Typewriter poetry
Found in 1767 Collections and/or Records:
Visual Voices Unpublished; Poem in Two Aspects: Bleeding and Almost Completely Risen; page 14 / Weiss, Irving., 1994
This poem is based upon Wyatt, "What no, perdy" -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices Unpublished; Poem Jumbling All Its Means To Become a Prose Print Paragraph; page 41 / Weiss, Irving., 1994
This poem is based upon John Jones, from his Adrasta, 1635 -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices Unpublished; Poem with Eroded Edges; page 82 / Weiss, Irving., 1994
This poem is based upon Sir Walter Ralegh, "Epitaph" -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices Unpublished; Poem with Sounds Rebounding and Blending; page 52 / Weiss, Irving., 1994
This poem is based upon Drayton, from Poems, 1619 -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices Unpublished; Rogue Poemlet Dislocation with Impudent Rehosting Elsewhere; page 16 / Weiss, Irving., 1994
This poem is based upon Rogue: from sonnet by William Percy in Coelia, 1594. Original source: sonnet by Percy. Second host: sonnet by Barnaby Barnes in Divine Century of Spiritual Sonnets, 1595. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices Unpublished; Shadows Beginning to Fall into the Well of the Poem; page 29 / Weiss, Irving., 1994
This poem is based upon Drummond of Hawthornden from Flowers od Sion -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices Unpublished; The Weave in the Fabric of the Sonnet; page 54 / Weiss, Irving., 1994
This poem is based upon Wyatt, "Who so list to hount" Stretch out the sonnet in order to perceive better how the weave works, any type of sonnet will do, in this example Wyatt's use of the Italian connection. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices Unpublished; Theoretical Poem; page 12 / Weiss, Irving., 1994
Visual Voices Unpublished; Touch and Tinker Poem; or, What Would Be the Degrees of Stress If You Were to Stretch Out the Lines as Prose?; page 61 / Weiss, Irving., 1994
This poem is based from Keats, Hyperion, Book 2 -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices Unpublished; World Within a World Poem; page 59 / Weiss, Irving., 1994
This poem is based upon Chapman, from The Whole Works of Homer, c.1616, Iliad, Book XVIII -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices Unpublished;Poem Accumulating Fourteen Lines; page 24 / Weiss, Irving., 1994
This poem is based upon Shakespeare, Sonnet 106 -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Wingless Duck Poemlet Wanders Out of Poem; pages 114--115 / Weiss, Irving., 1994
This poem is based upon (1517?-1547) Surrey, " How no age is content with his own estate & how the age of the children is the happiest, if they had the skill to understand it." -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Zeroing - In Poem; pages 84-85 / Weiss, Irving., 1994
This poem is based upon Ben Jonson, "Slow, slow, freah fount." from Cynthia's Revels. The word at the zero circlet, between "grief" and "showers," is, indeed, "in." -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Zipperpoem: The Approach, Closure, and Congress; pages 56-57 / Weiss, Irving., 1994
This poem is based upon William Shakespeare (1564-1616), Sonnets 65 and 71. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices;Two Poems Accidentally Driven Together by Homolettristic Explosions in an Alphabetical Minefield; pages 58-59 / Weiss, Irving., 1994
This poem is based upon Sir Thomas Wyatt (1503-1542), "Hate whom ye list." Barnabe Googe (1504-1594), "To Doctor Bale." The two poems, unaware of each other's presence, meet in an alphabetical minefield. In their collision they accidentally interconnect lines, becoming a monster of a single poem, at which the mines go off homolettristically, each mine blowing up its letter-likeness in an adjacent line of the monstrous poem. -- Source of annotation: Marvin or Ruth Sackner.
Visualized Prayers & Hymn For The American $God$ / levy, d.a.., 1966
Visuelle Poesie, 1996
Vite: Poem-Graphique pour un Cerf-Volant, 1966
This is the original of the typing which appears in Chopin's book, "Le Dernier Roman du Monde." -- Source of annotation: Marvin or Ruth Sackner.