Typewriter poetry
Subject
Subject Source: Sackner Database
Found in 1791 Collections and/or Records:
Kunst-Raume / Ulrichs, Timm., 1975
Item
Identifier: CC-40840-42817
ky + / Mairey, Francoise., 2002
Item
Identifier: CC-59555-10002632
Scope and Contents
Card No.1 was scanned into record. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
2002
Kykafrikaans / Boshoff, Willem Hendrik., 2003
Item
Identifier: CC-45835-48523
Scope and Contents
These prints were generated from photographs of the original typings from the book with same title that is held by the Sackner Archive. The latter lent the original typings for these prints. A web site provides the background for each of the 12 poems. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
2003
Kykafrikaans / Boshoff, Willem Hendrik., 1980
Item
Identifier: CC-24222-24674
Scope and Contents
The Sackner Archive holds almost the entire manuscript for this book. A few pages were donated to the PAMM museum in Miami, Boshoff's typewriter poetry and art is all the more remarkable for the fact that he worked in complete geographical isolation from concrete poets and typewriter poets. The colophon indicates that the typings were composed on a Hermes 3000 model. This piece was exhibited in "Global Conceptualism" that started at Queens Museum and also travelled to Miami Art Museum. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1980
Kykafrikaans / Boshoff, Willem Hendrik., 1980
Item
Identifier: CC-24223-24675
Scope and Contents
This is the manuscript for the only typewritten, concrete poetry book published in South Africa. Each page is recorded as a single entry into the database. Boshoff achieved optical effects by weighting the density of typewritten letters in different portions of the poem through overtyping and creating diagonals by placement of the same letter in that direction. Includes an optical effects poem in a circular shape achieved by formating typewritten fragments in the manner of Houedard. This work was purchased from Tony Zwicker after the Sackners met Boshoff in 1996 in Zwicker's Grammercy Park loft. It was exhibited at Miami Art Museum during the Global Conceptualism show. Boshoff in "word forms and language shapes 1975 - 2007" writes the following: The first edition of this work is an anthology of concrete poetry published by Uitgewery Pannevis, which was founded by Markus de Jong. During its short existence it focused on printing alternative Afrikaans literature. The book comprises...
Dates:
1980
Kykafrikaans: Page 1 / Boshoff, Willem Hendrik., 1980
Item
Identifier: CC-57731-10000982
Kykafrikaans: Page 4 / Boshoff, Willem Hendrik., 1980
Item
Identifier: CC-57733-10000985
Kykafrikaans: Page 5 / Boshoff, Willem Hendrik., 1980
Item
Identifier: CC-56668-10000063
Scope and Contents
This is a page from the manuscript for the only typewritten, concrete poetry book published in South Africa. Boshoff achieved optical effects by weighting the density of typewritten letters in different portions of the poem through overtyping and creating diagonals by placement of the same letter in that direction. Includes an optical effects poem in a circular shape achieved by formating typewritten fragments in the manner of Houedard. Missing page 87. This work was purchased from Tony Zwicker after the Sackners met Boshoff in 1996 in Zwicker's Grammercy Park loft. It was exhibited at Miami Art Museum during the Global Conceptualism show. Boshoff in "word forms and language shapes 1975 - 2007" writes the following: The first edition of this work is an anthology of concrete poetry published by Uitgewery Pannevis, which was founded by Markus de Jong. During its short existence it focused on printing alternative Afrikaans literature. The book comprises black and white reproductions...
Dates:
1980
Kykafrikaans: Page 7 / Boshoff, Willem Hendrik., 1980
Item
Identifier: CC-57816-10001068
Kykafrikaans: Page 8 / Boshoff, Willem Hendrik., 1980
Item
Identifier: CC-57844-10001096
Kykafrikaans: Page 10 / Boshoff, Willem Hendrik., 1980
Item
Identifier: CC-61576-10004032
Scope and Contents
This poem consists of single words seemingly laid out in random positions and order. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1980
Kykafrikaans: Page 11 / Boshoff, Willem Hendrik., 1980
Item
Identifier: CC-57736-10000988
Kykafrikaans: Page 12 / Boshoff, Willem Hendrik., 1980
Item
Identifier: CC-57737-10000989
Kykafrikaans: Page 13 / Boshoff, Willem Hendrik., 1980
Item
Identifier: CC-57738-10000990
Kykafrikaans: Page 14 / Boshoff, Willem Hendrik., 1980
Item
Identifier: CC-57820-10001072
Kykafrikaans: Page 19 / Boshoff, Willem Hendrik., 1980
Item
Identifier: CC-57742-10000995
Kykafrikaans: Page 20 / Boshoff, Willem Hendrik., 1980
Item
Identifier: CC-57822-10001074
Kykafrikaans: Page 21 / Boshoff, Willem Hendrik., 1980
Item
Identifier: CC-57743-10000996
Kykafrikaans: Page 22 / Boshoff, Willem Hendrik., 1980
Item
Identifier: CC-56667-10000062
Scope and Contents
This is a page from the manuscript for the only typewritten, concrete poetry book published in South Africa. Boshoff achieved optical effects by weighting the density of typewritten letters in different portions of the poem through overtyping and creating diagonals by placement of the same letter in that direction. Includes an optical effects poem in a circular shape achieved by formating typewritten fragments in the manner of Houedard. Missing page 87. This work was purchased from Tony Zwicker after the Sackners met Boshoff in 1996 in Zwicker's Grammercy Park loft. It was exhibited at Miami Art Museum during the Global Conceptualism show. Boshoff in "word forms and language shapes 1975 - 2007" writes the following: The first edition of this work is an anthology of concrete poetry published by Uitgewery Pannevis, which was founded by Markus de Jong. During its short existence it focused on printing alternative Afrikaans literature. The book comprises black and white reproductions...
Dates:
1980
Kykafrikaans: Page 24 / Boshoff, Willem Hendrik., 1980
Item
Identifier: CC-57823-10001075