Designated Card Series No.32. This is the second edition of the print first published in 1974. -- Source of annotation: Marvin or Ruth Sackner.

In addition to the sound poetry texts in this book, the varied stock papers of the pages give rise to different sounds on turning the pages, a phenomenon not readily achievable on ebooks! -- Source of annotation: Marvin or Ruth Sackner.

This exhibition catalogue was utilized for three venues; the covers are identical except for the color schema. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition catalogue was utilized for three venues; the covers are identical except for the color schema. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition catalogue was utilized for three venues; the covers are identical except for the color schema. -- Source of annotation: Marvin or Ruth Sackner.

Designated ICPA Publication No.28. Images are feathers founf by Claire; the sound poem was published to celebrate Bob Cobbing's seventieth birthday at The Institute of Contemporary Arts, London, August 1990. -- Source of annotation: Marvin or Ruth Sackner.

Hubaut performed this poem in an event paying himage to the work of Bernard Heidseick held in Paris in 2011. -- Source of annotation: Marvin or Ruth Sackner.

This is a densely filled image of calligraphic text of different size fonts and weight that provokes an optical image. -- Source of annotation: Marvin or Ruth Sackner.

Sims Reed: This is an innovative collaboration between Iliazd and Raoul Hausmann, one of the principal protagonists of Berlin Dada and a pioneer of phonetic and visual poetry. The preface consists of a 'Hommage illettre d'Iliazd à Raoul Hausmann': 'Je suis fier de vous rendre hommage en disposant vos poemes et vos bois ou en tenant le plioir comme une plume.'. 'The typographic layout echoes the forms in the woodcuts, suggesting an architectonic underpinning to the very essence of the work. Poems and images seem to have the same skeletal foundation to their morphology, as a result showing two aspects of a single work.' (Johanna Drucker, Iliazd and the Art of the Book). Some water staining on cover, foxing on inside pages. -- Source of annotation: Marvin or Ruth Sackner.

The jacket is signed by Seiichi Niikuni "for Emmett Williams," Jun 1971.

This book without the drawing was published as Lettrisme New Series No.24, August 1971. The latter is also held by the Sackner Archive. The records are the first in a series "Anthologie Sonore de Lettries dites par leurs auteurs." A description of the contents of the records is given. Isadore Isou contributes a text ,"Le Lettrisme et l'esthetique infinitesimale devant la poesie et la peinture." The drawing consists of calligraphic markings and hieroglyphics additions to a printed fragment of wallpaper that depicts a classical art scene of a goddess dictating to a scribe. The drawings in the two copies of this book differ in the ink additions to the wallpaper pages which are themselves identical. A printed page that reproduces a handwritten text of Maurice Lemaitre describes the history of the records. -- Source of annotation: Marvin or Ruth Sackner.

This book without the drawing was published as Lettrisme New Series No.24, August 1971. The latter is also held by the Sackner Archive. The records are the first in a series "Anthologie Sonore de Lettries dites par leurs auteurs." A description of the contents of the records is given. Isadore Isou contributes a text ,"Le Lettrisme et l'esthetique infinitesimale devant la poesie et la peinture." The drawing consists of calligraphic markings and hieroglyphics additions to a printed fragment of wallpaper that depicts a classical art scene of a goddess dictating to a scribe. The drawings in the two copies of this book differ in the ink additions to the wallpaper pages which are themselves identical. A printed page that reproduces a handwritten text of Maurice Lemaitre describes the history of the records. -- Source of annotation: Marvin or Ruth Sackner.