Visual art
Found in 5471 Collections and/or Records:
Abreojos. No.1/Apr / Pedro Castrortega, editor ; Millan F., 1993
This periodical consists of consecutive sections of several pages dealing with the contribution of a single artist or poet. -- Source of annotation: Marvin or Ruth Sackner.
Absence and Presence / Mary Austin, curator ; Hansen J ; Olson R ; Rice F., 2012
The subtitle of this catalogue is "A Printmaking Response to the Bombing of Al-Mutanabbi Street." This was the ancient booksellers street in Baghdad Street bombed adn devastated by a car bomb in 2007. -- Source of annotation: Marvin or Ruth Sackner.
Absolut Images / Absolut Anonymous ; Martinez-Canas M., 1993
Absolute Elsewhere / Davies, James ; Taylor, Simon ; Huth G., 2010
Geof Huth contributes a blurb of Davies' and Taylor's work on the back cover. -- Source of annotation: Marvin or Ruth Sackner.
Abstraccion Temporal / Ostrander, Tobias, editor ; Goeritz M ; Ostrander T ; Gomringer E ; Roth D ; Mayer H ; Cobbing B ; Sharkey JJ., 2010
This catalogue covers the season of programing at the mueum including dance and theatre productions and several exhibition projects anD an artist's residency. A major portion was devoted to the work and interviews with Mathias Goeritz who named the building "El Eco as an expression of his desire for this small space to have a large cultural impact, for its projects to reverberate from this center outwards and its local cultural production to resonate within the larger context of the international artistic community." -- Source of annotation: Marvin or Ruth Sackner.
Abstract Abstracts: Briefs & Clamours / Burke, Herbert., 1987
Abstract Art / Ashman, Stuart, editor ; Lohr H ; Tuttle R ; Nauman B., 2003
This book, curated by Stuart Ashman with artist profiles by Suzanne Deats, features abstract artists from New Mexico. Included is Helmut Lohr whose works are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
[Abstract Figures], 1964
This print depicts five amorphous shapes filled with dense black abstract markings. -- Source of annotation: Marvin or Ruth Sackner.
[Abstract Images with Clocks], 1964
This print depicts two architecturally-like shapes that have dense abstract markings, line drawn faces and clocks. -- Source of annotation: Marvin or Ruth Sackner.
[Abstract Lines] / Rehfeldt, Robert., 1984
[Abstract Markings] / Depew, Wally., 1975
There are 12 prints in this series. -- Source of annotation: Marvin or Ruth Sackner.
[Abstract Markings Grid 3 x 5] / Rehfeldt, Robert., 1989
Abstraction Analytique / Degottex J., 1978
[Abstractions] / Depew, Wally., 1990
The original purchase price of each print was $2.The measurements of the varying sized prints are for the largest one. -- Source of annotation: Marvin or Ruth Sackner.
Abstrakte Poesie / Lax, Robert ; Reinhardt A., 1985
This catalogue mainly consists of an extensive bibliography of Lax's work. The title of the exhibition, "Abstrakte Poesie" does not appear in the catalogue, only in the contemporaneous exhibition announcement. The back cover reproduces a letter from Ad Reinhardt to Robert Lax. -- Source of annotation: Marvin or Ruth Sackner.
Action Figures / Jacobson, Michael ; Gaze T., 2012
Tim Gaze desribes Jacobson's work on the back cover."Who are these creatures? Are they the characters & things you might see walking down the street in any big city?...They hint at both Mayan glyphs & street graf." -- Source of annotation: Marvin or Ruth Sackner.
Active Process / Rutkovsky P ; Smith K ; Berger P., 1987
Actual Size (296667) / Houedard, Dom Sylvester., 1967
A brown leaf is sealed in the plasatic laminate, -- Source of annotation: Marvin or Ruth Sackner.
Adam Creating the Modern Car / Furnival, John., 1970
A Michaelangelo-like nude male figure reaches out his arm and points his finger at seven luxury British cars. Stored in Odds & Sods. -- Source of annotation: Marvin or Ruth Sackner.
Adam Creating the Motor Car / Furnival, John., 1961
In this sketch, a Michaelangelo-like male nude figure reaches his arm out to a mini-car. Stored in Odds & Sods. -- Source of annotation: Marvin or Ruth Sackner.