This poem pamphlet announces the birth of Gregory Jay Smith, son of William Jay Smith and his first wife, Barbara Howes. -- Source of annotation: Marvin or Ruth Sackner.

This artist book, consisting of typewriter poetry and art as well as short stories consiats of a large number of concrete poetic styles. Cinicolo's typing is so proficient that the text appears to be offset printed from a small size type face but was actually typed using an Olympia microface. -- Source of annotation: Marvin or Ruth Sackner.

Houedard plays on the similar pronunciation of particular French and English words. -- Source of annotation: Marvin or Ruth Sackner.

The poem is in the shape of a tower with the base containing the following: "being an illlumination in graphic poems of some of the basic wordy structures of civilisation" -- Source of annotation: Marvin or Ruth Sackner.

Contains a single reproduction of a poem using a typewriter with its content about the typewriter in poetry; the remainder of the book consists of printed conventional poems. -- Source of annotation: Marvin or Ruth Sackner.

With this piece and its instruction based upon varied colored light displays and sounds, Houedard provides instructions for a digital poem. -- Source of annotation: Marvin or Ruth Sackner.

The fisrst stanza of the original poem by Henry Vaughn reads: I saw Eternity the other night, Like a great ring of pure and endless light, All calm, as it was bright; And round beneath it, Time in hours, days, years, Driv'n by the spheres Like a vast shadow mov'd; in which the world And all her train were hurl'd. The doting lover in his quaintest strain Did there complain; Near him, his lute, his fancy, and his flights, Wit's sour delights, With gloves, and knots, the silly snares of pleasure, Yet his dear treasure All scatter'd lay, while he his eyes did pour Upon a flow'r. -- Source of annotation: Marvin or Ruth Sackner.

This is a poem in the shape of a pig typed with capital letters and each body part is the typed name of that part. The complete quote at the botton of the page "The world's a trough and everyman a pig " is attributed to Swillshere. -- Source of annotation: Marvin or Ruth Sackner.

Mahayana typewritings are stored in a custom wooden box made by Molly Burgess whereas Theravada typewritings are stored between two plexiglas book covers. The limited edition book, 'Still,' of 25 copies depcits excellent reproductions of the originals to the extent that it is difficult to distinguish the original from the letterpress reproductions. However, the originals are typed on a single page whereas the reproductions in the book are printed on sleeve pages. A comparison between the blackness of the lettering generally showed more blackness with the originals than the reproductions. -- Source of annotation: Marvin or Ruth Sackner.

On the back cover, it is stated that Derya Vural was born in 1974 in Germany. She lives in Istanbul and works as a child psychologist and addiction consultant. She is interested in modern/contemporary visual arts, maths and motor-sports. Her visual poems were published at Zinhar/Poetikhars (Turkish visual poetry website/magazine), www.391.org and exhibited at the Asian visual poetry exhibition in Russia since 2005. Infusoria 2009. She is going on publishing visual poems at her personal website, www.dryvrl.blogspot.com. -- Source of annotation: Marvin or Ruth Sackner.

The earlist poem on this page of multiple small poems dated 220163 reads 'the creator's - primordial crime - scrubbed.' Another poem that Houedard produced on 160263 reads 'Bang sid gpd - bangbang said i - we are both a bit kinky.' In a concrete poetic version of this poem with the same date also held by the Sackner Archive entitled 'dialogue,' the ending has been changed to 'we are both a bit crazy.' -- Source of annotation: Marvin or Ruth Sackner.