Visual art
Found in 5481 Collections and/or Records:
Graphic Eye / Cantor, Judy; Paresky L., 2003
This article describes Laura Paresky Gould's new photographic work in a magazine "Home & Design" published by the Miami Herald. -- Source of annotation: Marvin or Ruth Sackner.
graphic work & painting, 1985
This book is a collection of essays by Wright's students as an homage to him, Wright's own essays and autobiography and examples of his artwork, typographical work, and concrete poetry. On page 17, a photographic of one of his concrete vowel poems is depicted; the original photograph is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Graphic Works: Catalogue Raisonne 1947-1998 / Roth, Dieter., 2003
This book was edited by Dirk Dobke who contributed a introductory essay. It contains reproductions of the 524 prints made by Dieter Roth between 1947 and 1998 when he died. The works display his "inventive manuipulation of the various stages in the print making process, achieving remarkable editions in which not one print is identical." The print of this deluxe edition is "A Bunch of Flowers 3" which is also depicted on page 319. An exposition of the various printmaking techniques employed by Roth is described in the introduction. -- Source of annotation: Marvin or Ruth Sackner.
Graphics 1967-1979 / Wiley, William T.., 1980
Graphpoemachines / Chopin, Henri ; Henson S., 2006
Gravitaz / Anderson, PBJ., 1996
This group of three artists, all former students of St Martins, have collaborated in presenting a combination of photography, typography, fashion, concrete poetry and technology. Anderson is represented in the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Great Blafigria IS, The. No.2-3 / John Boland, editor ; Brandi J ; Stettner I ; Lifshin L ; Trantino T ; Hirschman J ; Lipman J., 1976
The handwritten marginalia in this magazine are printed within the texts. -- Source of annotation: Marvin or Ruth Sackner.
[Great Visit!], 2002
This work includes several items. There is a letter from John Bennett reflecting his visit to the Archive with the Director of the Library and the Vice President of Development of Ohio State University. The bib was from Joe Stone Crabs' Restaurant on Miami Beach where the Sackners took the group for lunch. Bennett stamped and wrote his characteristic poetry on the bib that he titled "Stone Crab Variations." -- Source of annotation: Marvin or Ruth Sackner.
GREEN DRAGON SPRINGS / Depew, Wally., 1984
The same rubberstamped dragon is depicted in this book as in the books, "coming and going," but here the arrangements of multiple dragons complex. Further, an APPENDIX depicts the DRAGONS IN COLORS other than green. The layouts vary from copy to copy. -- Source of annotation: Marvin or Ruth Sackner.
Green Island: Rosebud. / Robert Lax., 1975
The inside cover of the folder depicts a photograph of a woman in a flapper dress and the back cover contains a typical Lax poem. Edited by David Kilburn. -- Source of annotation: Marvin or Ruth Sackner.
Green / Vater, Regina., 1992
Greet Greetin - Let the Good Times Rule / Jackman, Sandra., 2014
Greetings 1984 / Jacoby, Ruth., 1984
[Grid of Imaginary Faces} / Nadau, Jean-Pierre., 2007
Gronk: Force Movements. No.4 / Nelson Ball ; Caruso B., 1970
Also designated Ganglia Press, 35cent Mimeo Series No.3 but this second copy is not held by the Sackner Archive. One copy has a photocopied line drawing portrait of Nelson Ball by his wife, Barbara Caruso. -- Source of annotation: Marvin or Ruth Sackner.
Gronk Inadmissible Series: sex & the single mushroom. No.3 / Gerry Gilbert., 1995
Gronk Intermediate Series: Doors: To Oz & Other Landscapes. No.23 / bp Nichol ; Caruso B., 1979
This issue also served as an exhibition catalogue of Nichol's visual art at the Vivaxis Gallery, Toronto, in December 1979. -- Source of annotation: Marvin or Ruth Sackner.
Gronk: Motion / Pictures. No.1 / David UU., 1969
Gronk: RUSH: what fuckan theory: a study uv language. No.8 / bill bissett., 1972
The edition size was probably between 300 - 400 copies. On this copy, the word "RUSH" is rubberstamped on the cover. A duplicate has the label "Rush" and a simple line drawing of a landscape. Derek Beaulieu in "seen of the crime" views this work as an early seminmal work of conceptual writing. -- Source of annotation: Marvin or Ruth Sackner.
Gronk Zap: After Winsor McCay. No.2 / bp Nichol., 1983
As suggested by the instructions, the paper folded reveals the text, "I had puzzling feelings about your puzzled look." -- Source of annotation: Marvin or Ruth Sackner.