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Sound poetry

 Subject
Subject Source: Sackner Database

Found in 1295 Collections and/or Records:

[Letter to Bob Cobbing] / Chopin, Henri., 1970

 Item
Identifier: CC-19956-20344
Scope and Contents

Contains technical instructions for producing a record from a tape of their sound poetry performance. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970

[Letter to Bob Cobbing] / De Vree, Paul., 1970

 Item
Identifier: CC-16018-16359
Scope and Contents

de Vree explains the meanings of the sound poems, "Riviera and Met Leven Is Ein Baccarat." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970

[Letter To Bob Cobbing] / Heidsieck, Bernard., 1970

 Item
Identifier: CC-53901-58149
Scope and Contents

This letter describes sound poems recently completed that are available for presentation at the "sound poetry? concrete poetry?" exhibition to be held at the Stedelijk Museim in Amsterdam. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970

[Letter To Bob Cobbing regarding description of sound poem for Amsterdam show] / Novak, Ladislav., 1970

 Item
Identifier: CC-38823-40737
Scope and Contents

Novak provides the text of the sound poem recording that will be played at the 1970 exhibition of sound & concrete poetry in Amsterdam. The poem is based upon variations of the sentence, "I am speaking and therefore I am." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970

[Letter to Charlie Morrow] / Curtay, Jean-Paul., 1981

 Item
Identifier: CC-17823-18193
Scope and Contents

Discusses potential literary contribution to the magazine Ear, and provides a list of performance pieces. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1981

[Letter to Jake Berry] / And, Miekal., 1989

 Item
Identifier: CC-27181-27656
Scope and Contents

This letter refers to a sound poetry tape cassette that And has sent to Berry. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1989

[Letter to Jean-Paul Curtay August 21, 1985] / Dutton, Paul; Ball H., 1985

 Item
Identifier: CC-14589-14901
Scope and Contents

Mentions that a TV program, Ripley's Believe It Or Not, will feature the Four Horsemen, a Canadian sound poetry group, along with Marie Osmond giving a brief history of Dada and reading Hugo Ball's "Karawane!" -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1985

[Letter to Jean-Paul Curtay] / Cook, Geoffrey., 1980

 Item
Identifier: CC-17849-18219
Scope and Contents

Invites Curtay to visit and give a performance. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1980

[Letter to Jean-Paul Curtay Feb 25, 1981] / Claire, Paula., 1981

 Item
Identifier: CC-20351-20748
Scope and Contents

Claire dscusses performances and sound poetry. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1981

[Letter to Jean-Paul Curtay] / Lora-Totino, Arrigo; Cage J., 1980

 Item
Identifier: CC-07176-7317
Scope and Contents

Asks Curtay for information about his "body poetry." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1980

[Letter to Jean-Paul Curtay oct.1, 1980] / Dutton, Paul., 1980

 Item
Identifier: CC-15094-15412
Scope and Contents

Mentions that he is unable to write about sound poetry for publication in Berenice. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1980

[Letter to Jean-Paul Curtay] / Rypson, Piotr., 1981

 Item
Identifier: CC-03432-3488
Scope and Contents

Discusses state of the Avant Garde in Polond. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1981

[Letter to Jean-Paul Curtay] / Truck, Fred., 1982

 Item
Identifier: CC-01282-1313
Scope and Contents

Mentions relationship between sound poetry and catastrope theory. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1982

[Letter To Peter Finch] / Jandl, Ernst., 1971

 Item
Identifier: CC-34871-36580
Scope and Contents

In this letter, Jandl mentions "three visual poems" for publication in Second Aeon, the periodical edited by Finch. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1971

[Letter to Richard Aaron (March 6, 1977)] / Gibbs, Michael; Gysin B; Carrion U; Burroughs WS; Chopin H; Dufrene F; Heidsieck B; Cobbing B; Mon F; Hanson S; Johnson BE; Nannucci M; Lora-Totino A., 1977

 Item
Identifier: CC-43896-46000
Scope and Contents

Gibbs asks Aaron for books and mentions his working on Kontextsound to accompany the sound poetry festival ar Amsterdam's Stedelijk Museum. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1977

[Letter to Richard Aaron (May 7, 1977)] / Gibbs, Michael; Heidsieck B; Dufrene F; Ruhm G., 1977

 Item
Identifier: CC-43893-45997
Scope and Contents

Gibbs mentions his current travel plans and performances. He has favorable comments for a sound poetry festival. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1977

[Letter to Richard Aaron (November 1, 1975)] / Gibbs, Michael; Chopin H; Burroughs WS., 1977

 Item
Identifier: CC-43894-45998
Scope and Contents

Gibbs mentions that he wants to publish parts of Burroughs "The Third Mind" in Kontexts and that he is translating a piece from Henri Chopin in "difficult French. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1977

[Letter to Richard Truhlar] / Curtay, Jean-Paul; Heidsieck B; Dufrene F; Chopin H., 1983

 Item
Identifier: CC-17824-18194
Scope and Contents

Proposes a sound poetry performance. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1983