Sound poetry

Iconic Notation System / Curtay, Jean-Paul., 1981

Item

Identifier: CC-19497-19880

Dates: 1981

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

ieaou / Xisto, Pedro ; deSouza EA., 1966

Item

Identifier: CC-58549-10001773

Scope and Contents There is an introductory manifesto on communication as follows: Free Information & Communication( meaning. reading. etc.) Any reference (see epigraphs for example) may ad libitum integrate the context of virtualities & correalities: the text of the poem being proposed as an (aesthetic) information already. All together, an approach by the way of analogy to a semiotic process within a probabilistic space-time of permutations & combinations of signs. The signs "” in our case the vowels "” correlate freely, even at random, one another, with the referent. and with the participant observer. Variables of creative reading. and other concrete means of communicating the poem; different languages: vertical, horizontal, transversal, circular sequences (divided. alternate, reiterated, aleatory, etc.); open, close, nasal, stressed (principal & secondary accents), unstressed sounds: staccato, legato, diphthongs, triphthongs, hiatuses, pauses, etc.: vocal timbres & registers:...

Dates: 1966

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

ieaou / Xisto, Pedro ; deSouza EA., 1966

Item

Identifier: CC-54554-62358

Scope and Contents There is an introductory manifesto on communication as follows: Free Information & Communication( meaning. reading. etc.) Any reference (see epigraphs for example) may ad libitum integrate the context of virtualities & correalities: the text of the poem being proposed as an (aesthetic) information already. All together, an approach by the way of analogy to a semiotic process within a probabilistic space-time of permutations & combinations of signs. The signs "” in our case the vowels "” correlate freely, even at random, one another, with the referent. and with the participant observer. Variables of creative reading. and other concrete means of communicating the poem; different languages: vertical, horizontal, transversal, circular sequences (divided. alternate, reiterated, aleatory, etc.); open, close, nasal, stressed (principal & secondary accents), unstressed sounds: staccato, legato, diphthongs, triphthongs, hiatuses, pauses, etc.: vocal timbres & registers:...

Dates: 1966

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Il Gruppo Teatro Itinerario / Apicella, Rossana., 1977

Item

Identifier: CC-47181-49924

Scope and Contents

Edited by Giancarlo Pavanello. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1977

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Booklets (unprocessed)

Il Gruppo Teatro Itinerario / Apicella, Rossana., 1977

Item

Identifier: CC-26609-27079

Scope and Contents

Edited by Giancarlo Pavanello. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1977

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Booklets (unprocessed)

Il Suono e le Parole / Alphonso Malinconico, curator ; Binga T ; Pignotti L ; Fontana G ; Claire P ; Blaine J ; Ferrando B ; Szkarosi E., 2006

Item

Identifier: CC-58490-10001710

Scope and Contents

This book was purchased from Paula Claire at a luncheon meeting she hosted with the Sackners in London in September 2013. It provides an in depth review of the eight artist/poets works featured in this catalogue. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2006

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

ime / Graham, Courtenay Peter., 1969

Item

Identifier: CC-48613-69645

Dates: 1969

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

ime / Graham, Courtenay Peter., 1969

Item

Identifier: CC-48614-69646

Dates: 1969

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

IMWDK / Cobbing, Bob ; Upton, Lawrence., 1997

Item

Identifier: CC-44997-47173

Dates: 1997

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

In Just Intonation / Cobbing, Bob., 1997

Item

Identifier: CC-31683-33190

Dates: 1997

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

in memoriam dsh / Houedard, Dom Sylvester ; Cobbing, Bob ; Clark TA ; Cobbing B ; Sackner RK ; Sackner MA ; Weaver M., 1995

Item

Identifier: CC-09884-10080

Scope and Contents It appears that Bob Cobbing was the author/editor of this book that mostly consisted of works of Houedard, several of which are held by the Sackner Archive. Cobbing writes in this book of Houedard's poetry (1949-1972) that he deserves publication of a large body of work because he was important in his innovative religious thinking, philosophy, poetry and criticism. He mentions that much of the material is held by the Sackner Archive and anyone 'doing the big book' would need to see and be inspired by that collection. The current book was edited by Cobbing and/or Thomas Clark.The composition of Houedard's typewriter poems using the portable Olivetti Lettera 22 as described by Houedard In Mary Ellen Solt's 'A World Look at Concrete Poetry': "there are 86 type units available on my machine for use w/2-color or no ribbon - or with carbons of various colors - the maximum size surface w/out folding is abt 10" diagonal--the ribbons may be of various ages--several ribbons may be used on a...

Dates: 1995

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

In the Function of External Circumstances / Torres, Edwin., 2010

Item

Identifier: CC-50946-72024

Dates: 2010

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

In The Groove / Lurie, Toby., 1979

Item

Identifier: CC-46889-49625

Dates: 1979

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

Incantation for 6 Voices / Helmes, Scott; Gallo P., 2001

Item

Identifier: CC-38187-40083

Scope and Contents

Seven columns of varying colors contain spaced letters found in the word incantation. The poem was printed by Phillip Gallo and a recording of the poem was made during Helmes' residency at The Atlantic Center for the Arts in June 2001. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2001

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)