Sound poetry
Found in 1295 Collections and/or Records:
Karawane / Ball, Hugo., 1989
This is a reprinting of a Dada poem first performed at Cabaret Voltaire in Zurich in 1917. -- Source of annotation: Marvin or Ruth Sackner.
Kehrworte / Hausmann, Raoul., 1965
Kein Roter Faa / Hartmut Geerken, editor; R Lax; G Ruhm., 1990
kikaku kaku / curry, jw., 1997
kikaku revisited / Cobbing, Bob., 1998
Kilties / Cobbing, Bob., 1991
This is the 2nd edition. -- Source of annotation: Marvin or Ruth Sackner.
Klang-Aktionen '97 / Cobbing B ; Balla G ; Cage J ; Schnebel D., 1997
This book served as the program for the event described in the title. -- Source of annotation: Marvin or Ruth Sackner.
klankteksten ?konkrete poezie visuele teksten Exhibition: busina. No.0 / Unidentified., 1970
This poster was hung in the most important exhibition of concrete poetry in its time. The numbering scheme used to classify the posters is based upon the pages of the exhibition catalogue with the same title. In this case, the print was not depicted in the catalogue and the author could not be identified. Therefore, the page reference is to page 0. -- Source of annotation: Marvin or Ruth Sackner.
klankteksten ?konkrete poezie visuele teksten Exhibition: chleb poezie III 1966. No.122ac / Emil Julis., 1970
This print was hung in the most important exhibition of concrete poetry in its time. The numbering scheme used to classify the posters is based upon the pages of the exhibition catalogue with the same title. It is a sound poem based upon the name of the Russian avant garde poet, Khlebnikov (spelled as Chlebnikov in this poem). The top of the poster is water damaged but the image is intact. -- Source of annotation: Marvin or Ruth Sackner.
Konkrete Kanticle : Experiments in Disintegrating Language / Konkrete Canticle; C Verey; N Mills; TA Clark; B Cobbing; P Claire; M Chant., 1971
Experiments in Disintegrating Language was a group composed of Charles Verey, Neil Mills, and Thomas A. Clark. Konkrete Canticle was a group composed of Bob Cobbing, Paula Claire, and Michael Chant. -- Source of annotation: Marvin or Ruth Sackner.
Konkrete Kanticle : Experiments in Disintegrating Language / Konkrete Canticle; C Verey; N Mills; TA Clark; B Cobbing; P Claire; M Chant., 1971
Experiments in Disintegrating Language was a group composed of Charles Verey, Neil Mills, and Thomas A. Clark. Konkrete Canticle was a group composed of Bob Cobbing, Paula Claire, and Michael Chant. -- Source of annotation: Marvin or Ruth Sackner.
Kurrirrurriri / Cobbing, Bob., 1967
Designated writers forum quartos number four. -- Source of annotation: Marvin or Ruth Sackner.
Kurrirrurriri / Cobbing, Bob., 1967
Designated writers forum quartos number four. -- Source of annotation: Marvin or Ruth Sackner.
Kurrirrurriri / Cobbing, Bob., 1967
Designated writers forum quartos number four. -- Source of annotation: Marvin or Ruth Sackner.
Kurrirrurriri / Cobbing, Bob., 1967
Designated writers forum quartos number four. -- Source of annotation: Marvin or Ruth Sackner.
Kwatz / Cobbing, Bob., 1970
Cobbing writes that the twelve poems in this series "have a unity on the edge of poetry and graphic art; further, typewriter camera letraset drawn letter and duplicator techniques combine to say kwatz!" (a Chinese-Zen meaningless word). -- Source of annotation: Marvin or Ruth Sackner.
La 5eme Feuille (La Fabrication de L'Incantation) / Julien Blaine., 2001
This is also designated Poesie du troisieme millenaire no.3. -- Source of annotation: Marvin or Ruth Sackner.
La Djingine du Theopheles / Dubuffet, Jean; Martel, Andre., 1975
First edition in 65 copies was published in 1954. The drawings by Dubuffet are reminiscent of the "women series" by DeKooning in the same years (early fifties). -- Source of annotation: Marvin or Ruth Sackner.
la musa ciclista / Pavanello, Giancarlo, editor ; Belloli C ; Bentivoglio M ; Binga T ; Garnier P ; Jaschke G ; Liuzzi O ; Lora-Totino A ; Magro F ; Neri G ; Pavanello G ; Izzo M., 2003
la poesia fa male / Balestrini, Nanni; Premoli, Danilo., 1998
The poem that constitutes the book is laid out as a conventional poem but with a nonsense language. -- Source of annotation: Marvin or Ruth Sackner.