One of the loose sheets documents the method that Chopin utilizes to perform th esound poems. Thei tape is allso designated No.9 in the series. -- Source of annotation: Marvin or Ruth Sackner.

This consists of a list of calling initials of Scottish fishing boats arranged in a vertical row to form a sound poem with phonetic content. -- Source of annotation: Marvin or Ruth Sackner.

Designated ICPA Publication No.3. The poem, "Soundings" is a communal performance piece which celebrates medieval myths and legends. Four mandalas on unbound pages contain names of several concrete and visual poets along with examples of fragments of their works. -- Source of annotation: Marvin or Ruth Sackner.

The cover was designed by Jeremy Adler. -- Source of annotation: Marvin or Ruth Sackner.

The poem Soundreel (1919) is printed as "Sound-Ell" and is missing the handwritten ink additions present in the original copy held by the Sackner copy entitled " Sound-Reel" in the book "The Dada Painters and Poets" (1951) by Robert Motherwell. The Interview Avec Les Lettristed (1947)i s based upon "PIN and the story of PIN" (1962) edited by Jasia Reichardt. This unplayed tape is also designated No.5 of the series. -- Source of annotation: Marvin or Ruth Sackner.

Designated pamphlets number nine. A performance copy of this work with added notes is also held by the Sackner Archive. it has the title, "Ana 1 - 5." -- Source of annotation: Marvin or Ruth Sackner.

Designated pamphlets number nine. -- Source of annotation: Marvin or Ruth Sackner.

This is a reprinting of the book which was first published in 1965; it is No.15 in the Poets* series. In the introduction, Houedard traces the history of sound poetry through a listing of the chronology of "notable soundpoems" beginning with Lewis Carroll in 1855 and ending with Cobbing in 1965. He also mentions Egyptian hymns 300 B.C. of breath poems consisting of may notes sung to one syllable. Houedard's manuscript for this essay is held by the Sackner Archive. This book was written to accompany Writers Forum Record No.1 by Jandl and Cobbing. One of the poems by Jandl in this book, "time passes," also appears in the manuscript and book of "mai hart...," works also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This book is No.15 in the Poets* series. In the introduction, Houedard traces the history of sound poetry through a listing of the chronology of "notable soundpoems" beginning with Lewis Carroll in 1855 and ending with Cobbing in 1965. He also mentions Egyptian hymns 300 B.C. of breath poems consisting of many notes sung to one syllable. Houedard's manuscript for this essay is held by the Sackner Archive. This book was written to accompany Writers Forum Record No.1 by Jandl and Cobbing. One of the poems by Jandl in this book, "time passes," also appears in the manuscript and book of "mai hart...," works also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Designated Writers Forum Chapbook #12. -- Source of annotation: Marvin or Ruth Sackner.

The music was mixed from existing contemporary music. The pamphlet provides a history of artist stamps. The stamp sheets are color photocopies with perforations which were made by several artists. -- Source of annotation: Marvin or Ruth Sackner.

The music was mixed from existing contemporary music. The pamphlet provides a history of artist stamps. The stamp sheets are color photocopies with perforations which were made by several artists. -- Source of annotation: Marvin or Ruth Sackner.