Text over text
Found in 670 Collections and/or Records:
Fourteen Poems / Powell, David., 1989
Epage of this book depicts a rubberstamped letter poem with smearing and disintegration of the image. -- Source of annotation: Marvin or Ruth Sackner.
Fragment: 1/3, Preliminary Sketch / curry, jw., 1983
This was subsequently modified and published in collaboration with Necakov as Curvd H&Z No.406, 1990. -- Source of annotation: Marvin or Ruth Sackner.
Fragment 3/3 / curry, jw; Necakov, Lillian., 1986
The typed material in English by curry was photocopied and the calligraphic text translated into the Russian language by Necakov. -- Source of annotation: Marvin or Ruth Sackner.
Fragment: 3/3, Preliminary Sketch / curry, jw; Necakov L., 1983
This was subsequently modified and published in collaboration with Necakov as Curvd H&Z No.406, 1990. -- Source of annotation: Marvin or Ruth Sackner.
Freedom Warrior / Azcuy, Ray., 2012
This collage used as its base a page from the 1832 editon of Vasari's "Lives of the Artists" for a benefit raffle at the Miami-Dade Public Library. It was puchased by the Sackners at that event. -- Source of annotation: Marvin or Ruth Sackner.
From Alphabet to Logos / Ward, J.P.; Carroll N., 1970
Edited by Peter Finch. This is issue No.2 in the second aeon folder series. Issue No.1 is Bob Cobbing's "Songsignals," which is also held by the Sackner Archive. These are the only issues published. -- Source of annotation: Marvin or Ruth Sackner.
From Boomsday to Doosday..Attention Please, Attention If You Please Do Not Panic, 1980
The theme of the poem deals with the Cold War and is depicted on page 64 of Furnival's book "Lost for Words" (2011). -- Source of annotation: Marvin or Ruth Sackner.
from Death Text 2002-2004 / Leftwich, Jim., 2004
All the images consist of female nudes superimposed on texts that have English or made up words. The colors in the prints appear to have been manipulated in PhotoShop to give a solarized effect. -- Source of annotation: Marvin or Ruth Sackner.
From "The Pythagorean Sonnet" , 1971
from trackings / curry, jw., 2009
The prints originate from railroad stencils. One print that is depicted in this record is an example of a print made with such stencils. -- Source of annotation: Marvin or Ruth Sackner.
from trackings / curry, jw., 2009
The prints originate from railroad stencils. -- Source of annotation: Marvin or Ruth Sackner.
Fuck **** / Depew, Wally., 1990
Fukujuso / Die Reiche Neuling / Wagner, Dieter., 1984
Words and letters are silkscreened onto cut pages of a German residential telephone directory. The letters are a surrogate for Japanese words for a book published in the Edo period. -- Source of annotation: Marvin or Ruth Sackner.
FUT INK OY OU, 2012
The colors of the letters of this print are red and blue. -- Source of annotation: Marvin or Ruth Sackner.
Gail Song / Cobbing, Bob., 1971
This piece is present in the recording (33rpm) also held by the Sackner Archive entitled "Experiments in Disintegrating Language: Konkrete Canticle" (1971). In the recording the title Has been changed to Ga(il)o(ng). Work was previously stored in binder as a typwriter piece. -- Source of annotation: Marvin or Ruth Sackner.
GAP: Nelinski In Toronto. No.7/Oct / Wharton Hood., 1988
GAP: She Walked Down the Street. No.11/May / Greg Evason., 1990
Designated No.6 by Evason. -- Source of annotation: Marvin or Ruth Sackner.
gazzetti di gazzarre, gazarre di gazzette / Lora-Totino, Arrigo ; Cena, Sergio., 1993
This book mainly depicts photographic reproductions of collages composed with typewritten and found printed texts. -- Source of annotation: Marvin or Ruth Sackner.
Gebrauchsanweisung* / Gruber, Thomas., 1988
Genesis: The Generations of Adam / Wolf, Arne., 1965
This print lists the descendents of Adam in a concrete poetic style with a great deal of text over text printing. -- Source of annotation: Marvin or Ruth Sackner.