The layout was designed by Gerald Lange. -- Source of annotation: Marvin or Ruth Sackner.

This book is the 5th printing of the first edition. -- Source of annotation: Marvin or Ruth Sackner.

Representative example of their letterpress work. -- Source of annotation: Marvin or Ruth Sackner.

The words are printed in silver ink on a blue paper. -- Source of annotation: Marvin or Ruth Sackner.

This card depicts the words of the title printed in deconstructed typography that resemble white neon lights on a black structure floating in space. -- Source of annotation: Marvin or Ruth Sackner.

Ivan Kubicek contributes an essay titled "Poems For Looking At And Pictures For Reading." -- Source of annotation: Marvin or Ruth Sackner.

Susan King gave this folder to each participant in the Getty Summer Institute "Reading and the Art of the Book" during a tour of Paradise Press. -- Source of annotation: Marvin or Ruth Sackner.

Several of the pages in part one are Corris' typographical renditions of writings by Berthold Brecht. In parts two and three, Corris utilized concrete and visual poetic techniques to flesh out the politics of art. Composed and output by the author on Compugraphic Editwriter 7700, MCS 10 with Preview, MCS 20 with Power Page, and Compugraphic 8400. Funded in part by The National Endowment for the Arts. Part One, Typographic Samples: Excerpts from E.P. Thompson's "Letter to America," the Mask of Evil, This Babylonian Confusion, Ballad on Approving of the World, and other titles by Bertolt Brecht. Part Two, Typographic Pictures: "Logo for the Confused" and 15 other selections. Part Three, Typographic Polemics: Decomposition (after Alfred Barr), The Cultivated Hope (after Oscar Wilde), The Sucess and Failure of Stuart Davis, and The Sublime is Now (after Barnett Newman). -- Source of annotation: Marvin or Ruth Sackner.

This is a paperback with French flaps Noble rendered the buildings & locations of Nobson Newtown's geography, history & mythology between 1995-2004. The essays are: a rough guide to Nobson Newtown; this house was once a home; the writing & narrative startegies in Nobson Newtown; works; photos, drawings & associated materials; chronology. -- Source of annotation: Marvin or Ruth Sackner.

The word PERMUTATION is printed in seven typographic forms. -- Source of annotation: Marvin or Ruth Sackner.

Each card contains a single letter of the word, HOME, in different typefaces with a cryptic feminist phrase. The cards are attached by string to form a vertical row . -- Source of annotation: Marvin or Ruth Sackner.

The 22 poems of Octavio Paz, translated into French by Jean-Clarence Lambert, were printed on papermade paper by Milda Krasno. The title means loose or free stones and the handmade papers resemble stones. The book object was conceived by Rodolfo Krasno who also contributed a line drawing of a surrealist-like figure. -- Source of annotation: Marvin or Ruth Sackner.

In the introduction, Lars Muller writes that Muller-Brockmann "consistently pursues the formal reduction and condensation of statements until he has an objective message. His demand for neutral, functional and objective design became Swiss Graphic Design in the 50s and 60s, where he was a major influence...But the rules and constants of graphic design that it formulated are still valid. They will acquire greater significance in the upcoming debate, which is long overdue, about the complexity of the simple." Muller-Brockmann designed posters for the world of art and music, and approached graphic design as an artist who emphasised typographic rather than pictorial solutions.The book is divided into two main sections. The first provides a biography of Muller-Brockman and a review of Swiss graphic design in the pre-WWII years. The second section depicts examples of his graphic designs. -- Source of annotation: Marvin or Ruth Sackner.