by a photograph of the individuak -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2006

Words and the Images, The: Text and Image in the Art of the Twentieth Centur / Woorden en de Beelden, De: Tekst En Beeld in De Kunst Van De Twingigste Eeuw / Jan Brand, curator ; Nicolette Gast, curator ; Robert-Jan Muller, curator ; Mallarme S ; Marinetti FT ; Apollinaire G ; Depero F ; Werkman HN ; Lissitzky E ; Ben ; Broodthaers M ; Roth D ; Finlay IH ; Chopin H ; Ruscha E ; Dwyer N ; Holzer J ; Kruger B ; Gibbs M ; Goncharova N ; Schwitters K ; Picabia F ; Bonset I ; deSaga P ; Kruchenykh A ; Khlebnikov V ; Apollinaire G ; VanDoesburg T ; Stepanova V ; Balla G ; Picasso P ; Braque G ; Huelsenbeck R ; Hausmann R ; Ernst M ; Crotti J ; Hoch H ; Magritte R ; Miro J ; Breton A ; Dotremont C ; Appel R ; Shiomi M ; Young L ; Maciunas G ; Brecht G ; Williams E ; Paik NJ ; Filliou R ; deRidder W ; Kabakov I ; Johns J ; Hains R ; Kosuth J ; Nauman B ; Broodthaers M ; Indiana R ; MacLow J ; Mayer HJ ; DeVree P ; DeRook GJ ; Beuys J ; Twombly C ; Baldessari J ; Barry R ; Hulten P ; Weiner L ; General Idea ; Bloom B ; Wool C ; Spero N ; Baxter G ; Prince R ; Lum K ; Staeck K ; Polke S ; Penck A ; Baumgarten L ; Jenney N ; Daniels R ; Huber T ; Rollins T+KOS ; Basquiat JM ; Dokoupil GJ ; Diamond J., 1991

 Item
Identifier: CC-00479-491
Scope and Contents

This catalogue covers "Text and Image in the Art of the Twentieth Century," in four sections, 1900-1940, 1940,-1970, and 1970-1990 and contains numerous reprinted essays as well as those written especially for the exhibition. Topics include Concrete and Visual Poetry, Language relating to Fluxus and Dada, and texts on Marcel Broodthaers, A.R. Penck, Neil Jenney, Nancy Dwyer, Tim Rollins and KOS, Ken Lum, and Barbara Kruger among others. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991

Words to Be Looked At: Language in 1960s Art / Kotz, Liz ; Acconci V ; Andre C ; Andrews B ; Ashbery J ; Barry R ; Barthes R ; Brecht G ; Broodthaers M ; Burgin V ; Cage J ; Coolidge C ; Corner P ; Duchamp M ; Dworkin C ; Feldman M ; Flynt H ; Eco U ; Giorno J ; Graham D ; Haacke H ; Hansen A ; Huebler D ; Kawara O ; Kosuth J ; LeWitt S ; MacLow J ; Maciunas G ; Mallarme S ; Mayer B ; Nauman B ; Paik NJ ; Piper A ; Rauschenberg R ; Roth D ; Rothenberg J ; Saroyan A ; Shiomi M ; Smithson R ; Tzara T ; Warhol A ; Watts R ; Weiner L ; Williams E ; Wolff C ; Young L ; Zweig E ; Tudor D ; Serra R., 2007

 Item
Identifier: CC-47201-49944
Scope and Contents Kenneth Goldsmith Amazon.com "In 1959, Brion Gysin famously claimed that poetry was fifty years behind painting. Gysin's prophecy still holds true: half a century later, contemporary poetry is just beginning to explore ideas forged by language-based artists in the 1960s. As such, this book is a roadmap, bursting at the seams with inspiration and ideas for current literary practices. By embracing an intermedia approach--one where music, photography, visual art, poetry and performance all live in the same room--Liz Kotz elegantly creates a compelling portrait of our digitized networked present. The implications are radical: by gazing backwards, this book predicts the future."Craig Dworkin Amazon.com "Words to Be Looked At is a landmark account of the central story of post-war art: the first sustained investigation of the 'linguistic turn' that has defined the arts since the 1960s. As Kotz details with unequalled authority and insight, language became a primary media for artists in...
Dates: 2007

