Text over text
Found in 667 Collections and/or Records:
Tell This Much / Luis, Carlos M. ; Sorin, Wendy Collin., 2005
[Tender] / Leftwich, Jim., 2007
[Terror Weapons] / Leftwich, Jim., 2007
Texte: Auswahl 1962 - 1977 und Neue Texte, 1978
There is heavy emphasis on poems that involve solely numbers' manipulations in this book. The poems utilizing words are minimalistic in nature. -- Source of annotation: Marvin or Ruth Sackner.
Texte und Kommentare , 1968
Includes extensive commentary by Bremer on his concrete and shaped poems. It includes photographs of the shaped poems are held by the Sackner Archive. Claus Bremer was born in 1924 and died in 1996. -- Source of annotation: Marvin or Ruth Sackner.
Texte und Kommentare, 1968
Includes extensive commentary by Bremer on his concrete and shaped poems. Photographs of the shaped poems are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Texte/1965 / Nannucci, Maurizio., 1965
There are 16 blocks of over-printed words in this piece. Nannucci's name and address are rubberstamped on the verso.The title and 1965 are written in graphite. -- Source of annotation: Marvin or Ruth Sackner.
Texte/1966 / Nannucci, Maurizio., 1966
There are 16 columns of over-printed words in this piece. Nannucci's name and address are rubberstamped on the verso.The title and 1966 are written in graphite. -- Source of annotation: Marvin or Ruth Sackner.
Thank You Thank You Thank You / Kight, Leila., 1997
An inspired thank-you note from Leila Kight to the Sackners after her tour of the Archive. -- Source of annotation: Marvin or Ruth Sackner.
The Art of Copy Art 1973-1994 / Olbrich, Jurgen O. ; Schwarze D., 1994
The Art of Practice: 45 Contemporary Poets / Barone, Dennis, editor ; Ganick, Peter, editor ; Byrum J ; Murphy S ; Drucker J ; McCaffery S ; Ott G ; Cole N., 1994
The Book of First Aid and How Not to Use It / Spurrier, Stephen., 2000
The Cardboard Junco / curry, jw., 1991
The front cover has a printed concrete poem consisting of a tautologic representation in a text over text style of the title of this book. The inside back cover has a cellophane bag filled with strips of printed text. -- Source of annotation: Marvin or Ruth Sackner.
[The City...], 1996
The is a photograph of a collage done by Zellen that incorporates an image of the Galleria in Milan, Italy with textural statements placed in the spaces of this structure about city life as interpreted by the artist. -- Source of annotation: Marvin or Ruth Sackner.
The City As A Site / Zellen, Jody., 1991
The Computer's First Translation / Morgan, Edwin, editor; Cobbing B; Furnival J; Parfitt W; Finch P; Morgan E., 1979
The card depict unreadable poems that might have been produced, according to Morgan's imagination, by bugs in computers' first programs on making translations. -- Source of annotation: Marvin or Ruth Sackner.
The Crisis of Western Civilization / Nikki Bell; Ben Langlands., 1983
The overall wall sculpture consists of cardboard, red painted, false bricks to form alters; this object has shelves to hold book objects. The center altar has a doll which appears to be an angel. The title of this work was taken from a trade edition book that constitutes an element of the sculpture. The pages of the latter are collaged with text that has been cut-up and rearranged, sometines upside down, so that it is reminiscent of a language that once might have been interpretable but can no longer now be deciphered. The book objects placed on the shelf reference this imagined civilization. One of the book objects depicts a colored collaged photographic print of the 1970's American television character, Molly Goldberg, with arms outstretched as if posing a question, enclosed within a frame dated in hand lettering as 1949. -- Source of annotation: Marvin or Ruth Sackner.
The Elimination Considerati, 1984
Text has been enlarged several times its orignal size by repeated passages through Xerox machine. -- Source of annotation: Marvin or Ruth Sackner.
The Gospel of Jesus Christ According to John and Romans / Leftwich, Jim., 1998
Leftwich overlayed colored, handwritten markings and colored, rubberstamped abstract shapes on each page of a previously published, double column, Biblical textbook. He placed loose sheets between each page and made abstract writings down the vertical center of the sheet. The inside and outside of the front and back covers have also been covered with abstract writings and rubberstampings. -- Source of annotation: Marvin or Ruth Sackner.