This book is organized in sections dealing with aspects of Masson's life and art work, e.g., portraits, surrealism, stay in United States during WWII, etc. -- Source of annotation: Marvin or Ruth Sackner.

Claude Cahun's surrealistic book "Aveux Non Avenus" listed in this catalogue was purchased by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Publication includes reproductions of A. Dupont's "Nathalie et Justine" and "L'Art en Ciel," and I. Isou and A. Dupont's "Concerto pour Oeil et Oreille" which are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Auction catalogue. Consists of the Surrealism collection of Jacques Herold. -- Source of annotation: Marvin or Ruth Sackner.

This proof copy with justified margins and paragraph signs rather than indents or spaces was designed by Richard Eckersley. Mary Ann Caws writes in the introduction that among the writings of Breton, this work is the most philosophical and political; the whole edifice of Surrealism is based on its theories. Breton attempts to establish a communicating vessel or "conduction wire between the far to distant wirlds if waking and sleep, exterior and interior reality, reason and madness, the assurance of knowledge and of love, of life for life and the revolution." -- Source of annotation: Marvin or Ruth Sackner.

An exhibition of books, mauscripts, graphics and objects from the Howard L. & Muriel Weingrow Fine Arts Collection. Written and compiled by Haim Finklestein. -- Source of annotation: Marvin or Ruth Sackner.

In "Destruction Was My Beatrice" modernist scholar Jed Rasula presents the first narrative history of Dada, showing how this little-understood artistic phenomenon laid the foundation for culture as we know it today. Although the venue where Dada was born closed after only four months and its acolytes scattered, the idea of Dada quickly spread to New York, where it influenced artistsl like Marcel Ducahmp and Man Ray to Berlin where it inspired painters George Grosz and Hannah Hoch: and to Paris, where it dethroned previous avant-garde movements like Fauvism and Cubism while inspiring early Surrealists."THIS WAS THE LAST BOOK THAT RUTH SACKNER READ AND CATALOGUED. -- Source of annotation: Marvin or Ruth Sackner.

This article reviews the exhibition at the Zabriskie Gallery, "Georges Hugnet (1906-1974): Collages." It describes Hugnet's talents as a collage artist, poet, photographer, art historian of Dada and Surrealism, film writer, playwright and publisher. Vicki Goldberg points out how the Surrealist impulse can still be found in the collage of 20th century life with the images of the urban street, TV surfing and computer special effects all infiltrating our visual environment. -- Source of annotation: Marvin or Ruth Sackner.

Luiggi used the initial 'E.' for his surname in this catalogue. -- Source of annotation: Marvin or Ruth Sackner.

The Sackners attended this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Auction catalogue. -- Source of annotation: Marvin or Ruth Sackner.

Auction catalogue. -- Source of annotation: Marvin or Ruth Sackner.

This is an advanced copy of the catalogue. -- Source of annotation: Marvin or Ruth Sackner.

Auction catalogue. -- Source of annotation: Marvin or Ruth Sackner.

Auction catalogue. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition that accompanied this brochure was curated by Whitney Chadwick, Katy Kline and Helaine Posner. The Sackner Archive lent Cahun's photograph,"L'Humanite Poupee," two copies of the book "Aveux non avenus" by Claude Cahun, Francois Lepelier's "Claude Cahun: Un Monographie," and the catalogue "Claude Cahun Photographe" to the exhibition at its Miami Art Museum venue. -- Source of annotation: Marvin or Ruth Sackner.