A version of this concrete poem is printed as a card inThe Aylesford Review Vol.6 No.4, 1964-1965 and is also held as a separate entry as titled 'xmas poem 1964.' -- Source of annotation: Marvin or Ruth Sackner.

The text is handwritten "thank you" for a tour of the Sackner Archive. The sheet is folded in oragami style. -- Source of annotation: Marvin or Ruth Sackner.

An inspired thank-you note from Leila Kight to the Sackners after her tour of the Archive. -- Source of annotation: Marvin or Ruth Sackner.

In honor of Marvin's 70th birthday, the Edelsteins made a collage using "The Beauty in Breathing" badge with an image by Maurice Lemaitre. The badge is surrounded by the handwritten text of the title. -- Source of annotation: Marvin or Ruth Sackner.

Text reads DEATH surrounded by night, light, delight. -- Source of annotation: Marvin or Ruth Sackner.

Introduction by G. Bowering notes that the four volumes of this publication cover the period from the early 1960's to 1983. Volume includes selection of each poet's work, a brief biography, bibliography and photograph. -- Source of annotation: Marvin or Ruth Sackner.

This book includes selection of each poet's work as well as a brief biography, bibliography and photograph. -- Source of annotation: Marvin or Ruth Sackner.

The book consists of the word "the" printed with a different typeface on each page. -- Source of annotation: Marvin or Ruth Sackner.

Second book in the trilogy "POETIX" in which Adlers rearranges words and poems to form his own collection. -- Source of annotation: Marvin or Ruth Sackner.

Also designated Parkland Poet Series No.5 -- Source of annotation: Marvin or Ruth Sackner.

The first copy was acquired in 1991; a second copy with slightly different color registrations and higher prices published in 2007 is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The first copy was acquired in 1991 and held by the Sackner Archive; this second copy with slightly different color registrations and higher prices was published in 2007. -- Source of annotation: Marvin or Ruth Sackner.

Poem consists of phrases which contain the word "Jack." -- Source of annotation: Marvin or Ruth Sackner.

This object was formed from by photocopied hand lettered text in the style Phillips uses for his text based sculptures, where each letter is physically linked to adjacent ones. The photocopied sentence of the title, glued onto the cube is repeated twice on each of its surfaces. The Sackner Archive also holds the hand-drawn maquette for this work. The text is by the philosopher Ludwig Wittgenstein. -- Source of annotation: Marvin or Ruth Sackner.

For this piece, Tom Phillips lettered the text in the style he used for his text based wall sculptures. Each letter is linked to adjacent ones. The sentence of the title is repeated twice on each surface of the cube. The text is by the philospher Ludwig Wittgenstein.Phillips writes, "The series of cubes began with a cage of wire made for The Globe Theatre's production of A Winter's Tale. A cage of wire words followed to exemplify Wittgenstein's proposition 'The Limits of My Language are the Limits of My World'. Printing this on an acrylic cube where the inside can be seen and, by an oddity of optics, experienced from the outside seemed to unite the reading of a statement with its perception as a metaphor. Reversing the text on the outside in a later version emphasised the trap of language that Wittgenstein describes." -- Source of annotation: Marvin or Ruth Sackner.