The cover illustration is a Signografia by Clemente Padin. Henri Chopin contributed a critical essay. This work is stored in the Vigo box. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Michael Erlhoff. Typewriter poems held by the Sackner Archive are reprinted in these books: 1) Sound-Reel (1919) [Band 1 page 89] but without the hand writtyem letters as in the original held by the Sackner Archive, 2) lausbumchen [Band 2 page 112], 3) QUADRAT[Band 2 page 115]. -- Source of annotation: Marvin or Ruth Sackner.

The cover reproduces a letter poem by Clemente Padin. The exhibition was organized by Ovum 10 and includes a listing of international journals of avant garde literature. -- Source of annotation: Marvin or Ruth Sackner.

First issued on 33rpm records in 1978. Stored in shelf CD cabinet. -- Source of annotation: Marvin or Ruth Sackner.

First issued on 33rpm records in 1978. Stored in shelf CD cabinet. -- Source of annotation: Marvin or Ruth Sackner.

This is the soundtrack to Marcus' book, Lipstick Traces. -- Source of annotation: Marvin or Ruth Sackner.

This is the soundtrack to Marcus' book, Lipstick Traces. -- Source of annotation: Marvin or Ruth Sackner.

Sims Reed: This is an innovative collaboration between Iliazd and Raoul Hausmann, one of the principal protagonists of Berlin Dada and a pioneer of phonetic and visual poetry. The preface consists of a 'Hommage illettre d'Iliazd à Raoul Hausmann': 'Je suis fier de vous rendre hommage en disposant vos poemes et vos bois ou en tenant le plioir comme une plume.'. 'The typographic layout echoes the forms in the woodcuts, suggesting an architectonic underpinning to the very essence of the work. Poems and images seem to have the same skeletal foundation to their morphology, as a result showing two aspects of a single work.' (Johanna Drucker, Iliazd and the Art of the Book). Some water staining on cover, foxing on inside pages. -- Source of annotation: Marvin or Ruth Sackner.

These poems are based upon a colllaboration with Kurt Schwitters on the the reading of "Pin." This never played tape is also designated No.4 of the series. -- Source of annotation: Marvin or Ruth Sackner.

The poem Soundreel (1919) is printed as "Sound-Ell" and is missing the handwritten ink additions present in the original copy held by the Sackner copy entitled " Sound-Reel" in the book "The Dada Painters and Poets" (1951) by Robert Motherwell. The Interview Avec Les Lettristed (1947)i s based upon "PIN and the story of PIN" (1962) edited by Jasia Reichardt. This unplayed tape is also designated No.5 of the series. -- Source of annotation: Marvin or Ruth Sackner.