ThIs drawing is included in a book that follows the romantic adventures of A (L'Amoureuse) and M (Le Marchand) though a poetic, typographic landscape in Paris. Berman is the graphic designer and illustrator of this humorous and sophisticated book. Quesemand is the author of the text. On the left side of the drawing is a an image of a postal envelope with a stamp. -- Source of annotation: Marvin or Ruth Sackner.

ThIs drawing is included in a book that follows the romantic adventures of A (L'Amoureuse) and M (Le Marchand) through a poetic, typographic landscape in Paris. Berman is the graphic designer and illustrator of this humorous and sophisticated book. Quesemand is the author of the text. This drawing features images related to fruits. -- Source of annotation: Marvin or Ruth Sackner.

ThIs drawing is included in a book that follows the romantic adventures of A (L'Amoureuse) and M (Le Marchand) though a poetic, typographic landscape in Paris. Berman is the graphic designer and illustrator of this humorous and sophisticated book. Quesemand is the author of the text. The theatre building on the left has signs of books that have a title with a single letter, e.g., 'W' by Georges Perec and Joseph K. by Kafka, etc. Quesemand's poetry is printed on the extreme left. -- Source of annotation: Marvin or Ruth Sackner.

ThIs drawing is included in a book that follows the romantic adventures of A (L'Amoureuse) and M (Le Marchand) though a poetic, typographic landscape in Paris. Berman is the graphic designer and illustrator of this humorous and sophisticated book. Quesemand is the author of the text. This drawing's main image is a bridge across a canal. -- Source of annotation: Marvin or Ruth Sackner.

The catalogue is composed of several essays written about Vodaine's life and work. -- Source of annotation: Marvin or Ruth Sackner.

The illustration is of old fashion Spanish names printed in varying typographic styles. The acompanying article by Manyuel Munoz describes what pronunciation choice reveals about cultural identity. -- Source of annotation: Marvin or Ruth Sackner.

Wolfgang Schmidt was born in 1929 and died in 1995. -- Source of annotation: Marvin or Ruth Sackner.

Leggere means to read in Italian. -- Source of annotation: Marvin or Ruth Sackner.

Each page depicts a woman or parts of a woman's body in erotic poses. Often a poetic caption accompanies the illustrations. The facing page often consists of found concrete poetic expressions. -- Source of annotation: Marvin or Ruth Sackner.

This anthology, with text by Massin, is divided into three main sections. The first section is a discussion of the letter itself, the letter as symbol and the history of letters. The next section contains figurative verse and calligrams, shaped poetry and prose throughout history. The final section of the book examines the use of letters in fine art and how the letter form has grown in importance throughout the history of art. The diverse illustrations are international in scope and range from early Christian prayer books and Gothic alphabets to contemporary works.The English edition of this book has not printed the appendices present in the original French edition. -- Source of annotation: Marvin or Ruth Sackner.

This issue consists almost entirely of reproduced callographic works. -- Source of annotation: Marvin or Ruth Sackner.

This issue consists almost entirely of greeting cards designed by calligraphers. It also carries an obituary of Don Kunz. -- Source of annotation: Marvin or Ruth Sackner.

This issue is deals with letter carvers on stone with illustrative examples. -- Source of annotation: Marvin or Ruth Sackner.

Adele Spindler Roatcap contributed an illustrated essay "Sonia Delaunay: Color Rhythm Simultaneity." -- Source of annotation: Marvin or Ruth Sackner.

Richard Kindersley contributes an essay "Standing Stones" in which he describes ancient stones in the British Isles as well as his own works of ten stones commissioned for the Millennium. Each stone is engraved with a quotation of a famous author of the period. Jordenne Ferrington describes and illustrates the selections from the contest celebrating "The Graceful Envelope." -- Source of annotation: Marvin or Ruth Sackner.

This issue served as the catalogue for the calligraphic exhibition at the Guilford Handcraft Center in Connecticut entitled "Calligraphic Enigma/Where Magic LInes Meet." Joan Goswell's bio mentions that her work is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.