Visual art
Found in 5481 Collections and/or Records:
La Piedra Colectiva: Canciones con Movimiento , 1978
Also designated Exit 2. The print was made by Claudio Parmiggiani. -- Source of annotation: Marvin or Ruth Sackner.
La Piega Come Cade / Savoi, Alba., 1997
This exhibition was curated by Ivana D'Agostino. -- Source of annotation: Marvin or Ruth Sackner.
La Poesie de Donzy / Adlers, Bengt., 1982
The text consists of street names, shops, road signs, directions and other urban signs. Ir appears to be roadside observations made during a trip from Malmo, Sweden to Donzy, France. -- Source of annotation: Marvin or Ruth Sackner.
La Quindicesima Riga / Baruchello, Gianfranco ; Cagnone N., 1968
La Reine Astrid / Furnival, John; Furnival, Astrid., 2000
This is an invitation to Astrid Furnival's 60th birthday party designed by John Furnival. -- Source of annotation: Marvin or Ruth Sackner.
La Rue Est un Reve / Pelieu, Claude., 1989
La Sagrada Cripta de Pombo / Gomez de la Serna, Ramon., 1999
The title translates to "Crypt of the Sacred Pombo." This is an well illustrated novel with particular attention to Cafes of Madrid at the turn of the 19th century. Ramon Gomez de la Serna (1888-1963) was a Spanish writer, dramatist and avant-garde agitator. He influenced Luis Bunuel to a considerable extent. He was especially known for "GreguerÃas" - a short form of poetry that roughly corresponds to the one-liner in comedy. The Gregueria is especially able to grant a new and often humorous perspective. Serna published over 90 works in all literary genres. In 1933, he was invited to Buenos Aires. He stayed there during the Spanish Civil War and the following Franco regime. He died in Buenos Aires, Argentina in 1963.Some sample Greguerias:El par de huevos que nos tomamos parece que son gemelos, y no son ni primos terceros.Translation:The pair of eggs we got look like identical twins, and they're not even third cousins. -- Source of annotation: Marvin or Ruth Sackner.
La schiuma del tempo / Bertini, Gianni., 2004
La Scrittura (edited and written by Mirella Bentivoglio) / Di Sarro, Luigi ; Bentivoglio M ; Villa E ; Cattania L ; Novelli G ; Twombly C., 1991
Mirella Bentivoglio comments that the works of Di Sarro (1941-1979), who was a doctor, should be considered as precursors to art as writing, a tendency which developed in Rome in the sixties in the work of Emilio Villa, Marco Balzarro, and Luciano Cattania. She adds that this was followed by the well known Roman tendency of sign-abstraction, "impersonated" by Capagrossi, Novelli, and Twombly. -- Source of annotation: Marvin or Ruth Sackner.
La Societe Paradisiaque Tome I / Dupont, Albert; Isou I., 1989
Contains intoductory essay by Isidore Isou -- Source of annotation: Marvin or Ruth Sackner.
La Tour Des Tours - La Tour Monumentale, 1972
Depicts an Eiffel Tower like image collaged from other famous buildings in history. -- Source of annotation: Marvin or Ruth Sackner.
The second copy is signed to Sara.
La Ville Menacee / de Charmoy, Cozette., 1976
Laberintos leves / Espejos azules / Caidas predecibles / Warck-Meister, Lucia., 2001
Labyrinthspiel / Thomkins, Andre ; Ingrid Kruger, curator ; Spoerri D ; Gerstner K ; Steiger D ; Schwartz D., 1989
[Lady with scarf 1] / Houedard, Dom Sylvester., 1954
According to a personal communication from Charles Verey to the Sackners, Houedard was alternating his time in Prinknash Abbey and Rome, Italy from October 1951 to July 1954. He believed that most of the visual art was done in Rome. -- Source of annotation: Marvin or Ruth Sackner.
Laka I Smierc / Dluzniewski, Andrzej., 1988
This brochure depicts colored line drawings of human figures. -- Source of annotation: Marvin or Ruth Sackner.