Designated writers forum fours number 11. These poems are dedicated to the N.W. Territories of Canada and the poets William Angrave, Sean O'Huigin and Herbert Burke. -- Source of annotation: Marvin or Ruth Sackner.

The cover and illustrations in the text were done by Tom Phillips. The book is an anthology of previously published poems, e.g., White Sun Black Sun, Between, Sightings & Further Sightings, Poland/1931, etc. -- Source of annotation: Marvin or Ruth Sackner.

Cobbing writes that these originals were "ideas sorted out for use in Poems for the N.W. Territories (some used as Christmas Cards). In the event, most of this batch of work was mislaid and the N.W. Territory poems were largely created on the day of printing." The abstract markings of the monoprints are sound poems. -- Source of annotation: Marvin or Ruth Sackner.

This poem also was printed in book form and a copy is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Except for the McMaster University Library site on the internet that lists the date of publication as 1965 as in the Sackner copy, about five University Libraries list the date of publication as 1967. Thus, is the Sackner copy a first edition and the 1967 publication a second editions or is this a bibliographic error? The Sackner copy is not dated - the date is provided by Sharkey's holographic signature. Except for the title page, this poem is reprinted in its entirety in The Review of Contemporary Fiction Vol.7 No.2, 1987.It should also be noted that a 'proof copy' was printed in The Times Literary Supplement Thursday August 6 1964 and the Sackner Archive holds two copies of this publikcation. On fact. the final page of this book reads 'six poems from this sequence first appeared in the times lierary supplement.' -- Source of annotation: Marvin or Ruth Sackner.

Publication Of Antologia Polipoetica. -- Source of annotation: Marvin or Ruth Sackner.

This a collection of previously published essays on sound poetry that have been translated into Portuguese. -- Source of annotation: Marvin or Ruth Sackner.

This pamphlet consists of a critical essay about the contemporaneous state of sound poetry that was written by Heidsieck to accompany an exhibition about sound poetry. -- Source of annotation: Marvin or Ruth Sackner.

This pamphlet published in conjunction with an exhibiton is an essay about the contemporaneous state of sound poety. -- Source of annotation: Marvin or Ruth Sackner.

This book documents prize winners in Poetry for 2009. The CD is a selection of sound poetry by Bernard Heidsieck. Independent of each other's knowledge, for the first time, the Sackners met both Nanni Balestrini and Marco Giovenale, the editor and a prize winner of this book, respectively. -- Source of annotation: Marvin or Ruth Sackner.

Canal Street 42, a visual poetry collage held by the Sackner Archive is reprodiuced as a b&w photograph on page 11 of this exhibition catalogue. -- Source of annotation: Marvin or Ruth Sackner.

This book is a sound poetry score. -- Source of annotation: Marvin or Ruth Sackner.

The book begins with a timeline of the history of sound poetry tracing the literature, instruments, playing and treatises. It contains a descriptive analysis of the works of the major European sound poets with minimal attention to the works of non-European poets. -- Source of annotation: Marvin or Ruth Sackner.

The book begins with a timeline of the history of sound poetry tracing the literature, instruments, playing and treatises. It contains a descriptive analysis of the works of the major European sound poets with minimal attention to the works of non-Europeans. -- Source of annotation: Marvin or Ruth Sackner.

Issued in conjunction with Chopin's book of the same title, a work also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Issued in conjunction with Chopin's book of the same title, a work also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.