Text over text
Found in 667 Collections and/or Records:
Visual Poems / Helmes, Scott., 1986
Visual Poetry Collaboration. No.6, 2002
Leftwich formed his contribution with scanned crumpled texts, Altemus with computer generated text. Stored in Reed Altemus portfolio box. -- Source of annotation: Marvin or Ruth Sackner.
Visual Poetry Poster Series: Hoje e Dia de Sao Valentim. No.11 / Ana Hatherly., 2009
Visual Poetry Poster Series: Mayhem Poem. No.3 / Ted Warnell., 2009
Visual Test / De Araujo, Avelino., 1983
Visual Voices; A Globule of Blake Whirling Tags to the Corners; pages 124--125 / Weiss, Irving., 1994
This poem is based upon William Blake (1775-1827). From Milton, Book One, "The Sons of Ozoth within the Optic Nerve stand fiery glowing" to "Of that Pulsation & that Globule, terrible their power." -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Murmurs in the Great Poetic Welkin Tracking a Poem; pages 140-141 / Weiss, Irving., 1994
This poem is based upon Keats, Sonnet: "How many bards gild the lapses of time" -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Poem Floating through One's Dream, Blurred in Three Places pages 14-15 / Weiss, Irving., 1994
This poem is based upon John Donne's (1573-1631), "Death Be Not Proud." -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Poem: Simultaneous View of As Both Crowded and Spacious; pages 112--113 / Weiss, Irving., 1994
This poem is based upon Air from Elizabethan songbook: "Every bush new springing" Every bush new springing, Every bird now singing, Merrily sat poor Nicho, Chanting troli lo loli lo, Till her he had espied On whom his hope relied, Down a down, with a frown, O she pulled him down. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; The Poem of the Unmoored Lines Remembered pages 12-13 / Weiss, Irving., 1994
This poem is based upon" lines unattributed." -- Source of annotation: Marvin or Ruth Sackner.
vizUallasjelentes: anthology of literature / Laszlo, L. Simon, editor ; Nagy P ; Abajkovics P ; Urban T ; Zsubori E., 1995
voice / Valoch, Jiri., 1965
Voiceless / Powell, David., 1989
In this book, there is one poem to each page that consists mainly of letter picture constructions. -- Source of annotation: Marvin or Ruth Sackner.
Voiceless / Powell, David., 1989
In this book, the single poem on each page consists mainly of letter picture constructions. -- Source of annotation: Marvin or Ruth Sackner.
Voices / Phillips, Tom; O'Regan T., 2006
This image is derived from the cover of a CD of choral works by Tarik O'Regan. -- Source of annotation: Marvin or Ruth Sackner.
Von der Magie des Schreibens / Spiegel, Herta., 1995
The book consists of examples and documentation of varied calligraphic styles utilized by the author. -- Source of annotation: Marvin or Ruth Sackner.
Vorwerk 1 & 2, 1991
Paragraphs of the text are added to newer paragraphs by overprinting in different horizontal and vertical arrangements with increased or decreased type faces and shadings of ink such that the final pages appear the most dense. -- Source of annotation: Marvin or Ruth Sackner.
[Walker Area Code 212] / Kotowitz, Victor., 1972
This print depicts a page of the white pages of the New York telephone directory with a text over text, scattered name "Wright" over the right lower section. -- Source of annotation: Marvin or Ruth Sackner.
Walls That Are Cracked: A Paralogue on Panels 1 and 2 of Steve McCaffery's Carnival / Bok, Christian; Wershler-Henry, Darren; Chan, Katy; Gomringer E., 1995
This work was published for the session on "Innovation and the Carnivalesque in Postmodern Canadian Poetry" at the Northeast Modern Language Association. The text is designed in short spaced paragraphs in two columns. The loose sheet contains variations of Gomringer's poem Silencio by Christian Wagenknecht. -- Source of annotation: Marvin or Ruth Sackner.
Wegdenken? / Elsas, Wolfgang., 1999
Wolfgang Elsas cards are grouped together as a card set. -- Source of annotation: Marvin or Ruth Sackner.