Typewriter poetry
Found in 1767 Collections and/or Records:
Vancouver Mainland Ice and Cold Storage 3rd Edition / bissett, bill., 1973
This is the 3rd edition; the 1st was published in 1973 and the 2nd in 1974. All are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Variation 4 from ECHO CHAMBER 1992 / Claire, Paula., 1991
[Veil Image] / Bernstein, Charles., 1978
Venantius Fortunatus Opera Poetica II:5 / Cook, Geoffrey., 1979
Signed photocopy of original -- Source of annotation: Marvin or Ruth Sackner.
Verbi Visi Voco: A Performance of Poetry / Cobbing, Bob, editor ; Griffiths, Bill, editor ; Pike, Jennifer, editor ; Mottram E ; Finch P ; Halsey A ; Fencott PC ; Houedard DS ; Ball H ; Valoch J ; Rehfeldt R ; Nuttall J ; Claire P ; Nichol bp ; McCaffery S ; bissett b ; curry jw ; Bentivoglio M ; Mayer P ; levy da ; Pelieu C ; Themerson S., 1992
In his introductory essay, Eric Mottram writes, "This, the 500th Writers Forum publication, represents one of the most outstanding and original achievements in poetics publication in Britain this century." The author is also known as Jennifer Cobbing. -- Source of annotation: Marvin or Ruth Sackner.
Verklarte Nacht / UU, David., 1965
This poem first appeared in the book, "Gideon Music," when the poet was writing under the name of David W. Harris. It was inspired by the music of Schonberg. -- Source of annotation: Marvin or Ruth Sackner.
Vertical Stepping / Clements, Wayne., 2001
Vietato Zona Infestata 2 / Claire, Paula., 1977
Vietato Zona Infestata / Claire, Paula., 1977
visto / Goeritz, Mathias., 1968
The image on a CD was given to the Sackner Archive by Klaus Peter Dencker. -- Source of annotation: Marvin or Ruth Sackner.
Visual Poem / De Campos, Augusto., 1953
This page was personally scnned under the direction of Augusto De Campos. -- Source of annotation: Marvin or Ruth Sackner.
Visual Poetries / Houedard, Dom Sylvester ; Furnival J ; Brett G ; Medalla D., 1971
The cover depicts a detail of a portrait of Houedard by John Furnival. The exhibition catalogue lists 50 works by Houedard including eight plastic laminate poems. The introductory essay was written by Guy Brett. There are also extracts from Houedard's writings and a letter to David Medalla printed in the catalogue. -- Source of annotation: Marvin or Ruth Sackner.
Visual Poetry Collaboration. No.8, 2002
Topel formed his contribution with typed numbers, Altemus with xerox art. Stored in Reed Altemus portfolio box. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; A Blinded by Reader's Emotion Poem; pages 128--129 / Weiss, Irving., 1994
This poem is based upon Thomas Campion (1527-1620), "When thou must home." However intended, even if only as rhetorical ingenuity, this one-sentence condemnation is sharp enough to produce the effect on the reader which the blurred printing stands for. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; A Globule of Blake Whirling Tags to the Corners; pages 124--125 / Weiss, Irving., 1994
This poem is based upon William Blake (1775-1827). From Milton, Book One, "The Sons of Ozoth within the Optic Nerve stand fiery glowing" to "Of that Pulsation & that Globule, terrible their power." -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Archaic Blockverse Poem; pages 80-81 / Weiss, Irving., 1994
This poem is based upon John Fletcher (1579-1625), "Weep No More." -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Black Magic Poem; pages 66-67 / Weiss, Irving., 1994
This poem is based upon Ben Jonson, from "The Sad Shepard" -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Clock-Title Poem; pages 78-79 / Weiss, Irving., 1994
This poem is based upon Coleridge, "Phantom" -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Couplets Snapping By in the Poetic Welkin pages 28-29 / Weiss, Irving., 1994
This poem is based upon Dryden (1631-1700) -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Elizabeth Barrett Browning Corpus Stylistic Analysis Program Reinventing "How Do I Love Thee"; pages 50-51 / Weiss, Irving., 1994
This poem is based uponElizabeth Barrett Browning (1806-1861), Sonnets From the Portuguese, 43. -- Source of annotation: Marvin or Ruth Sackner.