Text over text
Found in 675 Collections and/or Records:
Collages, Photographs, Prints & Books / Barron, Susan., 1984
The duplicate copy is not accompanied by an envelope. -- Source of annotation: Marvin or Ruth Sackner.
Collected Poems Volume One: Cygnet Ring / Cobbing, Bob., 1977
This book includes poems of cut-ups begun in 1956. The method was to decide on the number of lines, clip out newspaper lines of the required number, and paste them up in an effective order to give an appearance of a conventional poem. This work antedates Gysin's 1959 cut-ups, usually attributed as the first to employ it. This book also includes cut-ups of earlier cut-ups, and permutations or mutations based on newspaper headlines but originating from phrases clipped from books. -- Source of annotation: Marvin or Ruth Sackner.
Collection: Zerosscopiz 845: Poemes Mecaniques, 2. No.3 / Jean-Francois Bory ; cummings ee., 1981
This book prints Bory's concrete poems and includes reproductions of prints which are held by the Sackner Archive, viz., Hommage a Pavlov and Stock Market Report. -- Source of annotation: Marvin or Ruth Sackner.
Coma Goats Press: From a Homolinguistic Translation of R.D. Laing: l Knot. No.18/Jul / jw curry., 1983
Computer Buch from a Library of Strange Books, 1988
The book is cut horizontally through the pages and slightly rotated. The fore-edge and cardboard base are painted green.Internet: Sarah Firmin (Dorothy Carr) (1933-) is a versatile artist, designer and teacher, gaining her painting diploma at St Martin's School of Art. Working at the London College of Printing, (together with Francis Carr, whom she married) Firmin helped pioneer the use of screenprinting as a fine art medium in the late 1940s. They have been credited with producing some of the first screenprints to be made in this country, and for introducing the medium to a number of artists including Eduardo Paolozzi. Firmin took part in numerous group shows and her solo exhibitions include the ICA, 1970; Gardner Art Centre, Sussex University, 1982; and Barbican Centre, 1991. The British Museum and Victoria & Albert Museum hold examples of her work. -- Source of annotation: Marvin or Ruth Sackner.
Computer Poems / Cobbing, Bob., 1990
Computer Poems / Cobbing, Bob., 1989
Concadence / Weiner, Hannah., 1997
This work is labeed '3' in this four poem sequence. The title is a nonsense word. Weiner died in 1997. -- Source of annotation: Marvin or Ruth Sackner.
concrescent poetry / Lucentezza, Ruhe., 2002
[Conditions] / Leftwich, Jim., 2007
Constellations / Hompson, Davi Det., 1967
The 10 prints (one of the 11 is the colophon) depict random arrangements of the numbers 1 and 0 to suggest a concrete poem composed in a binary code. Hompson used his given name, David E.Thompson, as the author of this work. -- Source of annotation: Marvin or Ruth Sackner.
Conversation / Drake, Luigi-Bob., 1991
Coupe Gramme , 1987
[Cover Design for Richard Truhlar's Ten Sephardic Translations] / curry, jw., 1983
This was published in can't afford no Kodak Instamatik Instamatik Vol.2. -- Source of annotation: Marvin or Ruth Sackner.
crashcolour / Balestrini, Nanni., 2008
Balestrini placed fragmented letters printed with an ink jet printer work on canvas as the basis for this work. He then randomly painted within several letters the colors, orange, yellow, green, red, blue and purple. The background letters are of varyied fonts and sizes typical of his poetic works. -- Source of annotation: Marvin or Ruth Sackner.