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Typewriter poetry

 Subject
Subject Source: Sackner Database

Found in 1767 Collections and/or Records:

Ganglia 5 Cent Mimeo Series: The Complete Works. No.5 / bp Nichol., 1966

 Item
Identifier: CC-36304-38094
Scope and Contents

The page depicts in typed letters the upper and lower case view of the typewriter keyboard. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1966

Ganglia's Concrete Series: I Microcosmique. No.1 / Pierre Garnier., 1967

 Item
Identifier: CC-36250-38039
Scope and Contents

The poems consist of varied arrangements of the letter "i." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1967

Ganglia's Concrete Series: Touch. No.2 / David W. Harris ; bissett b., 1967

 Item
Identifier: CC-10637-10846
Scope and Contents

Provides an introduction patterned after bill bissett's unique spelling of the English language. Each page depicts a reproduction of a single typewriter poem. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1967

Garuda IV: The Foundations of Mindfulness / Trungpa, Chogyam, editor., 1976

 Item
Identifier: CC-58555-10001780
Scope and Contents

Charles Cameron comments in email to Marvin Sackner: dsh must have shown him some concrete poems, but Trungpa was extremely interested in the arts, was a friend of poets such as Allan Ginsberg and Anne Waldman, published a book of poems (First Thought, Best Thought) -- and there's also a volume of poems published collectively (Timely Rain). He pretty much situated himself in the Beat Poetry environment in the early 70s, and I suspect dsh had a lot to do with that. And there's a calligraphic signature by Trungpa [in the lower right corner]. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1976

Gedicht [overlapping filled typed squares] (170664) / Houedard, Dom Sylvester., 1964

 Item
Identifier: CC-56698-10000086
Scope and Contents

In this poem, all the squares are typed, not collaged. The original typing is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1964

Geiger Sperimentale: Algoritmo. No.28 / Adriano Spatola., 1973

 Item
Identifier: CC-10110-10311
Scope and Contents

This book depicts several poems first published in 1966-1967 in various periodicals. One of the poems entitled "trittico' [Italian] in English means triptych and was a popular standard format for altar paintings from the middle ages and another composed of ditto marks and entitles "die ubung" [German] in English means repetitiion. A poem entitled 'variation' morphs to variateur [French] whch in English means light dimmer. Finally, "danger?" is a take-off on gomringer's "silencio." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1973

[gibberish] / Hill, Crag., 1984

 Item
Identifier: CC-60007-10003044
Scope and Contents

Exhibited in Visualog 2, San Luis Obispu, California. Exhibiton was curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984

Gioba, 1987

 Item — Box 323: [Barcode: 31858072490893]
Identifier: CC-22028-22444
Scope and Contents

These poems were composed from 1958-1987. Barsky was a Ukrainian poet who was born in 1930. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987

gloaf (011263) / Houedard, Dom Sylvester., 1963

 Item
Identifier: CC-55814-158815
Scope and Contents

Although dsh may not have intended this piece to be titles, simply a letter picture, the word "gloaf' is a slang term [internet] used to denote farmers and hillbillies. A gloaf is described as being a moronic, idiotic, impulsive, repulsive, dimwitted, clumsy oaf of a farmer. A gloaf usually smells of manure or body odour, or a mix of the two. Typically, most gloafs are ignorant and opinionated. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1963

glostershire sun-rolling disc-ode; memorial to ken cox (121168) / Houedard, Dom Sylvester; Cox K., 1968

 Item
Identifier: CC-56290-59746
Scope and Contents

gloster ode works ltd is at the bottom center. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1968

Gloug Gloug / Houedard, Dom Sylvester., 1970

 Item
Identifier: CC-56010-59770
Scope and Contents

L'eau glauque translates to pale sea-green water. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970

God / Hirsal, Josef; Grogerova, Bohumila., 1962 - 1992

 Item
Identifier: CC-09396-9582
Scope and Contents

The theme of this poem, first composed in 1962, depicts the Christian concept of Heaven and Hell from the blue sky (azur) to the bowels of the earth. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1962 - 1992

Going, Going, Gone! / Chopin, Henri., 1972

 Item
Identifier: CC-18692-19065
Scope and Contents

This is an original of the typing-collage which appears as page 15 of Chopin's book, "Le Repas." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1972

graphical problem score of the tape - record DESCENT / Kudielka, Robert., 1966

 Item
Identifier: CC-57526-57217
Scope and Contents Wikipedia: Kudielka studied 1967-1972 among others, Dieter Jähnig and Walter Schulz Philosophy, from Wolfgang Schadewaldt Classical Philology and German studies and art history in Tübingen. In 1977, the PhD with a study of Kant's "Critique of Judgment" with Dieter Jähnig at the University of Tübingen. Between 1967 and 1977 Kudielka worked as a freelance art critic and exhibition curator. In 1978 he was appointed to the Chair of Aesthetics and Theory of Art at the University of Arts in Berlin, where he became professor emeritus in 2010. 1982-1984 was Kudielka Visiting Lecturer at Royal College of Art in London. Since 1997 he is member of the Academy of Arts in Berlin-Brandenburg, in which he was the director of the department from 2003 to 2012 Fine Arts held. In 2000 Kudielka held a visiting professorship at the University of Rio de Janeiro, Brazil. Since 1967 Kudielka interacts with the curator of numerous exhibitions. He is also a participant and organizer of many workshops,...
Dates: 1966