Writing on the Wall: Word and Image in Modern Art / Morley, Simon ; Adorno T ; Alechinsky P ; Aragon L ; Arakawa ; Art & Language ; Artaud A ; Baldessari J ; Ball H ; Banner F ; Barthes R ; Basquiat JM ; Baumgarten L ; Bayer H ; Beckett S ; Ben ; Bense M ; Beuys J ; Bing X ; Boetti A ; VanDoesburg T ; Bouabre FB ; Brecht G ; Breton A ; Broodthaers M ; Burgin V ; Burroughs WS ; Cage J ; Apollinaire G ; Cangiullo F ; Chopin H ; Mallarme S ; Darboven H ; Debord G ; Degottex J ; Desnos R ; Dine J ; Duchamp M ; Dufrene F ; Ernst M ; Fahlstrom O ; Finlay IH ; Fuller B ; Fulton H ; Gins M ; Ginsberg A ; Gomringer E ; Grosz G ; Hains R ; Hamilton R ; Hausmann R ; Heartfeld J ; Heidegger M ; Higgins D ; Hoch H ; Holzer J ; Isou I ; Jarry A ; Johns J ; Joyce J ; Kabakov I ; Kaprow A ; Kawara O ; Khlebnikov V ; Klucis G ; Kosuth J ; Kruger B ; Kuitca G ; Leger F ; Ligon G ; LeWitt S ; Lissitzky E ; Maciunas G ; McLuhan M ; Malevich K ; Manzoni P ; Marinetti FT ; Mayakovsky V ; Schwitters K ; Nannucci M ; Nauman B ; Neshat S ; Ono Y ; Phillips T ; Reinhardt A ; Rodchenko A ; Rollins T ; Roth D ; Ruscha E ; Salomon C ; Severini G ; Stein G ; Twombly C ; Tzara T ; Villegle J ; Vostell W ; Warhol A ; Weiner L ; Williams E ; Wittgenstein L ; Wolfli A ; Wool C ; Wyndam-Lewis ; Young L ; Zayas M., 2003

 Item
Identifier: CC-42413-44423
Scope and Contents This book is the first sustained consideration of the manifold infiltrations of the written word into the visual arts from the nineteenth century to the present day.Publisher: "From the cut-up Cubist collages of Picasso to the monumental filmic narratives of Fiona Banner, and from the schoolboy subversion of Magritte to the demotic scrawl of Cy Twombly, the use of words is one of the defining features of modern art. Indeed, with many contemporary works, only those without text are remarkable. Exploring the strange, unsettling, and often humorous results when words escape their traditional confines and inhabit artworks, this book is the first sustained consideration of the manifold infiltrations of the written word into the visual arts from the nineteenth century to the present day. Simon Morley traces the growing bond between word and image, explaining how artists have harnessed the resulting tension to form identities, challenge authority, and make sense of a world in constant...
Dates: 2003

Writing To Be Seen: An Anthology of Later 20th Century Visio-Textual Art: Volume One / Grumman, Bob, editor ; Hill, Crag, editor ; Stetser C ; Helmes S ; Keith B ; Lipman J ; Beining G ; Rosenberg MR ; Cole D ; Ernst KS ; Young K ; Polkinhorn H ; Fox B ; Kempton K ; Sackner RK ; Sackner MA., 2001

 Item
Identifier: CC-37393-39246
Scope and Contents

This is the first volume of three planned for the series. Each of the artists/poets contributed an in-depth essay describing their works and philosophy.There is a photograph of Karl Young holding his book, "Make a Joyful Noise" that is held by the Sackner Archive. The Sackner Archive helped support publication of this book. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2001

Zaum: The Transrational Poetry of Russian Futurism / Janecek, Gerald, J ; Antin D ; Apollinaire G ; Annenkov Y ; Blok A ; Burliuk D ; Goncharova N ; Kamensky V ; Khlebnikov V ; Kruchenykh A ; Larionov M ; Lissitzky E ; Malevich K ; Mallarme S ; Marinetti FT ; Markov V ; Matyushin M ; Mayakovsky V ; Rozanova O ; Stepanova V ; Zdanevich I ; Zdanevich K ; Shklovsky V ; Ouspensky P ; Sackner MA ; Sackner RK., 1996

 Item
Identifier: CC-27991-29143
Scope and Contents

Defining Zaum as a language beyond the other side or "beyond sense," Janecek traces the history of this Russian sound-language poetry through the works of its most prominent writers. He writes that "what might seem to be a minor episode in Russian avant-garde poetry has very broad implications and a historical scope that ranges from Plato to current theories of language and literature (e.g., Deconstructivism). Janecek gave this book to Marvin Sackner at the Eye Rhymes conference in Edmonton, Canada, May 1997. Janecek acknowledges that the image of Figure 25, page 279, a page from Zdanevich's "Dunkee for Rent." was reproduced by courtesy of the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996

Zievgma (English = not able to translate) / Bifgioukov, Seifgei., 1994

 Item
Identifier: CC-37474-39327
Scope and Contents

This is an anthology of mostly undated Russian concretel poetry with numerous examples. The ink, handwritten additions are corrections to the poems and text. The author's name is probably misspelled in English from the Russian. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994